Candyman

Candyman (1992)

*** (out of 4)

Grad student Helen Lyle (Virginia Madsen) is doing research on why certain groups of people blame their violence on mythical legends when she comes across the name Candyman (Tony Todd). Soon Helen realizes that this figure with a hook for a hand is more than just a legend. CANDYMAN certainly stands as one of the best horror films of the 90s as it contains a great story, a creepy atmosphere, some great performances and of course many chilling moments. The story from Clive Barker is certainly something interesting to just think about because the idea of what an urban legend is and how it plays a part in people's lives who believe it is the best thing about the movie. I really loved how director Bernard Rose kept the viewing guessing at all times as to what was going on. Was it really Candyman doing all the killing or had Helen simply lost her mind while doing the research? It certainly helps that you've got such great actors in the leading roles and especially with Madsen. She does an extremely good job in the lead as she really makes you believe all of this stuff that is going on and it's a pretty deep character and the actress has no problems with it. Todd and that iconic voice makes Candyman one of the most memorable screen villains in horror history and that calm and cool nature of the actor really comes across extremely creepy. The film also features a very good score from Philip Glass and of course there's the striking images. I think the film does get a bit too long in the final act but there are just so many effective moments and killings here that you can't help but call this a classic of the genre.

Deeply disturbing, intelligently made and without a screaming teen in sight, 'Candyman' is one of the stand-out horror movies of the decade.

To just list all the elements that make this one of the classiest genre efforts of recent years would probably take up most of the thousand words I am allowed here. Suffice to say, it has a genuinely uncomfortable premise, uncompromising execution and a bone jarringly lonely score by Philip Glass. Tony Todd is exceptional as the hollow-voiced titular creature; a lost soul brought to life by the whispers of myth. At once heartbreaking and terrifying this could be the definitive latter day horror movie monster- if it wasn't just that little bit too close to Hellraiser's Pinhead. But, when you have a winning combination of elegance and disgust in a verbose, cultured villain, why alter it too much?

Virginia Madsen convinces totally as Helen; and you can almost see all the cast acting their little socks off so as not to let the side down. So good, in fact, that I'm struggling to find one bad thing to say about it.

I read here, that in the eyes of one viewer, it "dwells on the nastier things in life" and wasn't a "nice film". I can think of no greater compliment for a truly adult horror movie. No dear, you won't find happy teens in pastel t-shirts having slumber parties and discussing trendy scary movies, while some rap star tries to sell records on the soundtrack. This is a grown up film for grown up people. There is a reason horror films are for adults, and that reason is 'Candyman'.

Based on a short story by Clive Barker, Candyman concerns itself with Helen, a grad student who is researching the myth around a supposed demonic killer who goes by the name Candyman. Convinced the killer is a normal guy who is trying to conceal his identity behind an urban legend, Helen gets much more than she bargained for when she summons the evil spirit and it falls in love with her.

I quite enjoyed this. Its suitably gritty and dirty, has a great villain and some pretty brutal gore and effects. You really begin to question whether the candyman is real or not and if Helen is just nuts, and Tony Todd puts in a great performance as the titular killer. The bee scene in particular is pretty great and was done with real bees! Urgh! In the mood for a supernatural slasher? Then this might just quench that thirst...

Being a horror movie buff, I have no idea how this little gem escaped me the first time around. I'd heard a lot about it, read about it, etc but wrote it off as "probably stupid" like most of the other horror movies I had so wanted to see. So, it wasn't until many years after the movie's release that I finally saw it. And boy am I glad I did!

Surprisingly, the acting is fabulous...especially for a horror movie. Each character portrayed fantastically so as to add to the movie, rather than detract. No one really went over the top or became TOO dramatic. Overall, each character was portrayed realistically.

As for the plot: absolutely wonderful premise playing on the Bloody Mary urban legend. Surprisingly, the movie delivers on aspects of believabilty. Of course we don't *really* expect Candyman to pop out of a mirror, but how many of us have started the "Bloody Mary" chant only to stop at the very last one, not daring to continue? Our fears lie behind what COULD happen and the possibility that maybe..just maybe it's all real. Candyman plays on that fear and takes us even further over the edge.

The movie rids itself of the typical cliches (white, undefeatable stalker chasing half naked twits) and allows itself to be an entirely enjoyable, CEREBRAL horror movie. At first we wonder if the Candyman is perhaps just a person pretending to be him, then we start to question Helen's own sanity...wondering perhaps if SHE isn't the "real Candyman". Eventually, the movie leads us to an ending that answers our questions but doesn't shove those answers down our throat. Candyman also does what very few horror movies are capable of: it succeeded in having a strong ending rather than fizzling out during the last 10-15 minutes.

The setting and atmosphere are top notch. Using Chicago and Cabrini Green as its stage was perfect...bringing into play racial issues without going over the top or getting "in your face" to the point of losing its focus. The music in Candyman adds a mysterious mood that matches the dark, dismal atmosphere of the lone apartments in Cabrini Green.

All in all on my horror movie scale, I give Candyman a 10. To me, it was purely artistic and absolutely enjoyable. I HIGHLY recommend this to anyone even slightly interested in horror movies.

A strong contender for the title of best horror film of the 1990's, Bernard Rose's "Candyman" is a very faithful (and therefore truly scary) adaptation of Clive Barker's skin crawling short story. This film features a very rare and successful combination of both creepy atmosphere and visual ingeniousness. Whereas most movies (especially during the 90's) can hardly focus on any of these essential horror elements, Bernard Rose masterfully succeeds in stuffing his film with genuine tension as well as shocking gore-images. The plot centers on doctoral student Helen (underrated actress Virginia Madsen in her best role) who becomes obsessed with the urban legend of a hook-handed killer that terrorizes the pauperized ghettos of the nearby Cabrini Green. Needless to say that the Candyman-myth gets a little too realistic for Helen, as everyone she comes into contact with ends up being brutally killed with a hook. The script is intelligent and always several steps ahead of you, the eerie musical guidance is brilliant and the make-up effects are fantastically gruesome. Tony Todd is ideally cast as the bogeyman, with his strong posture and – above all – incredibly frightening voice. The legend behind his character is staggering and it's beautiful to see how director Rose plays with the realism and surrealism of Barker's basic idea. Not many horror films of the 90's decade come with my highest possible recommendation, but this one definitely does. And don't forget, the Candyman CAN…rip you to pieces!