Asylum

A private investigator (Robert Patrick), mentally disturbed by his father's suicide, goes undercover in a mental institution to discover the murderer of a friend who was a doctor at the clinic.

This film deserves some credit for the attempt at a clever idea, and for bringing together two great genre actors in one film -- Robert Patrick and Malcolm McDowell. Have they been in any other film together? I do not know. And here they were, in one that probably had no budget, with a writer-director who has not gone on to distinguish himself.

Sadly, it does seem to be a bit convoluted. Any time you set something in an asylum, and you have a protagonist of questionable reliability... you get some goofy outcomes. You can be straightforward, or full on David Lynch. This seems to try to work between those poles, which is difficult and not fully successful.

If you're the kind that likes watching bad movies (for instance, if you enjoyed "The Postman" in only the most ironic sense), this is a keeper. A ridiculous script is only the start, and you also get Robert Patrick staying in the laxest insane asylum in the world (undercover in the guise of a patient, he seemingly has no problems at all finding access to the staff's private fax machines, computers, satellite dishes, etc.), develops a drippy camraderie with a fellow inmate that leads to some of the more strained, "heartfelt" moments of the film, and a ridiculous character by Acting's own Prince of Ever-Diminishing Returns, Malcolm McDowell. Reviewing this film makes me feel like I'm admonishing the dog for peeing on the rug. "For shame! Bad, bad, bad..."

Slightly maladjusted, due to a troubled childhood, private investigator Robert Patrick (as Nicholas "Nick" Tordone) is suspicious when his psychiatrist, Peter Brown (as Frank Meyers), is reported to have hanged himself. Mr. Patrick thinks his shrink, who happened to have been a good friend of his suicidal father, was murdered. So, Patrick goes undercover at the "Fallbrook" insane asylum where Brown worked. There, he meets mental Malcolm McDowell (as Sullivan Rane aka "Doc"), crazy costumed Jason Schombing (as Tommy aka "Captain Destructo"), and Deborah Worthing (as Amanda aka "Mary Pickford").

Patrick (as "Magnum") teams up with Mr. Schombing to solve the mystery. Institution head Henry Gibson (as Edward Bellichek) and patient doctor Sarah Douglas (as Emily Hill) are among those considered to be sane. James Seale's "Asylum" seems curiously unattended - patients are free to wander around without much supervision. Additionally, the building has been equipped with loose, human-sized vents for easy escape, spying, or travel - even in a solitary confinement room. This is all more laughable than suspenseful, but the scene where Patrick goes to the edge of the roof is nicely done. Passable on late night TV.

**** Asylum (5/6/97) James Seale ~ Robert Patrick, Malcolm McDowell, Jason Schombing, Henry Gibson

Not the first thriller to take place in a mental institution, but one of the better. Leading man Patrick does a nice job as an unstable P.I. who goes undercover to find the killer of his shrink. Nice mix of suspense and humor - might have been better without all the laughs.

Malcolm McDowell is fun to watch as a murderous patient named Rane. Is he the killer or does he hold the secret to the mystery?? Good acting outshines the slick camerawork. Nice surprise thriller.

'Asylum' didn't have a hard time selling me on giving it a go. A big Robert Patrick fan after T2, I'd sit thru any of his DTV titles available. Having played 'Wing Commander III: Heart of the Tiger', I also enjoyed that Malcolm McDowell was involved. This doesn't pull any punches, but it also doesn't offer you much reward for sitting thru it.

A private detective (Patrick) with his own mental baggage enters an insane asylum / mental hospital undercover in the hopes of getting to the bottom of who murdered his doctor friend. Of course it was labeled a suicide, but he believes differently. Amongst the patients is the cooky Doc Rane (McDowell) and soon more bodies start to pile up. Can the PI get to the bottom of things before he becomes the next victim.

With a simplified plot description such as that perhaps it's no shock that things proceed pretty much as you expect dealing with mental crazy business and obvious red herrings. The air of believability isn't high, but there is adequate atmosphere. If your a fan of either actor it's an okay watch and Debra Wilson (MadTV) makes a brief appearance as well.