The premise sounds very promising, and the cast is filled with very recognizable names and faces. As the story progresses of mistaken identities, miscommunication, and crossed wires, there are certainly plenty of laughs to be had as conversations get jumbled between what one character means and what another hears; sight gags, physical comedy, and near misses abound; and exaggerated characters and reactions adjoin ridiculous situational humor. At its best this boasts terrific, wild energy as the tangled plot becomes even more jumbled before the threads align toward their ultimate resolution(s), and the actors unfailingly bring their characters and the ill-fitting pairings to wonderful, vibrant life. In what was only his first full-length feature as writer or director, Mark Herman penned a terrifically smart, complex narrative with far-flung characters, and scene writing that strains to maintain order amidst the silliness. All along the way Herman illustrates fine capabilities as director even so early in his career - whipping his cast into a veritable frenzy, orchestrating action sequences with tremendous vigor, and somehow managing to keep some level of balance between the chaos of the proceedings and the steadiness that must necessarily be enforced to engage viewers.
With all this firmly in mind, the entertainment that 'Blame it on the bellboy' offers is perhaps inconsistent. Some moments are very funny; elsewhere the sense of comedic adventure lends itself more to light amusement. The problem is compounded by severe tonal issues that present in the first half especially, for the humor rather has difficulty counterbalancing the dark vibes and violence that arise as the cases of mistaken identity first start to bear fruit. Just as much to the point, there's a mean streak to the humor that just hasn't aged well; I'm sure the thirteen year olds among the audiences have been pleased over the years, but for anyone of a less juvenile persuasion the shtick doesn't stick well. Be all that as it may, mostly the madcap fervor this boasts, and the minor ingenuity of the convoluted scenario, take precedence over the less desirable facets. The writing is stronger than not, and I can't fault the direction at all; with reliable talent on hand like Dudley Moore, Bronson Pinchot, Richard Griffiths, and Andreas Katsulas, among others, enjoyment is assured even if it's not the utmost top of the line. This doesn't make a great first impression, but when all is said and done its strengths outweigh its weaknesses, and it really is a good time overall.
Unless you're a diehard fan of someone involved I don't think there's any need to go out of your way for it, and strictly speaking there are other titles one should prioritize in their watch list. Still, if you do have the chance to watch, this proves itself once you get past the rough patches that first present, and more than not it's pretty fun. It's not a must-see classic, but nor does every film need to be, and 'Blame it on the bellboy' ably plays in its space as something relatively light for a lazy day.
