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Just watched this movie in TV. Although it had a slow pace and some of the characters were not fully developed, I liked it. Especially appealing to me, as a senior, was the locale and the truly accurate portrayal of life and times in the late 1950's. Even the kitchen appliances and the dish ware were spot on! I lived in a tract just like the one in the film - the San Fernando Valley urban explosion! I thought the players were all fine and the child actors were very effective. The story dragged a bit but pacing is not everything - sometimes it is good to linger a bit and be nostalgic. This is a good movie for thoughtful teens who can appreciate the message given about home, hope and history.

I managed to find this movie on Amazon streaming. It is a nice movie about family values and ultimately, finding happiness in what you get in life rather than wishing your life were different. There are a few very harsh IMDb reviews, I don't understand that, this is a really well-made movie of a very nice story.

It starts in about 1985, it is Memorial Day, the start of summer vacation, and the family of four head out for a short trip. The dad, Tom, almost runs over a man and his dog, that incident flashes him back to 1955 when he was about 10 or 11 years old. His father had not returned from the Korean War and was presumed deceased. Young Tom had a lot of anger in his heart.

It was back then that Tom's mom almost ran over a man, Patrick Swayze as Jack, who also had a shaggy dog as a companion. Jack's foot was in a cast, as he heads away Tom's mom feels sorry for him and convinces him to stay with them until his cast is off. Jack has a very positive impact on young Tom.

In most appearances Jack comes across as a real man, but as he interacts with the Little League baseball team in a zen-like manner, and a few other things, we come to believe that he is more like Bagger Vance. Someone who may not be real but who comes into a life at a critical point. Young Tom needed to get his mojo back, to figure out what life is really about. When Tom as an adult encounters the same Jack and his dog in the cemetery, we know the answer.

Good movie with a message for everyone.

for message, for performance, for Patrick Swayze and for the young Joseph Mazzello. sentimental, nice, seductive. soup for soul. one of films for romantics, useful, again and again, for remind the role of miracles. and for enjoy. sure, a film for a kind of public. no surprise. but, in same measure, one of films who, without be great or unique, is a good escape from reality and comfortable way to discover the life on a different angle. a film about a meeting. and about love. about magic. and about hope. about trust. almost a fairy tale in American spirit.interesting for a form of self definition. because, like every magic, it is more than a show.

Certainly a mixed bag of comments on this one. I'm definitely one of this film's boosters. I saw it long ago on a motel tv in the middle of the night and have never forgotten it. My memory was that it was an 80s movie; I suppose because most of the plot was set in the 50s. When I rediscovered that it was made as late as 1995 I was quite surprised. The fact that women directors and writers were so heavily involved with this movie explains its beautiful emotional resonance. Even now as I write this I'm again deeply moved by the whole story and its telling. To me it's right up there with films like "It's a Wonderful Life" and "Miracle on 34th Street," etc. Recently TCM has been featuring great women screen writers like Frances Marion and April Guy Blache. I'm glad to discover that women are still and again strongly contributing to our collective screen world of emotions and feelings. Too bad this sensitive approach seems to turn some of your reviewers strongly off. Perhaps it's a gender thing.

This movie is better than the rating suggests. Patrick Swayze displays some tremendous acting skills as the ever blue Jack McCloud, a tramp and thorough loner. He is sincere and pervasive, as is Joseph Mazzello as Tom. The evolving relationship between the two of them is one of the three major themes of the movie. It is a relationship propelled by Tom's dear wish to have some male person around he can relate to and rely on, as his father is apparently absent. Jack, who joins the family as a stranger, develops a kind of deep and caring commitment towards the three family members. He doesn't push for it, it just happens. The second theme focuses around M.E. Mastrantonio's brilliant performance as Jeanne Holman, Tom's and Gunny's mom. Her despair mingled with hope and confidence makes her the archetype of the single parent of the Mid-50s, the era which is so superbly revived as the movie's setting. The third theme centers around Gunny, Tom's little brother, his belief in magic and fairies as well as his fears. This is the movie's underlying main theme, as the title itself suggests. The end, which makes you feel good and renews faith in what we have and ought to preserve and care for, reveals the message of the title and grants this movie an inspiring and deeply human message. Magic is out there - in everything we do and everything we dream of. It is the little things, the little signs of love and affection, of hope and endurance. Tom himself, as an adult, receives reassurance in his faith and his values by what Jack has done to his family when he was a young boy. The message is brilliant and makes this movie a solid 8/10. "Be yourself", Jack advises Tom. "And be happy with what you have" he adds much later in the movie. Hope and love will endure against all odds, if we allow magic into our lives. The same magic we believed in as kids. It is still there. You just have to admit it.