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Breaking the Waves

  • 1996
  • R
  • 2 घं 33 मि
IMDb रेटिंग
7.8/10
74 हज़ार
आपकी रेटिंग
Emily Watson in Breaking the Waves (1996)
Theatrical Trailer from October Films
trailer प्ले करें2:09
1 वीडियो
91 फ़ोटो
ट्रेजेडीड्रामापीरियड ड्रामामनोवैज्ञानिक ड्रामा

एक दुर्घटना में तेलमैन जान को लकवा मार जाता है। उनकी पत्नी, जिसने उसकी वापसी के लिए प्रार्थना की, अपने आप को कसूरवार मानती है; उस वक़्त और भी ज़्यादा, जब जान उसे दूसरे के साथ यौन संबंध बनाने... सभी पढ़ेंएक दुर्घटना में तेलमैन जान को लकवा मार जाता है। उनकी पत्नी, जिसने उसकी वापसी के लिए प्रार्थना की, अपने आप को कसूरवार मानती है; उस वक़्त और भी ज़्यादा, जब जान उसे दूसरे के साथ यौन संबंध बनाने के लिए ज़ोर देता है।एक दुर्घटना में तेलमैन जान को लकवा मार जाता है। उनकी पत्नी, जिसने उसकी वापसी के लिए प्रार्थना की, अपने आप को कसूरवार मानती है; उस वक़्त और भी ज़्यादा, जब जान उसे दूसरे के साथ यौन संबंध बनाने के लिए ज़ोर देता है।

  • निर्देशक
    • Lars von Trier
  • लेखक
    • Lars von Trier
    • Peter Asmussen
    • David Pirie
  • स्टार
    • Emily Watson
    • Stellan Skarsgård
    • Katrin Cartlidge
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.8/10
    74 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Lars von Trier
    • लेखक
      • Lars von Trier
      • Peter Asmussen
      • David Pirie
    • स्टार
      • Emily Watson
      • Stellan Skarsgård
      • Katrin Cartlidge
    • 263यूज़र समीक्षाएं
    • 89आलोचक समीक्षाएं
    • 82मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 45 जीत और कुल 28 नामांकन

    वीडियो1

    Breaking the Waves
    Trailer 2:09
    Breaking the Waves

    फ़ोटो91

    पोस्टर देखें
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    + 85
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    टॉप कलाकार33

    बदलाव करें
    Emily Watson
    Emily Watson
    • Bess McNeill
    Stellan Skarsgård
    Stellan Skarsgård
    • Jan Nyman
    Katrin Cartlidge
    Katrin Cartlidge
    • Dodo McNeill
    Jean-Marc Barr
    Jean-Marc Barr
    • Terry
    Adrian Rawlins
    Adrian Rawlins
    • Dr. Richardson
    Jonathan Hackett
    • Priest
    Sandra Voe
    • Mother
    Udo Kier
    Udo Kier
    • Sadistic Sailor
    Mikkel Gaup
    Mikkel Gaup
    • Pits
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    Roef Ragas
    • Pim
    Phil McCall
    • Grandfather
    Robert Robertson
    • Chairman
    Desmond Reilly
    • An Elder
    Sarah Gudgeon
    • Sybilla
    Finlay Welsh
    Finlay Welsh
    • Coroner
    • (as Finley Welsh)
    David Gallacher
    • Glasgow Doctor
    Ray Jeffries
    • Man on Bus
    Owen Kavanagh
    • Man at Lighthouse
    • निर्देशक
      • Lars von Trier
    • लेखक
      • Lars von Trier
      • Peter Asmussen
      • David Pirie
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं263

    7.874.4K
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    फ़ीचर्ड समीक्षाएं

    Lanwench

    I'm still in shock

    I just finished watching "Breaking the Waves" and am still not sure whether it was a good film or a strong piece of manipulation. Perhaps there is ultimately no difference.

    Emily Watson was luminous and altogether convincing, and the camerawork didn't bother me in the slightest. On the contrary, it suited the story immensely - as did the deliberately washed-out palette. A brilliant invocation of a time and place.

    However, the story left me feeling like I'd just watched someone kicking a puppy ... for several hours. I dislike the implication that such brutal and violent self-sacrifice can be justified by intense love, and to have this line wrapped up in a dewy religious shroud is a cop-out. It's like watching a documentary about the horrors of sideshow life - with plenty of explicit segments starring the freaks themselves. Allows an audience to moralize and yet be voyeurs at the same time.

    Poor Bess was more than naive - whatever brain she was born with was utterly starved of oxygen by the narrow and restrictive community she was born into. I sympathized most with Dodo, who of them all loved Bess the most, and the least selfishly.

    I find myself very angry after seeing "Breaking the Waves", which is why I cannot say that I disliked this film. Had I truly disliked it, my response would be less emotional.
    butterfinger

    Unforgettable

    Lars von Trier's Breaking the Waves is the kind of film that makes me proud to be a film-goer and exceeds anything I could have possibly expected from the man who made Element of Crime. That film had some clever experimentation (and so does this one) but this film is the kind that's beauty and power echoes in your mind hours after you've watched it. This is a flabbergasting work of art that portrays a woman's quest to please God and does so with the complexity and emotional power of a Bergman film (not to mention the fact that the film portrays a woman's intense suffering in world sternly ruled by men with the power of a Dreyer film). If von Trier made nothing else of any merit for the rest of his career, if all he did was make marginally interesting film experiments, I wouldn't hesitate to call him a great filmmaker on the soul basis of this film. Anyway, you get the picture… The film stars Emily Watson as Bess, a shy and neurotic girl who is filled with joy to be with her new husband Jan (Stellan Skarsgard who is exceptional). When Jan is paralyzed after an accident at the oilrig he works in, he is in danger of losing his life. He convinces Bess to see other people and Bess wants nothing more than to make him happy and to prove to God that she loves him. After some disastrous complications, Bess is led to believe that she can please God and save Jan's life by having numerous sexual encounters with strangers in town. This sounds like a grungy tale, but von Trier tells it with such humanism and focus on his themes that we never feel like he is rubbing our faces in drear. And Watson is delightful, frightening, and heartbreaking as a woman who will stop at nothing to please those around her. Her one-sided conversations with God (in which she looks up in the air submissively and pleas and then looks down with a deep voice of wrath and scolds) are both funny and sad, not to mention the fact that they reveal seemingly endless amounts of details about who she is. The film is made with a hand-held camera and a visually stunning solarized style. This style does not make the movie; it just adds richness to each scene in the way it gives each face such shadowy texture. In the end, von Trier seems to believe in God but does not believe in the churches that try to codify what he wants. All of this works because of von Trier's passionate desire to understand how one can please God under horrendous terms; the epilogue, that takes the already-great material to a new level and shows how inspired von Trier is, starts with a moment of sad irony and then leaps to the skies with an image that fills the most atheistic person with questions and the more religiously spiritual people with hope. Here is a film that reaches for the stars and makes it there.
    8sol-

    My brief review of the film

    A film about love, faith, religion and many other things, it is a draining experience but yet fascinating to watch, with superb acting and an intriguing main character. It is surprising how gripping the film is, as it is difficult to watch, not just because of the subject matter, but also because of its style. Made by the conventions of Dogme '95, the film has many extreme close-ups, generally shaky camera-work and errors in continuity for editing and audio levels, all of which is supposed to amount to a film that looks and feels more realistic. With this film though, the quality of the acting and writing provide enough realism alone, and therefore the style serves no purpose other than to make the film more difficult to digest. It is an incredibly long film, and while this is not too much of a problem, the chapter markers are noticeably long without much reason either. Still, the film comes through despite its detracting bits. Watson, in her first film performance, is excellent, and Cartlidge provides great support. This is not an easy film to watch and like, but it is easy to admire what is done well in the film.
    film-critic

    We do not need bells in our church to worship God.

    This is the story about love. Everyday we experience this breathtaking emotion with both inanimate objects and with other souls. It is when we finally find true love that nothing else in the world seems worthy or good. We work as hard as we can to continue this warmth that we feel in our hearts when true love exists, and sometimes that means going to a level we never thought imaginable.

    That is the central theme of Lars von Trier's epic, Breaking the Waves. Love has no boundaries as we watch Bess do everything possible (and more) to keep the relationship with her husband together during the roughest of times. Emily Watson controls the character Bess giving her best performance ever. The emotion and serenity that is felt, not only behind the character of Bess, but also behind Watson's eyes is phenomenal. It is not often that Hollywood is able to capture this sort of raw emotion, but Watson pulled it off with incredible talent.

    Outside of Watson's character, there is the story. Lars von Trier does a spectacular job of continually building on the foundation that he has begun.

    Watson is his foundation, and Trier builds this amazing world around her. In this film, everything from talking to God to reverberating stories to her husband while he is in the hospital only helps build the story to even higher heights. I will be honest; I shed tears at the end of this film. It will pull at every heart muscle that you have and really make you look at your significant other and truly feel the power of love.

    This is a love story, but not like one we have seen in a very long time. I don't think we will see anything similar to this again. It will be hard for Hollywood to emulate such raw talent, groundbreaking direction, and life-changing story.

    Thank you Lars von Trier for your imagination and passion for love.

    Grade: ***** out of *****
    10gbheron

    Incredible and Powerful Film

    Initially, this story about the marriage of young Scottish woman and a Scandinavian oil rig worker had my eyes glazing over. I was ready to hit the eject button about 20 minutes into the movie. But I held in there and slowly was drawn in to their lives, their environment, and the ghastly tragedy that confronts them.

    Lars von Trier is a very patient storyteller, as well as being an eccentric movie maker. In Breaking the Waves, he slowly, very slowly unfolds his drama. The problem is; you have to pay careful attention, and this can be difficult. Von Trier's style, with its hand-held camera, lack of artificial lighting, grainy photography, and lingering close-ups can try the patience. The movie is also long, clocking in at about 2½ hours. But if you see it through, the final half hour will blow your mind, and you will have seen one of the best (and most emotionally powerful) movies of 1996, maybe even the whole decade.

    इस तरह के और

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    7.9
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    6.7
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    7.5
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    8.0
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    7.1
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    Antichrist
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    6.6
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    Forbrydelsens element
    6.7
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    De fem benspænd
    7.4
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    Epidemic
    5.9
    Epidemic
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    8.2
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Theatrical film debut of Emily Watson. She received an Oscar nomination and was expelled from the School of Economic Science (the alleged cult she was brought up in) for her role in this film.
    • गूफ़
      The film is set in the early 1970s, but the van featured prominently in the car park and heliport scenes is a mid-1980s Freight Rover 200, formerly known as the Leyland Sherpa.
    • भाव

      Dodo McNeill: Not one of you has the right to consign Bess to hell!

    • इसके अलावा अन्य वर्जन
      The director's cut of the film, featuring explicit shots removed from the U.S. version for ratings purposes, is available on Criterion laserdisc.
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Space Jam/The Mirror Has Two Faces/The English Patient/Breaking the Waves (1996)
    • साउंडट्रैक
      All the Way from Memphis
      Written by Ian Hunter

      Performed by Mott the Hoople

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Breaking the Waves?Alexa द्वारा संचालित
    • This is 1 of 3 movies in a series, Breaking The Waves, Dancer In The Dark, and which other?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 जुलाई 1996 (डेनमार्क)
    • कंट्री ऑफ़ ओरिजिन
      • डेनमार्क
      • स्वीडन
      • फ़्रांस
      • नीदरलैण्ड
      • नॉर्वे
      • आइसलैंड
      • यूनाइटेड किंगडम
      • फिनलैंड
      • इटली
      • बेल्जियम
      • जर्मनी
      • स्विट्ज़रलैंड
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Rompiendo las olas
    • फ़िल्माने की जगहें
      • कोपनहेगन, डेनमार्क
    • उत्पादन कंपनियां
      • ARTE
      • Argus Film Produktie
      • Canal+
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • DKK 4,20,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $38,03,298
    • दुनिया भर में सकल
      • $38,31,182
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 33 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

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