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White Man's Burden

  • 1995
  • R
  • 1 घं 29 मि
IMDb रेटिंग
5.3/10
5.3 हज़ार
आपकी रेटिंग
John Travolta and Harry Belafonte in White Man's Burden (1995)
In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.
trailer प्ले करें1:26
1 वीडियो
95 फ़ोटो
ड्रामाथ्रिलर

अपनी भाषा में प्लॉट जोड़ेंIn an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived dis... सभी पढ़ेंIn an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.

  • निर्देशक
    • Desmond Nakano
  • लेखक
    • Desmond Nakano
  • स्टार
    • John Travolta
    • Harry Belafonte
    • Kelly Lynch
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.3/10
    5.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Desmond Nakano
    • लेखक
      • Desmond Nakano
    • स्टार
      • John Travolta
      • Harry Belafonte
      • Kelly Lynch
    • 52यूज़र समीक्षाएं
    • 11आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Official Trailer
    Trailer 1:26
    Official Trailer

    फ़ोटो95

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    + 88
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    टॉप कलाकार54

    बदलाव करें
    John Travolta
    John Travolta
    • Pinnock
    Harry Belafonte
    Harry Belafonte
    • Thaddeus
    Kelly Lynch
    Kelly Lynch
    • Marsha
    Margaret Avery
    Margaret Avery
    • Megan
    Tom Bower
    Tom Bower
    • Stanley
    Andrew Lawrence
    Andrew Lawrence
    • Donnie
    Bumper Robinson
    Bumper Robinson
    • Martin
    Tom Wright
    Tom Wright
    • Lionel
    Sheryl Lee Ralph
    Sheryl Lee Ralph
    • Roberta
    Judith Drake
    • Dorothy
    Robert Gossett
    Robert Gossett
    • John
    Wesley Thompson
    Wesley Thompson
    • Williams
    Tom Nolan
    Tom Nolan
    • Johansson
    Willie C. Carpenter
    Willie C. Carpenter
    • Marcus
    Michael Beach
    Michael Beach
    • Policeman #1 Outside Bar
    Lee Duncan
    • Policeman #2 Outside Bar
    Wanda-Lee Evans
    • Renee
    Lawrence A. Mandley
    Lawrence A. Mandley
    • Sheriff #1 at Eviction
    • (as Lawrence Mandley)
    • निर्देशक
      • Desmond Nakano
    • लेखक
      • Desmond Nakano
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं52

    5.35.3K
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    फ़ीचर्ड समीक्षाएं

    4Theo Robertson

    Role Reversal . What Role Reversal ?

    Alternative history is certainly one of the more compelling aspects of speculative fiction . Anyone who has seen the DOCTOR WHO story Inferno would be hard pressed to forget it , Robert Harris's Fatherland is a unforgettable novel and whilst I have no wish to read any of his books Harry Turtledove is a very popular author . In short premises featuring alternative planet Earths' and their different histories are thought provoking to say the least and when it was announced that John Travolta ( Let's not forget how massive a star he was then after PULP FICTION ) was going to be starring in an alternative future film where the roles of black and white are reversed the studio execs would have quite rightly tapped themselves on their shoulders knowing they were making a massive hit

    Strangely I'd forgotten all about this movie until it was broadcast on BBC1 a couple of nights ago and it's not difficult to understand why it's an obscure flop . The film starts with a black family gathered at the dinner table where patriarch and businessman Thaddues Thomas states his dislike for white people and their problems . Cut to Louis Pinnock who who works for Thomas company and lives in a rough area where his neighbours all seem to be pecker woods . Later due to a series of contrived , not very well written circumstances Pinnock loses his job with the company and decides to kidnap Thomas

    The problem with WHITE MANS BURDEN is that this is an alternative world where Black Americans are at the apex of social hierarchy while whites are at the bottom bu this scenario is never ever explored . In fact the only things were shown that things are so mightily different is when someone is flipping the TV channel that show amongst other things a western where all the calvarymen are black . I know this was made in 1995 but is director Desmond Nakano saying there's no white equivalent of Morgan Freeman , Condaleeza Rice or Colin Powell ? For goodness sake we're even shown a black golfer on TV . Is this version of America without a white golfing prodigy called Alpine Woods ?

    So that's the main problem and an unforgivable one where we're told that everything is different but as the plot rolls along we find ourselves asking what is actually different ? The audience are shown a couple of black cops being confronted by an angry white mob ( This doesn't happen in " our " America ? ) , a white man with a black companion are threatened by pecker woods ( This doesn't happen in " our " America ? ) etc , etc . At no point is the premise used to explore how anything would be different in " our " America . If you made a film set in " our " America where a disgruntled white employee kidnaps his racist black boss then you would not have to alter one single word never a single scene from this screenplay . And disgruntled employees kidnapping nasty employer type redemption plots we never all that compelling in the first place
    8kingrexxx

    Eye opening, even to a black man

    I think the ending was sad. I felt sorry for Travolta, even his son. But I disagree with the comment about "whats the point" because it shows what I go through weekly. I mean, some of it is extreme, but true. And when Belafonte remarked, "well, most of them don't have father's" in response to his wife's comment about the white kids discipline, it was... I'm at a lost for words. I'm watching it again tonight, and I think every white man needs to see the movie, and every black man. It was a trip seeing the roles flipped. But the movie is truly, "a trip". I mean, when Belafonte talks about the "socially crippled, genetically inferior" whites, its a trip, just hearing that. I study psychology, and all these theories are pervasive, and they relate to science by the genetic concepts of the 20th century, i mean, eugenics and it is really wild. Anyway, this is a must see movie. You must see it. I'm mad I didn't know it existed for the last ten years.
    6ma-cortes

    Script plenty of reversed premises and first-rate performances

    This film is set in a rare alternative world where the African-Americans have all the power and health. The priors live into luxurious residences and white men live in slums, inner city ghettos and with high poverty-level. A Caucasian blue-collar named Louis Pinnock(John Travolta)working in a chocolate factory is fired by his boss(Tom Wright) due to a misunderstanding.While he was delivering a package for Thaddeus Thomas(Harry Belafonte), he's mistaken accused as voyeur his wife(Margaret Avery). Meanwhile, he's beaten by policeman(Michael Beach) and skinheads, furthermore, his family, wife(Kelly Lynch) and sons are evicted from their house. Driven by desperation, Pinnock takes a gun and kidnaps wealthy Thaddeus, asking justice . Louis is justly helped by an old vagabond(Tom Bower).

    The movie gets a politics critical about reversed stereotypes with anti-racism parable. Gimmicky plot is proceeded with slickness and intelligence. The original premise makes a real impact, adding the excellent acting by two main actors and magnificent secondary cast. John Travolta is top-notch as desperate worker driven by anger,demanding justice and extraordinary Harry Belafonte as cocky member of social elite. Supporting cast is frankly awesome, Kelly Lynch as affectionate wife, Tom Wright as bigoted chief, besides, Margaret Avery, Tom Bower, Carrie Snodgress,Sheryl Lee Ralph, among others. The picture displays atmospheric cinematography by Kurant and appropriate soundtrack by Howard Shore(Lord of Rings,The aviator),usual David Cronemberg's musician. The flick is well produced by Laurence Bender(Reservoir dogs,Pulp fiction). The motion picture is professionally directed by Desmond Nakano, a prestigious screenwriter. However failed in the Box-office and Nakano only directed another picture titled American pastime and again with no success.
    8Pates

    Excellent because of its ability to disturb.

    Although on the surface a stupid, simplistic and "unrealistic" film, there is much more to the film. If the roles were reversed and every black character was played by a white and every white by a black I would be bored to tears, the film would never have made a dime, and we'd all hate it with justification. However, it was this very realization, during the film, which made me respect its message. Because the roles are completely and totally reversed, swapping black and white character for character, the film is disturbing. It's almost painful to watch. Ask yourself while you're watching how you're reacting and how the reaction would be different if there were no race reversals. Maybe that's because of the stereotypes we have in place and the roles we do play in the world - if it were just another story about a black man down on his luck we'd all yawn but because it's a white man and all of society is reversed, we watch, we wonder how it will play out, and we're bothered by it. I analogize the film to Planet of the Apes in some ways because of its ability to make us step back and take a look at society in a different way entirely. It is not as well done as Planet of the Apes but is worthwhile.
    5noress

    Good concept, bad movie

    I didnt know anything about the movie when it was sent on Danish television, and to begin with I found it quite surprising; it made me think a lot. -A great way of describing the social problems in the USA. The only problem with the movie was that it lasted for more than half an hour; after that it was just a cliche of a movie..very predictable. Its obvious that the movie was produced basically because of the good concept. Then suddenly they had to write a script too, and they simply forgot to be original, resulting in a story which is lousy even compared to television.

    इस तरह के और

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    6.6
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Quentin Tarantino urged both John Travolta and Kelly Lynch to act in the film. Tarantino's production company, A Band Apart, produced the film.
    • गूफ़
      सभी एंट्री में स्पॉइलर हैं
    • भाव

      [Last lines. Mrs. Pinnock has just refused to accept from Mr. Thomas the money he owed her husband]

      Thaddeus Thomas: Why don't you keep it? I can give you some more if you think... if you think it's not enough.

      Marsha Pinnock: How much is enough, Mr. Thomas? How much will ever be enough?

      [turns, shuts the door and walks away]

    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: White Man's Burden/Last Summer in the Hamptons/Wild Bill/The Journey of August King/Things to Do in Denver When You're Dead (1995)
    • साउंडट्रैक
      Dream Baby
      Written by Cindy Walker

      Performed by Hootie & the Blowfish

      Courtesy of Atlantic Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is White Man's Burden?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1 दिसंबर 1995 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Beyaz öfke
    • फ़िल्माने की जगहें
      • Southern California, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Location)
    • उत्पादन कंपनियां
      • A Band Apart
      • Chromatic
      • Home Box Office (HBO)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $70,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $37,34,870
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $17,43,251
      • 3 दिस॰ 1995
    • दुनिया भर में सकल
      • $37,34,870
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 29 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    John Travolta and Harry Belafonte in White Man's Burden (1995)
    टॉप गैप
    By what name was White Man's Burden (1995) officially released in India in English?
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