Steel Frontier

As other reviewers have noted, this movie is a cross between (i.e. stolen from) stories we have seen before. Specifically, this looks like Clint Eastwood in High Plains Drifter inserted into Mad Max. Remove Clint's cigar, and replace with a cigarette; remove his horse and give him a high-tech motorcycle, and voilà, an updated drifter. In this movie, the "hero" is even more blatantly a "Savior" than High Plains Drifter. Now our hero has long brown hair, suffers a wound to his left side, and his entry into town is preceded by a plea for "salvation" by the surviving townspeople--a pretty transparent reference to a "Second Coming." I watched the movie on a hot, humid morning. Sleep was impossible and upon arising at 4:30 am, there was nothing else on TV. So the movie served its purpose. While unoriginal, with characters that are almost comic caricatures, the movie is still somewhat entertaining...at least at 4:30 in the morning.

It has to be said that this film is definitely one of the better "bargain bin" movies out there - I'd feel a bit cheated if I had paid £15 for it, but at about £1.50 I felt that I definitely got more than my monies worth.

The film can't quite decide if it wants to be "Mad Max" or one of the Clint Eastwood "man with no name" spaghetti westerns, and as such is stacked with clichés from both. Even the manic loony who hangs out with the bad guys in "Mad Max" is there.

That guy from "Blade Runner" also cops a good billing, although he only turns up at the beginning and the end of the movie.

Favourite bit - for me the punch-up on top of the oil refinery - if you look closely you can see the "post-apocalyptic" rush hour traffic thundering past in the distance as the two protagonists knock seven bells out of each other.

Get several lagers in, a few pizzas and sit back and enjoy what is ultimately lightweight but entertaining drivel.

Before you say Mad Max, they were making these films 20 yrs before Mel Gibson came along. Basically take any of Clint Eastwood's westerns and put it after the nuclear Holocaust. Great film for budget they had. My two gripes is the overuse of guns and gas powered vehicles. They try to justify it with a old military armory as the death riders base. But still a weak premise. And they set up a nice powered sniper rifle in the beginning but they never use it again. The best gun in the whole film is a throwaway used once to hunt down dinner. Yes most of the acting is weak and stiff but so we're 99% of these films. Also biggest continuity issue is several struggles use the clear sound of clothes being torn but after the struggle not a single new tear in their clothes.

If you take the films, Mad Max, Beyond Thunderdome, and the movie Steel Dawn with Patrick Swayze, you will have a pretty good idea what the film is about. The only problems is, that the film lacks the production values of either, and represent mainly cheap copy of the former two. True, the film has plenty of action, but asks the viewer to suspend belief. No one can shoot a 50 Caliber Machine gun by holding it in his hand - and miss everything to boot, nor can you shoot at a group of people with an automatic weapon and miss the whole bunch. There is also a problem with poor editing, when the school bus flips over, it is easy enough to see the cannon used to do the job. And the lady driving the truck through it is superfluous, since she had more than enough time to stop the truck. If you are interested only in mindless action and violence then the movie is easy enough to watch. But don't expect anything on paar with Thunderdome, or even the somewhat cheap and tacky Steel Dawn.

Lots of action and violence in the Mad Max genre of things with a western twist. While all the acting was great, the best performance in the film is given by Brian Huckeba as the character "Chicken Boy." Much better than Vanilla Sky!