C'est arrivé près de chez vous

Make no mistake this is a disturbing movie. And yea it's just violence with no reason behind it. But it's portraying being on a ride with a twisted, psychotic, sociopath who doesn't care. Kind of like how a war criminal would act. And then makes some off-color jokes about it while he's killing.

Notice the art snobs on here don't only attack the movie but they need to attack the viewer as well. The movie is mocking them and they can't take it. So they write a 4 paragraph review on how much the he or she hates it and how stupid and dumb a person must be if he likes it. It's not supposed to be taken seriously.

I remember renting 'Man Bites Dog' (or 'C'est Arrivé Près De Chez Vous' which is its original title) on a hunch in the mid-nineties, because I found the title and the cover on the VHS cassette intriguing. I had no idea for what kind of ride I was in. At first I was taken aback a bit, as I didn't expect the film to be in black and white. And then it simply blew me away. This mix of realism, pitch-black comedy and shocking (though not very graphic) violence had me on the edge of my seat throughout, and I simply hadn't seen anything like it before.

The direction and the realistic performances in 'Man Bites Dog' are simply outstanding; when I later watched it with a friend of mine he was visibly shaken at first, because he had thought he had watched a real documentary (which is obviously the film's intention). What must be mentioned above all else though, is the standout tour-de-force performance by the charismatic and frequently hilarious lead: Belgian actor Benoît Poelvoorde who also co-wrote and co-directed the film. He IS the film, and I have a hard time imagining the story working so well without his inspired, genius turn.

'Man Bites Dog' is perhaps one of the best and most original satires on sensationalist media since Sidney Lumet's seminal movie 'Network'; it's certainly the meanest (and not for the easily offended, mind you). In my opinion, it's a flat-out masterpiece. Highly recommended. 10 stars out of 10.

P.S. In case you don't know whether to trust this review or not, just check out the lists below, and you'll see exactly what kinds of films I like:

Favorite films: IMDb.com/list/mkjOKvqlSBs/

Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/

That's the one I was looking for...

Beautifully shot in black and white, this piece of art about a killer followed by a film crew is technically incredible.Camera movements or sound effects are among the most innovative I have ever seen. Besides, the dialogues are so funny...

We watch a lot of people being shot and this might shock a lot of people, but if the viewers bear in mind the real purpose of this "massacre" (to denounce the violence rather than glorify it), this movie is really funny.

I surprised myself talking with a Belgium accent and learning by heart the dialogues in order to make people laugh. It lasted 3 years...

This is definitely a masterpiece that I would not recommend to everybody, especially because of its visual violence, but filmgoers who would like to see something different should definitely check this one.

I consider it a brilliant film, but also very very disturbing. I'd sooner warn people about it than recommend it, even though it's an amazing achievement. So, for what it's worth, here's my viewing experience:

I heard about this film and was immediately hooked on the absurd idea of a serial killer, on the loose, as a willing documentary subject. I also heard that it was pitch-black comedy, and a commentary on violence, society, media, etc. -- blurring the lines between observing and becoming an accomplice and whatnot.

Well, in the first two acts it certainly delivers on the absurdity and the black comedy. Both Ben and the filmmakers are as matter-of-fact about his prolific killing as if it were a documentary about urban architecture, and even in the middle of his murderous acts he remains an engaging conversationalist with all sorts of attributes our culture values: extroversion, confidence, charm, a sense of humor, and fairly informed views on diverse subjects. The juxtapositions are disturbingly hilarious. He laments that African immigrants like the one he just shot don't have equal opportunities in this racist society, or that the color and layout of a certain housing project encourages violence and other social evils. He kills an entire family in their home, then reflects on the waste of human life and how there "should be a law" against that sort of thing. He explains a lot of aspects of his trade (like how to dispose of bodies and which victims are most likely to carry money), but leaves other elements in the dark. He first seems like a murderous variety of the common robber, but then plenty of killings seem to have no material motive at all, while others are clashes with rival killers (the absurdity reaches meta-levels at some points).

I was shocked by the violence and I was also laughing, and I was feeling uneasy about that.

Many reviews talk about how the documentary crew moves from "observers" to "accomplices", but any court of law would already consider them "accomplices" within one minute of the film starting, so that development didn't register so much to me. Sure they started taking a more active part in the carnage, but this wasn't something I considered an unexpected development.

What did register to me was the shift somewhere in the third act. Suddenly I was no longer watching a dark comedy. The violence escalates to a nasty scene that I couldn't even watch, and that left me disturbed and depressed for days. It's like the movie finally decided to show me what I was looking at and say, "well, are you still laughing? Are you?" And I realized: what was there about Ben that was engaging? Even his charming ways among his friends and family were just socially acceptable methods of getting his way and remaining the center of attention, just like killing people and starring in documentaries.

So among the unexpected things I found in this film was a chillingly believable portrait of a textbook sociopath. (The scary thing is that I know someone in my neighborhood who fits that profile as well.)

The film is brilliant and disturbing. Proceed at your own risk.

Ben is a charming, witty go-getter fond of architecture, poetry and murder. A brutal serial killer, Ben is followed by a film crew who document his vicious spree of violence and barbarity. Initially they just shoot the proceedings, though as time goes by, the crew begin to take a more active hand, helping Ben torture and maim. Before long, the lines between subject and documenter are irredeemably obscured, with the crew fully in Ben's thrall. Their story escalates to a fever pitch of black comedy and savagery that will leave you thunderstruck in the audacious, wild and original 'Man Bites Dog.'

Written, produced, directed by and starring Benoît Poelvoorde, Rémy Belvaux and André Bonzel, 'Man Bites Dog' is sleek, highly entertaining and not for the faint of heart. Shot on a shoestring budget, the film impresses on every level. The narrative is unpredictable, sinister and full of pitch-black humour and raucous dialogue. So funny the film is, it plays at times like a Christopher Guest led reimagining of 'Henry: Portrait of a Serial Killer,' and is just as strange, dark and comical as that sounds. It is a very clever, frantic and tongue-in-cheek mockumentary that contains some truly unforgettable, uncomfortable moments of violence.

'Man Bites Dog' opens with a frenzied, fiendish murder on a train and never lets up, containing some genuinely distressing sequences that will give one pause. The thesis the filmmakers are operating under seems to be that visual media- television and movies- corrupts and makes complicit its audience in whatever is occurring on screen. The crew following Ben succumb to his wiles and find themselves perverted by his depravity, as do we the viewing audience. We like Ben, despite his cruel and inhuman machinations, therefore are willing participants in his spree of turpitude. It's powerful cinema, with an interesting message at its core.

The bulk of the production was undertaken by Poelvoorde, Belvaux and Bonzel, and their efforts are impressive. A visually arresting watch, 'Man Bites Dog' is shot by Bonzel, and his cinematography is artful and of great clarity. Shot in black and white, the movie has a heady atmosphere that evokes film noir, and Bonzel's work with light and shadows produces some striking results. Not once do the budgetary constraints show through the visuals, and one will assuredly remember the images from 'Man Bites Dog' long after the credits have rolled.

The sound design is also impressive. For whatever reason, oftentimes student filmmakers do far more impactful and interesting work with sound than big studios and Hollywood heads. Think of 'Eraserhead' or 'Tetsuo: The Iron Man,' and how the cranking, wheezing worlds came alive through the sounds of the picture. 'Man Bites Dog' features similarly notable aural design and effects, which adds to the atmosphere and helps legitimize the world Ben traipses through on his intemperate journey. Additionally, the editing- done by Belvaux and Eric Dardill- is swift and intuitive, tying the whole film together nicely and establishing a steady pace, ever building in intensity towards the explosive finale.

'Man Bites Dog' stars Poelvoorde as Ben, serial killer and cultural commentator extraordinaire. His performance is fascinating, commanding and frighteningly hilarious. An arrogant, callous character, Ben is a startlingly realistic cinematic creation: a droll, murdering sociopath who loves the limelight, the sound of his own voice and dominating those around him. Poelvoorde's intense performance is incredible, he makes the character somehow likable and deplorable at the same time, whether waxing lyrical about architecture or discussing how best to drown a dwarf. The film justly kickstarted his career as an actor; as his is a supremely rare and versatile talent put on show to great effect in 'Man Bites Dog.' Though his supporting cast all perform admirably- Belvaux in particular- Poelvoorde towers above them; rendering further comment supererogatory.

'Man Bites Dog' is a brilliant, highly entertaining mockumentary that is original and affecting both. Featuring an unpredictable story, assured and noteworthy visuals and a spellbinding lead performance from Benoît Poelvoorde, the film is anything but ordinary. It is a highly charged, violent film that may not be for everyone, but for those who appreciate the dark and the abstract it's a must watch. OMD once released an album called 'Architecture & Morality'; with 'Man Bites Dog' Poelvoorde, Belvaux and Bonzel have created a fantastic film of architecture and immorality.