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Strange Days

  • 1995
  • A
  • 2 घं 25 मि
IMDb रेटिंग
7.2/10
82 हज़ार
आपकी रेटिंग
लोकप्रियता
1,843
90
Ralph Fiennes, Angela Bassett, and Juliette Lewis in Strange Days (1995)
Sci-Fiअपराधड्रामाथ्रिलरसाइबर थ्रिलरसाइबरपंक

अपनी भाषा में प्लॉट जोड़ेंA black-marketeer tries to save a woman in 1999 Los Angeles.A black-marketeer tries to save a woman in 1999 Los Angeles.A black-marketeer tries to save a woman in 1999 Los Angeles.

  • निर्देशक
    • Kathryn Bigelow
  • लेखक
    • James Cameron
    • Jay Cocks
  • स्टार
    • Ralph Fiennes
    • Angela Bassett
    • Juliette Lewis
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.2/10
    82 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    1,843
    90
    • निर्देशक
      • Kathryn Bigelow
    • लेखक
      • James Cameron
      • Jay Cocks
    • स्टार
      • Ralph Fiennes
      • Angela Bassett
      • Juliette Lewis
    • 299यूज़र समीक्षाएं
    • 100आलोचक समीक्षाएं
    • 66मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 जीत और कुल 4 नामांकन

    वीडियो1

    Strange Days
    Trailer 2:54
    Strange Days

    फ़ोटो110

    पोस्टर देखें
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    टॉप कलाकार96

    बदलाव करें
    Ralph Fiennes
    Ralph Fiennes
    • Lenny Nero
    Angela Bassett
    Angela Bassett
    • Lornette 'Mace' Mason
    Juliette Lewis
    Juliette Lewis
    • Faith Justin
    Tom Sizemore
    Tom Sizemore
    • Max Peltier
    Michael Wincott
    Michael Wincott
    • Philo Gant
    Vincent D'Onofrio
    Vincent D'Onofrio
    • Burton Steckler
    Glenn Plummer
    Glenn Plummer
    • Jeriko One
    Brigitte Bako
    Brigitte Bako
    • Iris
    Richard Edson
    Richard Edson
    • Tick
    William Fichtner
    William Fichtner
    • Dwayne Engelman
    Josef Sommer
    Josef Sommer
    • Palmer Strickland
    Joe Urla
    • Keith
    Nicky Katt
    Nicky Katt
    • Joey Corto
    Michael Jace
    Michael Jace
    • Wade Beemer
    Louise LeCavalier
    Louise LeCavalier
    • Cindy 'Vita' Minh
    David Carrera
    David Carrera
    • Duncan
    Jim Ishida
    Jim Ishida
    • Mr. Fumitsu
    Todd Graff
    Todd Graff
    • Tex Arcana
    • निर्देशक
      • Kathryn Bigelow
    • लेखक
      • James Cameron
      • Jay Cocks
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं299

    7.282.3K
    1
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    फ़ीचर्ड समीक्षाएं

    8tpaladino

    What a great movie!

    I had no idea this film even existed until it showed up in my Netflix 'recommended' column, and I decided to give it a shot after reading some good reviews on there. Wow, am I happy I did.

    This was a truly fantastic sci-fi thriller, with intense action and a truly engaging story. The characters were very well constructed and had a lot of substance to them, and of course the acting was superb. Who knew Ralph Finnes could play such a good lowlife?

    Set in an alternate (but totally recognizable) Los Angeles of 1999, the world has seemingly gone completely to hell, due to rampant poverty and class/racial tensions which are pushing society towards an all-out state of anarchy. The authorities are barely maintaining order, despite resorting to draconian measures to try and keep things in check. The director does an excellent job of painting this picture for us through fantastic environment and background shots which effectively build the tension and make us fully believe what is happening.

    In this world, they have invented a type of virtual reality which allows an individual to record everything they are seeing and feeling directly through their brain, so as to then be played back later through someone else's brain, which allows the user to then see and feel exactly what was recorded without any danger (other than possible addiction). So needless to say a huge black market has sprung up to provide people with recordings of all kinds of illicit, criminal and sexual activities that they'd never actually get to experience in the real world. The plot of the movie builds from this technology.

    However, other than this particular device and general state of social affairs, the alternate 1999 is pretty much identical to our 1999 (very much to it's credit). No flying cars, no wacky fashion, no aliens, no laser guns or anything like that. It was a great decision by the filmmakers to not bite off more than they could chew in that regard, as it would have distracted from a very solid story.

    The films weaknesses are few, but are there nonetheless. It was a bit long... although I'm not usually one to complain about that kind of thing, so long as the time is necessary to tell the story. In this case an argument can be made either way, though I personally feel they could have lost about fifteen minutes or so (but to me it's a minor issue).

    The director also felt the need to very quickly explain the origin of the virtual reality technology through a throwaway line of dialog, which really added nothing to the plot, and honestly made no sense; they said the technology was originally developed for the FBI so that informants wouldn't have to wear a wire, which is just dumb. The device is WAY more cumbersome and easily discoverable than a wire transmitter. How about saying that the military invented it to train soldiers more realistically? Or just leave it alone... true virtual reality is a technological holy grail. I don't think anyone questions why something like that would be invented in the first place, even if it's purely for entertainment.

    Additionally, in my opinion, a couple of the 'bad guys' could have had their motivations fleshed out a tad better, but that is a also very minor quibble.

    Beyond that, the look of the movie is quite dated, which could hinder the enjoyment for some people. The 1990's did not age very well to our eyes, and this movie is VERY much a product of that era. If you lived through it, you know what I mean. Younger viewers may not fully get the social and cultural allusions that this movie is built upon (Rodney King riots, 90's hip hop culture, rave clubs... things like that)... just something to keep in mind, although if you did live though it, you'll appreciate the depth that these references add.

    But really, I can't recommend this film highly enough. It's a completely under-appreciated piece of work, and one of the best sci-fi thrillers out there.
    7diffusionx

    Engaging, but Uneven

    Strange Days is an interesting film, with a great premise. It also happens to be well-executed, for the most part. The LA of the future (well, future back when it was released in 1995) is quite dystopian in nature, and Strange Days manages to present all facets of that using Taxi Driver-influenced car rides through the city while observing the chaos on the streets. In many ways, Strange Days manages to create a real-life and convincing future, and it feels like a true place, with things going on independently of the events in the movie, rather than feeling like a movie set.

    Atmosphere aside, though, the movie has many strengths. The plot is intriguing, and it flows quite smoothly. A lot of the dialogue is really quite interesting and gives the movie a nice feel (not to mention the actors do a pretty good job with the material). The characters are three-dimension and interesting. While the beginning parts were somewhat disjointed (at least in terms of plot), they did serve as an excellent setup. When the movie was its best (during the middle parts) there is a frantic sense of urgency that really drives the picture along. It's a very entertaining movie, and it managed to form an emotional link with me - always a good sign.

    Unfortunately, it kind of goes downhill after that. Strange Days ends up resorting to awfully cliche ideas, complete with plot elements seen a million times in movies before. All of this mars what could have been a real classic film. It's too bad that Cameron and Cocks had to resort back to this, since the movie has so many strengths and so many great things that it could have built on. While the movie is still above average, it just isn't as superb as it could have been. Nonetheless, Strange Days succeeds on many levels and is well worth watching.
    8gogoschka-1

    The Most Underrated Of Cyberpunk Noirs

    Probably one of the best big-budget sci-fi films to never reach a big audience. Written and produced by James Cameron and expertly directed by Kathryn Bigelow, this film is more noir than actual sci-fi - although the sci-fi elements are important. With a great cast and an amazing atmosphere throughout, this is one not to miss for fans of thrillers, film noir, sci-fi and especially the subgenre knwon as cyberbunk. 8 stars out of 10.

    In case you're interested in more underrated masterpieces, here's a list with some of my favorites:

    imdb.com/list/ls070242495
    7Xstal

    Retinal Fetish...

    'Memories were meant to fade' and some years after its release this has become a little diminished and less visible, especially as it attempts to forecast a technological future that even today is somewhat ambitious.

    Always tricky predicting what's to come, although this does foresee with great clarity abuse by those in authority against the same classes and races that are so disenfranchised today - but maybe that wasn't such a big gamble to take. If I had a crystal ball I would foresee the same continuing for another twenty five years and quite probably in perpetuity.

    All in all a reasonable variation on a theme you have seen plenty of before and will continue to do so if this is your bag.
    8tdh_fbi

    One of the best (and also most underappreciated) films of the 90's

    "Strange Days" is a unique science fiction and mystery film. Set in Los Angeles during the last two or so days prior to the new millennium, the cast is helmed by Ralph Fiennes as the charming, brave, but shady Lenny Nero. Lenny is a former LAPD officer who loses his job for mostly unknown reasons. He then becomes a black market hustler who sells people's recorded memories for profit. For the most part, these recorded memories are either violent or sexual in nature.

    Angela Bassett does a great job complementing Fiennes' "Lenny" character in her role as Macy, Lenny's close friend who makes a more legitimate living as a limo driver and security specialist. Lenny and Macy soon become embroiled in a murder mystery involving corruption within both the LAPD and the music industry. This seemingly ever-deepening mystery also involves Lenny's other close friend, Tom Sizemore's character "Max". Max is a private eye who, despite seeming to be very well-intentioned, is just as shady as Lenny. Juliette Lewis rounds out the cast as "Faith", Lenny's troubled and devious rock singer ex-girlfriend.

    Besides the awesome and well-acted performances, what made this movie stand out to me is just how on the nose some of the background references are in it. References to an economic collapse, increasing gas prices, and strained relations between the police and minorities make this a very odd foreshadowing of the actual real-life future.

    In conclusion, great acting, a very deep and interesting storyline, and great cultural references make this a very highly recommended film.

    इस तरह के और

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Juliette Lewis did all her own vocals for the film for her character Faith's club performance.
    • गूफ़
      The safety cable is visible during the final 10 or 20 feet of Max's fall.
    • भाव

      Mace: Memories are meant to fade. They're designed that way for a reason.

    • इसके अलावा अन्य वर्जन
      The older special edition laserdisc and DVD are the same. Both formats feature two deleted scenes and other extras. The solitary difference is that the laserdisc contains the Skunk Anansie music video for "Selling Jesus", which was not included on the US DVD release. The only DVD to feature the music video is the German special edition.
    • कनेक्शन
      Edited into Strange Days: Deleted Scenes (2002)
    • साउंडट्रैक
      Strange Days
      Written by The Doors

      Performed by Prong featuring Ray Manzarek

      Courtesy of Epic Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Strange Days?
      Alexa द्वारा संचालित
    • In the final scene, the riot cop that tells Mace to get on the ground, am I crazy, or is that Mark Hamill?
    • So, did nero invent the "telepathy" machine or did he just deal the tapes. If not, who invented it?
    • What are the differences between the British BBFC 18 Version and the Uncensored Version?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 अक्टूबर 1995 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
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    • फ़िल्माने की जगहें
      • Westin Bonaventure Hotel & Suites - 404 S. Figueroa Street, Downtown, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Lightstorm Entertainment
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $4,20,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $79,59,291
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $31,062
      • 8 अक्टू॰ 1995
    • दुनिया भर में सकल
      • $79,61,670
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 25 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.78 : 1(original/open matte)

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Ralph Fiennes, Angela Bassett, and Juliette Lewis in Strange Days (1995)
    टॉप गैप
    By what name was Strange Days (1995) officially released in Canada in French?
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