IMDb रेटिंग
6.1/10
11 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTwo parents deal with the effects when their son is accused of murdering his girlfriend.Two parents deal with the effects when their son is accused of murdering his girlfriend.Two parents deal with the effects when their son is accused of murdering his girlfriend.
फ़ीचर्ड समीक्षाएं
The plot of Before And After is a good idea, but is ruined by the trite treatment given here. Liam Neeson (Ben) and Meryl Streep (Carolyn) turn in surprisingly weak acting jobs here. It gets boring real fast. Personally, I was annoyed by the obvious attempts to manipulate viewers into sympathizing with the Ryan family, for instance when Martha (Jacob's girlfriend) was portrayed as selfish and promiscuous, and when Martha's mother was shown as ugly, bitter and snipy in contrast with saintly Carolyn. The postcard device was also confusing and contrived, and the lawyer was too much of a stereotyped caricature. The only character I cared about was Judith (Jacob's sister), as an innocent victim of the rest of the family's panicked stupidity. Too much oversimplified moralizing, not enough character development. A timewaster.
The locations are pleasing to the eye, and Meryl Streep is effortlessly convincing as the mother. But Liam Neeson's performance doesn't ring true for a moment, Edward Furlong appears to be less shocked by the gruesome events than simply stoned, and the outcome of the plot is awkward and unconvincing. "Before and After" is basically a small-scale family melodrama that belongs on the TV screen; without these high-profile actors, I wonder if it would ever have gotten theatrical distribution. (**1/2)
BEFORE AND AFTER
Aspect ratio: 1.85:1
Sound format: Dolby Digital
A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).
Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
Aspect ratio: 1.85:1
Sound format: Dolby Digital
A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).
Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
In this film, a typical middle-class couple tries to cover up what they think is a homicide, after their son runs away without saying anything. Actors' work is consistent, but characters are so clichéd and annoying that it's hard to like them. Meryl Streep plays the good and naive mother, always in the shadow of her husband in a relationship that seems sexist and artificial. She is the portrait of the obedient housewife who does what the husband wants. I understand that the film is from the nineties, but even then there were other ideas about the role of women in the family. Liam Neeson is an impulsive and even violent father, whom its almost impossible to like, even though he shows that he likes his son and tries to protect him. Finally, Edward Furlong plays the teenager in revolt at who bad things happen, the idiot who dated a promiscuous girl who slept with anyone who appeared without pants in front of her. Ah, I almost forgot Alfred Molina, who played a lawyer who would be better off selling vacuum cleaners than in a courtroom. In short, it's a deep and engaging melodrama, but it makes the mistake of being totally predictable, like a TV movie.
"Before and After" isn't any kind of great movie, but an interesting look at situations going out of control. Meryl Streep and Liam Neeson turn in their usual good performances, as does Edward Furlong. It's just that this story of parents having to deal with their son getting accused of murder is sort of routine (although some scenes are pretty intense). It seems like Streep and Neeson deserve something a little more than this. The people behind the movie probably could have developed things a little further.
All in all, this movie's worth seeing, if only once. Also starring Alfred Molina, Daniel Von Bargen (Commandant Spengler on "Malcolm in the Middle") and John Heard.
All in all, this movie's worth seeing, if only once. Also starring Alfred Molina, Daniel Von Bargen (Commandant Spengler on "Malcolm in the Middle") and John Heard.
क्या आपको पता है
- ट्रिवियाIn the scene where Meryl Streep enters a court room to appear in front of the grand jury in the front row (in the middle of the frame) sits a young Paul Giamatti as an extra his head turned around to have a look at her.
- गूफ़After Jake and his girlfriend pull over, their car gets stuck in the snow and the two are unable to drive away. It is unexplained how Jake is able to dive out of the rut alone after his girlfriend's fall if the two could not do the job while working together.
- भाव
Jacob Ryan: That's juts a bunch of sentimental bullshit.
Carolyn Ryan: Wait, sentimental bullshit
Jacob Ryan: Yeah everyone's parents say that.
Carolyn Ryan: Oh really, and do everyone's parent destroy evidence and lie... to the police?
- कनेक्शनFeatured in Siskel & Ebert & the Movies: City Hall/The Late Shift/Happy Gilmore (1996)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $87,97,839
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $40,23,815
- 25 फ़र॰ 1996
- दुनिया भर में सकल
- $87,97,839
- चलने की अवधि
- 1 घं 48 मि(108 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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