Persuasion

This has got to be the most watchable Jane Austen adaptation since the recent influx. Amanda Root and Ciaran Hinds are simply the best at conveying unrequited love. One is not blindsided by the big names and distracting beauty of those that have filled the roles of more recent Austen films, and that's how it should be. The performances by Sophie Thompson (Emma's sister), Phoebe Nicholls (remember "Brideshead Revisited"?), and Corin Redgrave is enough to make this movie recommendable, but the 2 main characters are absolutely superb and sympathetic without being sappy or gratuitous. The other supporting cast is phenomenal; what one expects from a nice little English film. Cinematography and soundtrack are fitting as well. Highly recommended!

I have been in love with this movie ever since the first time I saw it. Now I watch it whenever it's on. Ciaran Hinds is thoroughly likable, albeit a bit stiff, as the captain, and Amanda Root is subtle and sympathetic. Phoebe Nicholls may be the meanest sister since Cinderella's and she seems to do it effortlessly. That chameleon of an actress, Sohie Thompson, is at her whiny and annoying best. One of the things I enjoy most is the subtle changes in Roots character. You must watch as she goes from plain to pretty before your eyes, without ever a hint of acting. This movie is all about subtly and closeups, and facial expressions are the key to many an unspoken word. Even those with small roles last indelibly.

For some reason, people seem to leave "Persuasion" out when they are naming Jane Austen adaptations. I find that lamentable, since it is such a wonderful film. It is exceedingly British, which means that Americans might find it a little hard to understand, but personally I think it is superb.

All the acting is stellar; I can't really identify a bad performance. Ciaran Hines especially shines as the warm but reserved Captain Wentworth.

Of all the Jane Austen adaptations (except "Pride and Prejudice") I believe "Persuasion" is the truest to the time period. The characters act within the conventions of regency England and seem to be comfortable doing so.

I would recommend this movie to any Jane Austen lover or a person who enjoys period films or classic literature. A person who does not fall into those categories might enjoy it as well, but is likely to find it slow and difficult to understand.

The recently released DVD provides a wonderful opportunity to revisit this exquisitely done Austen. Her usual themes of elligible young women and men, their social positions, and their incomes, are very much in evidence; however here there is something a bit quieter and more deeply felt, as two special people get a second chance at happiness. The direction is remarkably fine-tuned, and the production makes a welcome attempt to portray a more realistic glimpse of the life of various classes during the period than is usual. The flamboyant period costumes are particularly amusing, and the sight of the naval men striding along jettys in uniform with their very striking hats is one that has always stuck in my mind.

And the celebration of the ordinary and the idea that true love will out itself whatever the obstacles put in its way.

The casting was inspired and utterly believable in this wondrous adaptation. I never tire of Ciaran Hinds, there seems to be so many layers in what he brings to his far too infrequent roles in films. I believe he is mainly a stage actor.

The story bears truth to Jane Austen's original work, and I am a long time fan of Austen.

Amanda is not glamorous in her role of Anne Elliot. But her truth and honour stand steady in the ebb and flow of the values, minor complaints and minutiae of her family life. It is clear from the beginning that she is the one with all the missing qualities in the others.

Fiona Shaw also captivates in the role of Mrs. Croft who strikes out in a completely different kind of lifestyle for the era, sailing the seven seas with her husband and sharing his adventures.

8 out 10. Well done to all concerned.