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Brilliant Lies

  • 1996
  • R
  • 1 घं 34 मि
IMDb रेटिंग
6.0/10
373
आपकी रेटिंग
Anthony LaPaglia and Gia Carides in Brilliant Lies (1996)
Drama

अपनी भाषा में प्लॉट जोड़ेंSusy Conner accuses former employer, Gary Fitzgerald, of harassment and unfair dismissal for failing to comply with his sexual demands. Relating the incident to conciliation lawyer, Marion L... सभी पढ़ेंSusy Conner accuses former employer, Gary Fitzgerald, of harassment and unfair dismissal for failing to comply with his sexual demands. Relating the incident to conciliation lawyer, Marion Lee, Susy comments that the trauma experienced should entitle her to a compensation payment... सभी पढ़ेंSusy Conner accuses former employer, Gary Fitzgerald, of harassment and unfair dismissal for failing to comply with his sexual demands. Relating the incident to conciliation lawyer, Marion Lee, Susy comments that the trauma experienced should entitle her to a compensation payment of $40,000.00.

  • निर्देशक
    • Richard Franklin
  • लेखक
    • Peter Fitzpatrick
    • Richard Franklin
    • David Williamson
  • स्टार
    • Gia Carides
    • Anthony LaPaglia
    • Zoe Carides
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.0/10
    373
    आपकी रेटिंग
    • निर्देशक
      • Richard Franklin
    • लेखक
      • Peter Fitzpatrick
      • Richard Franklin
      • David Williamson
    • स्टार
      • Gia Carides
      • Anthony LaPaglia
      • Zoe Carides
    • 15यूज़र समीक्षाएं
    • 2आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 4 कुल नामांकन

    फ़ोटो9

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 6
    पोस्टर देखें

    टॉप कलाकार29

    बदलाव करें
    Gia Carides
    Gia Carides
    • Susy Connor
    Anthony LaPaglia
    Anthony LaPaglia
    • Gary Fitzgerald
    Zoe Carides
    Zoe Carides
    • Katy Connor
    Ray Barrett
    Ray Barrett
    • Brian Connor
    Michael Veitch
    • Paul Connor
    Catherine Wilkin
    Catherine Wilkin
    • Marion Lee
    Neil Melville
    Neil Melville
    • Vince
    Jennifer Jarman-Walker
    • Ruth Miller
    Grant Tilly
    • Steve Lovett
    Beverley Dunn
    • President
    Brad Lindsay
    • Registrar
    Barry Friedlander
    • Mr. Burton
    Iain Murton
    • Mr. Hall
    Tim Elston
    • Young Brian
    Natalie Gauci
    • Young Katy
    • (as Natalie Gauchi)
    Emily-Jane Romig
    Emily-Jane Romig
    • Young Susy
    Daniel Holten
    • Young Paul
    Lisa Aldenhoven
    Lisa Aldenhoven
    • Stephanie Fitzgerald
    • निर्देशक
      • Richard Franklin
    • लेखक
      • Peter Fitzpatrick
      • Richard Franklin
      • David Williamson
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं15

    6.0373
    1
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    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    Philby-3

    A moral tale from the anti-discrimination tribunal

    Sexual harrassment, and films about it, may be last year's fashion, but it's still a good earner for the lawyers and bureaucrats administering our anti-discrimination laws. In this film, based on a play by David Williamson, Australia's premier commercial playwright, the "victim" manages to do quite well, and the "aggressor" is badly mauled.

    Beautiful"victim" Susie Connor (Gia Caridies) comes to sympathetic anti-discrimination agency official Marion (Catherine Wilkin) to complain about the attentions of her handsome but piggish boss Gary (Anthony LaPaglia). She wants $40,000 in compensation. Conciliation is attempted but ends in acrimony. Marion starts to wonder if Susie is telling the truth, or is just a brilliant liar. The movies winds up as courtroom drama, with the truth strangely finding its way out through all the lies.

    Interwoven with the legal proceedings is the unravelling of another set of lies and truths involving Susie, her equally beautiful lesbian/feminist sister Katy (Zoe Caridies) and their failed entrepreneur father Brian (Ray Barrett) who is in urgent need of an expensive heart by-pass operation.

    It's all a bit like "Disclosure" (Demi Moore/Michael Douglas) meets "On Golden Pond" (the Fondas). Ray Barrett produces an ingratiating old rogue who even tries to persuade us that a little child molesting might not be so heinous, but might in fact stem from love. Anthony LaPaglia plays Gary the go-getter with plenty of suppressed rage and a general air of bewilderment. Gia Carides handles the ambiguity of her role - victim and sexpot - adroitly. Zoe (her sister in real life) does not succeed so well with sister Katy whose lesbianism come across as a lifestyle choice rather than basic sexual orientation. Pick of the performances really is Catherine Wilkin's Marion the anti-discrimination bureaucrat - a measured and fair portrait of a much maligned species.

    The script seems a bit flat by Williamson standards. He is justly famous for his dialogue but here only the occasional line stands out. When Susie mentions that she only ever took Ecstacy (the drug) once, Marion remarks "Married women seldom get ecstacy and sex at the same time." There were two other scriptwriters including the director - perhaps that was the problem (I haven't read the play).

    A filmed play, really, but an intelligent and moderately entertaining one. It's not likely to change anyone's attitudes - the war between the sexes will rage on regardless.
    8joseph777

    As the film unfolded, I enjoyed its multilayered story and insights.

    The title, Brilliant Lies, created the obvious expectation of much lying. This was not too satisfying but I was soon rewarded by the uncovering of layers of lies in many areas of the lives of the characters. This conflict of lies and partial truths led to some surprising but plausible resolutions. The acting was excellent and served the plot very well.
    8paulm-36

    Compelling, if a little rough around the edges

    There are three facts which I believe will help those who have not yet seen the film make up their minds whether or not they will enjoy it. First, the film was shot in Melbourne, Australia which in itself makes the film a "must see" for anyone who lives there or who has lived there. Second, the film was shot on a small budget and a tight time frame (30 days, I believe) which means that the film is not 'about' special effects or complex action scenes. Third, the film is based closely on a stage play so the viewer's interest has to be in the characters and the storyline.

    I felt that the film was unusual in that it presented the different (and often opposed) viewpoints of as many as four characters in a way that led you to sympathise, or at least empathise, with all of them. The film is not judgmental and does not present a black and white conclusion. The characters are compromised, not heroic, and I would describe them as realistic rather than merely stereotypical.
    3Spleen

    Nothing about this is brilliant.

    David Williamson has written some very good plays, but even the best of them can't be removed from the stage without wilting. This is not one of the best of them.

    To be honest, it feels as though it's been cranked out. "Let me write a play (or script) about ..." Williamson thinks for a moment, fixes on "workplace sexual harassment", starts banging away that very instant at the typewriter, sticks to the scenic formula that's worked so well in the past, throws in a revelation of some kind every few pages, and it's done. The result is not at all brilliant. (Nor are the lies brilliant. Don't expect Baron Münchhausen, is all I'm saying.) Even so, it probably works well enough on stage.

    But it's not on stage and it flat as a lilypad. Michael Veitch plays the part of the family Christian who no-one takes seriously in a manner that might also work on stage, but which is embarrassingly cartoony here. (It's possible to count and catalogue his mannerisms.) Principle leads are competent but don't shine. Direction is leaden. Now and then the action moves out of doors or down the corridor - as if that could possibly help matters.

    If I were to say that it's boring I might mislead you. Williamson's craft ensures that it's not at all likely to induce sleep, and it's possibly worth watching as a way of passing an hour and a half; but any other film at all, provided it's one that's not positively bad, would serve just as well.
    5=G=

    A poor treatment of an important issue

    "Brilliant Lies", which seems to be trying to make a statement about the sexual assault of females, begins as a tale of workplace sex harassment and stumbles around somewhere between "All In the Family" and a soap opera by film's end. A journeyman Aussie flick farught with stereotypical superficial characters, "BL" is a mediocre watch at best with more to fault than favor. D+

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    6.4
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The end credits song, performed by Australian singer Kate Ceberano, with music by Nerida Tyson-Chew and lyrics by Richard Franklin, was nominated for Best Original Song for a Feature Film, Mini-Series, Telemovie or TV Series, at the 1997 Australian Guild of Screen Composers Awards.
    • भाव

      Brian Conner: You know what the most disappointing thing in my life is? That you became a bloody Christian! Ahh, Son, there is no God!

      Paul Conner: How can you say that?

      Brian Conner: Because if there was he'd be bright enough not to recruit the two of you! How can anyone believe that this appalling fruzey, humiliating state of interpersonal warfare we call life is designed by some all loving God! Shit!

    • कनेक्शन
      Featured in Brilliant Lies: Featurette (1996)
    • साउंडट्रैक
      BRILLIANT LIES
      Music by Nerida Tyson-Chew & Rajan Kamahi

      Lyrics by Richard Franklin

      Vocals by Kate Ceberano

      Produced & Engineered by Ashley Cadell

      Music recorded and mixed at Chartbound Sound, Melborne

      Vocals recorded at John Reynolds Recording Studio, Adelaide

      Available on Mushroom Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 8 अगस्त 1996 (ऑस्ट्रेलिया)
    • कंट्री ऑफ़ ओरिजिन
      • ऑस्ट्रेलिया
    • आधिकारिक साइट
      • Umbrella Entertainment - DVD (Australia)
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      • Bugie geniali
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      • National Golf Club, Cape Schanck, विक्टोरिया, ऑस्ट्रेलिया(critical scene between Gary and Vince)
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 34 मिनट
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    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Anthony LaPaglia and Gia Carides in Brilliant Lies (1996)
    टॉप गैप
    What is the English language plot outline for Brilliant Lies (1996)?
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