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A Streetcar Named Desire

  • टीवी फ़िल्म
  • 1995
  • 2 घं 36 मि
IMDb रेटिंग
6.6/10
1.4 हज़ार
आपकी रेटिंग
Diane Lane, Alec Baldwin, John Goodman, and Jessica Lange in A Streetcar Named Desire (1995)
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंTennessee Williams' Blanche DuBois (Jessica Lange) lives in New Orleans with her sister, Stella, and brutish brother-in-law, Stanley Kowalski (Alec Baldwin).Tennessee Williams' Blanche DuBois (Jessica Lange) lives in New Orleans with her sister, Stella, and brutish brother-in-law, Stanley Kowalski (Alec Baldwin).Tennessee Williams' Blanche DuBois (Jessica Lange) lives in New Orleans with her sister, Stella, and brutish brother-in-law, Stanley Kowalski (Alec Baldwin).

  • निर्देशक
    • Glenn Jordan
  • लेखक
    • Tennessee Williams
  • स्टार
    • Jessica Lange
    • Alec Baldwin
    • John Goodman
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.6/10
    1.4 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Glenn Jordan
    • लेखक
      • Tennessee Williams
    • स्टार
      • Jessica Lange
      • Alec Baldwin
      • John Goodman
    • 11यूज़र समीक्षाएं
    • 1आलोचक समीक्षा
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 4 प्राइमटाइम एमी के लिए नामांकित
      • 1 जीत और कुल 8 नामांकन

    फ़ोटो7

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार12

    बदलाव करें
    Jessica Lange
    Jessica Lange
    • Blanche DuBois
    Alec Baldwin
    Alec Baldwin
    • Stanley Kowalski
    John Goodman
    John Goodman
    • Mitch Mitchell
    Diane Lane
    Diane Lane
    • Stella Kowalski
    Rondi Reed
    Rondi Reed
    • Eunice
    Frederick Coffin
    Frederick Coffin
    • Steve
    • (as Fred Coffin)
    Carlos Gómez
    Carlos Gómez
    • Pablo
    • (as Carlos Gomez)
    Matt Keeslar
    Matt Keeslar
    • The Collector
    Jerry Hardin
    Jerry Hardin
    • The Doctor
    • (as Jerry Harden)
    Carmen Zapata
    Carmen Zapata
    • The Flower Seller
    Tina Lifford
    Tina Lifford
    • The Neighbor
    Patricia Herd
    • The Matron
    • निर्देशक
      • Glenn Jordan
    • लेखक
      • Tennessee Williams
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं11

    6.61.3K
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    फ़ीचर्ड समीक्षाएं

    petershelleyau

    Lange and Baldwin's stage performances captured on film

    This made for TV movie of the classic Tennessee Williams play was produced following the Broadway revival starring Jessica Lange and Alex Baldwin, that was not critically well-received. Given the Hollywood marquee names of the stars, the idea that a film would be made with them is not too surprising, though we were deprived of Amy Madigan's Stella. (Ironically Lange's performance on stage had been criticized as being 'for the camera').

    Given the gay context of Blanche DuBois as a fading old maid at 30, Lange is too old to play her, and her sturdy physicality works against the standard interpretation of Blanche as an Ophelia-ish lightweight. (Lange's waist makes the idea that Blanche has not gained weight in 10 years unintentionally funny). However Lange provides redemptive brilliant touches, that make her Blanche more accessible than that of Vivien Leigh in the 1951 feature, with Leigh's theatrical Gothic Blanche looking as if she would fit into The Munsters. (Don't get me started on Ann-Margret and the way she threw away Williams' lines in her TVM). Lange has fun with the southern accent, and makes you appreciate the beauty and wit of Williams' language. Witness what she does with Blanche's story of the death of her first husband, which director Glenn Jordan rewards her with a close-up for the climax, where she is touching in her hesitance and sorrow. Lange also looks very beautiful in half-shadow when Blanche confesses her indiscretions, though she is lit so well otherwise that the idea that Mitch has never seen Blanche 'properly' reads as silly. The mature Lange mannerisms - her giggling, whispering, preening and fidgeting - draw attention to the performance, and she does not use her low vocal tones enough, but still, this is a performance we should be glad has been captured.

    Baldwin does not repeat the mistake of Treat Williams in the A-M TVM. He does not try to imitate Brando, but rather underplays his Stanley, which also does not detract from the character's cruelty. Baldwin shows his attraction to Lange's Blanche, which Brando never really did with Leigh, and his hairy chest still alludes to the hunk appeal that Stanley has for Stella. John Goodman's casting as Mitch was presumably at the suggestion of Lange, since he has appeared with her in many films, and he supplies delicate line readings. I suppose Diane Lane was cast as Stella for her earthiness, but she doesn't really match up as Lange's sister, and doesn't suggest the breeding Stella is supposed to have had.

    Jordan doesn't get in Lange's way for the most part, and he succeeds in translating the piece fluidly from theater into film, though one shot of Blanche and Mitch standing apart on a porch makes us imagine how this would look on stage. The only time we are aware of the camera-work is in the last scene, where he repeats a shot of Blanche as she screams, somewhat gratuitously. That last scene is handled simply, with Blanche's fate and Lange's casting inevitably drawing parallels with Frances Farmer.

    Although this version of the play allows for what was censored in the original production eg Blanche's husband's being a 'degenerate, thematically the treatment still has some trouble spots. Here Blanche seems to offer little resistance to Stanley's rape, and Stella does not reject Stanley once her sister is taken away. That rape remains as an in-balance in the power struggle - something you would think to be unforgivable by Stella, and certainly undeserving to Blanche. She may have been a relative overstaying her welcome, but is Blanche believable as a force that could destroy Stanley's marriage?
    7TheLittleSongbird

    Passion and desire

    'A Streetcar Named Desire' is for me one of the best works of one of the great playwrights of the 20th century Tennessee Williams, it's wordy (then again that's the case with all Williams, some so more than others though) but is full of passion and emotion. When it's performed well, it really does sizzle. Sizzle it did with the 1951 Elia Kazan classic with Marlon Brando and Vivien Leigh, regardless of it not being entirely faithful to the play the direction, emotional power and incredible performances makes one forget that.

    There may be those that question the point of this made for television version, and generally because the film is so good and it would be difficult to equal or better it. Personally don't think that should be the case, it's just another version of the play and plays, of all different types of qualities (even some of lesser Shakespeare has more than one version available), often have more than one adaptation/production. Williams' work is no exception, well his best anyhow, so the likes of 'Cat on a Hot Tin Roof', 'A Streetcar Named Desire' and 'The Glass Menagerie'.

    Do prefer the film version on its own terms, but on the most part 'A Streetcar Named Desire' is a worthy version. It is truer to the source material, with what was omitted in the film (now with censorship not getting in the way this time), intact, same with every location, every line, every one of the play's bold themes and the character writing deeper. It is faithful but not too faithful.

    Where the film scores over this version though is that to me it had more of the smoldering passion that is a little lacking here and this didn't leave me as moved. The direction, while always thoughtful and never distasteful, isn't as pulling no punches as Kazan's and while the performances are very good, even great, here from personal opinion none reach the same iconic level. While details wise it is more faithful, which is to be lauded as the play is one of Williams' best, to me the film captured the spirit of the play more.

    Judging it on its own, there isn't anything done disastrously. There are a few repetitive shots that make us aware of the camera and do agree that the attitudes of Blanche and Stella to Stanley's rape do not ring true, something that should have hurt and anger pouring out but treated with indifference.

    For those short-comings though, there are also a good number of virtues. The production values are pleasing on the eyes, the locations having surprising authenticity and the camera work is mostly fluid, the odd bit of repetition aside. Williams' dialogue is intelligent and poignant, wordy but that is a hardly a fault with the production and have never considered it a short-coming with the play either (with lesser Williams plays like 'Orpheus Descending' it is more noticeable and less forgivable). The storytelling may not have the same amount of impact but the faithfulness is not something that works against the production, although the film smolders more there is hardly a shortage of tension and emotion. The climax is quite powerful.

    None of the performances are on the same level as the iconic performances of the film, but they are very strong in their own way. Jessica Lange is a remarkably nuanced if perhaps not frail enough Blanche, while not overdoing too much the manipulation, and Diane Lane, at times telling a lot through her face, is heart-wrenching as Stella, one can really feel the character's conflict. John Goodman does an admirable job in trying to break away from the comedic work he was famous for at the time (which must have been very difficult to do), and does so sympathetically if perhaps a touch too soft at times. Which brings me to Alec Baldwin, was worried that he would be a disaster having read some of the reviews, but did appreciate that his interpretation was different from Brando's and not an imitation, he doesn't smolder as much and isn't as brutish but the more human approach that he brought to this difficult role was interesting and he did it well from personal view.

    On the whole, worth a watch. 7/10
    8HotToastyRag

    Jessica Lange Is Blanche

    Having played Blanche duBois myself, I'm hypercritical of all other actresses who tackle A Streetcar Named Desire. I've only given compliments to two other actresses: Cate Blanchett (in the modern remake Blue Jasmine) and Jessica Lange in the tv version. Jessica is a very attractive woman and can handle Southern belle in her sleep, but she didn't rest on her laurels for Blanche. She truly studied the script and the character - it showed.

    John Goodman reunited with his Everybody's All-American costar and played Mitch. Although Mitch isn't the hardest role to play, Goodman was a good casting choice and delivered a solid performance. A surprising pick was Diane Lane as Stella. Stella is usually portrayed as a frumpy woman, a contrast to her sister's elegance. Audiences are almost supposed to think she sunk to where she belonged when she chose Stanley for a husband. But you can see the good breeding in Diane. When Jessica continually says she thinks her sister could have done better, we agree with her. For although Stanley is played by a good-looking man, we don't understand why she sunk down in the mud. Diane also doesn't play Stella as "mealy-mouthed". She's been beaten down, but once upon a time, she had as much energy as her sister. It's an interesting take on the role, and I appreciated it.

    Alec Baldwin played Stanley Kowalski, and although he ticked all the boxes of acting as an uncouth slob, he didn't really delve any deeper into the character. A dirty shirt and a swagger helps with an initial impression, but a good actor knows not to rely on them. It felt like he was "acting", and it didn't feel like Jessica Lange was. She truly was Blanche. She used her femininity: giggling, trying to appear smaller than her frame, moving her hands with grace, and trying to soothe everything with a smile. Smiling is very ladylike, and underneath all her fluff was a simmering fear - fear that she'll be found out, fear that she'll crack, and fear that her coping mechanisms won't work. Jessica used the script, filled in the cracks, and gave a multi-dimensional performance that makes you say, "Vivien who?"
    9HerbertRousch

    Fine production

    This is mostly a fine production of the venerable Tennessee Williams classic. Baldwin relies a bit too heavily on Brando portrayal but Lange finds her own way. She gives the doomed, fragile Blanche an inner strength that most other interpretors do not. Lane and Goodman are fine, as well.
    8Angeneer

    Quite good

    Tennessee Williams is a legend. This play is a true masterpiece. So it's worth watching it no matter how the actors do. And they do pretty well. Alec Baldwin gives us possibly his best acting, but possibly Jessica Lange doesn't reach this level, while having a role most actresses would beg for years to have. John Goodman is fine and gives a perspective of Mitch I hadn't in mind but he's a bit characterized as a comedy type and possibly that creates problems. Diane Lane is ok but nothing special (it's the less demanding role anyway). The scenery is better than the original film but the film has been PC transformed. Too mild for what Williams wanted to show.

    इस तरह के और

    Cat on a Hot Tin Roof
    6.7
    Cat on a Hot Tin Roof
    A Streetcar Named Desire
    6.8
    A Streetcar Named Desire
    Country
    6.6
    Country
    A Thousand Acres
    6.1
    A Thousand Acres
    A Streetcar Named Desire
    7.9
    A Streetcar Named Desire
    Crimes of the Heart
    6.3
    Crimes of the Heart
    Frances
    7.2
    Frances
    Normal
    7.1
    Normal
    ग्रे गार्डन
    7.4
    ग्रे गार्डन
    Bonneville
    6.1
    Bonneville
    Blue Sky
    6.4
    Blue Sky
    The Champ
    6.8
    The Champ

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The original Broadway production of A Streetcar Named Desire opened at the Ethel Barrymore Theater on December 3, 1947 at ran for 855 performances. This production also opened at the Ethel Barrymore Theater on April 12, 1992 and ran for 137 performances.
    • भाव

      Stella: But there are things that happen, between a man and a woman, in the dark, that sorta make everything else seem unimportant

      Blanche: What you are talking about is brutal desire. Just desire. The name of that rattletrap streetcar that bangs through the Quarter, up one old narrow street and down another.

      Stella: Haven't you ever ridden that streetcar?

      Blanche: It brought me here, where I'm not wanted, and where I'm ashamed to be.

    • कनेक्शन
      Featured in 53rd Annual Golden Globe Awards (1996)

    टॉप पसंद

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    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 29 अक्टूबर 1995 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Un tranvía llamado deseo
    • उत्पादन कंपनी
      • CBS Entertainment Production
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    बदलाव करें
    • चलने की अवधि
      • 2 घं 36 मि(156 min)
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      • 1.66 : 1

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