अपनी भाषा में प्लॉट जोड़ेंA slobbering St. Bernard becomes the center of attention for George and Alice Newton's loving family, who must contend with dog-napping local veterinarian Dr. Herman Varnick and his henchmen... सभी पढ़ेंA slobbering St. Bernard becomes the center of attention for George and Alice Newton's loving family, who must contend with dog-napping local veterinarian Dr. Herman Varnick and his henchmen Harvey and Vernon.A slobbering St. Bernard becomes the center of attention for George and Alice Newton's loving family, who must contend with dog-napping local veterinarian Dr. Herman Varnick and his henchmen Harvey and Vernon.
- पुरस्कार
- 1 जीत और कुल 4 नामांकन
फ़ीचर्ड समीक्षाएं
BAD NEWS - The "bad news" was (a) the silly ending, (b) some silly-stupid scenes earlier in which what you saw could never really happen, and (c) the three kids were annoying and bossy at times.
GOOD NEWS - The "good news" is, of course, "Beethoven," the lovable Saint Bernard who is a lot of fun to watch, especially with all his facial expressions. Also, it's a very entertaining story and there is absolutely nothing offensive, language-wise, in here.
OVERALL - This was popular enough to spawn some sequels, none of which were close in caliber to this one. A good family film worth viewing, but mainly if you like big, lovable dogs.
Released in 1992 to rather mediocre reviews but very healthy box office, Beethoven certainly fits well within the oeuvre of 1990s post Home Alone/Uncle Buck family comedies that ended up defining John Hughes career in the decade. While Beethoven is still a very early revisit of Hughes to the successful formula, it is quite noticeable that Hughes is setting the foundation for common place tropes that would reappear in further films. With that said, the movie is actually quite charming thanks to a well trained dog serving as the titular character, and Amy Holden Jones balances out the Hughes' tropes with some charm and edge that help the film to keep from going overboard with formula.
The best scenes in Beethoven are just watching the dog interact with people. The filmmakers do a pretty decent job of given Beethoven a personality as the gentle giant who's full of energy and intelligence but lacking in self awareness or grace in his movements. The scenes where Beethoven casually escapes his backyard enclosure are quite fun and there's a nice small town/Disney type vibe as he meets the Newton children around town and helps them deal with bullies, getting the attention of crushes, or in one instance engaging in a Lassie type rescue during a close call. The scenes with Beethoven frolicking around with the family or various people in town (firefighters, small business owners, etc.) are charming and make the film a pleasant enough sit.
The actors are perfectly servicable. Charles Grodin is perfectly fine playing an overworked, overstressed, father (even if at points it feels like he's doing a Steve Martin impression), and the rest of the family is perfectly fine as well. Some performances unfortunately go a bit too broad for my taste, such as Stanley Tucci and Oliver Platt playing a rehash of the comedic crook duo a la Horace and Jasper or Harry and Marv, or David Duchovny and Patricia Heaton playing a pair of snobbish DINK(Dual Income No Kids) who are basically insidious versions of Todd and Margo from Christmas Vacation. The real standout in the human performances is Dean Jones who washes away any history of light hearted Disney comedies and away and gives a fittingly sinister and slimey performance that honestly wouldn't be out of place in a straight thriller. It's a terrific villain performance and allows Jones to lift a bit more weight than he usually is allowed and he does so quite well.
The movie in terms of the movie itself it's perfectly fine. It doesn't reach the gold standards of Disney animal movies like '67's That Darn Cat or either of The Incredible Journey movies, but it also doesn't embarrass itself as seen in cases like C. H. O. M. P. S. or Bingo. Beethoven rests comfortably around the level of a Benji movie but with a bigger budget and more polish. The direction by Brian Levant is very exaggerated and lacking in subtlety or restraint, but unlike his other movies he tries to resist the temptation to go full cartoon logic (save for one scene with Duchonvy and Heaton). The movie is very much a collection of character based plots in the first half loosely connected with the second half being more based around the animal abduction ring. There's not much in the way of surprises, but it's all done well enough.
Beethoven is an above average family film anchored by a good performance from its central dog. The movie does a good job of making Beethoven feel like a character, and while the script is certainly formula its at least well done formula that moves at a good pace and doesn't linger on any point long enough to drag. Beethoven is the kind of movie you can watch with your kids and they'll enjoy it while you'll smile once every so often. It won't stick with you, but as family films of this type go it's one of the better ones.
This St.Bernard puppy escapes from dognappers who take him and others from a pet shop. But even as a puppy he's resourceful and he wonders into a typical suburban home and is made welcome by the family and I mean the kids Christopher Castile, Nicholle Tom, and Sarah Rose Karr. Even their mom Bonnie Hunt kind of takes to him. What's a dad like Charles Grodin to do.
But as Beethoven grows older his clumsiness causes a lot trouble. He does have an instinct for sorting out some bad people and dealing with them. The kids get it, the parents don't.
Dean Jones is the villain here, a veterinarian who 'kills' his charges but secretly uses them for mad scientist like experimentation. Jones who was the all American hero in so many Disney films in the 60s and 70s looks like he's having a great old time as the Snidely Whiplash of scientists. He's got a pair of mooks for henchmen in Michael Tucci and Oliver Platt. In the old days they'd be played by Allen Jenkins and Edward Brophy.
This movie has little kids and a big dog in it. Now only the most hard hearted could resist that.
क्या आपको पता है
- ट्रिवियाGreat care was taken to make sure the animals used in filming were not harmed. Measures taken included many trick shots, multiple cuts, and even a mechanical dog/dog suit in order to achieve scenes.
- गूफ़When Ted and Rice are playing Super Mario Brothers 3, they are both mashing away on controllers; however, when it shows the close-up of the screen, we see that they're only playing a one-player game at the time.
- भाव
George: I really don't like our dog.
Alice: I really don't like those people, George. I don't trust them. I don't want their money. I know my opinion doesn't matter, but I'm not interested in expanding. If I had been home instead of helping you impress those morons, Emily wouldn't have fallen in the pool. And I'm not re-entering the work force, George. You're gonna have to do this on your own. And you will. Somehow, you'll make your fortune. And tucked away behind you deep in the shadows will be me and the kids.
George: That's how you see me. Suddenly, I'm a lousy husband and father. Everything was just fine until Beethoven came into our lives. I've tried to be patient, but I've had it. The dog has to go.
Alice: I'm proud of Beethoven. Those two idiots insulted your kids, they treated me like dirt, and he was the only one of us who had the nerve to give them the ride they deserved. I'm going to bed.
[she heads back inside]
George: My dream's going down the drain, and you're worried about a dog.
Alice: Your family's going down the drain, and you're worried about a dream.
- क्रेज़ी क्रेडिटAs the end credits finish, a short scene plays of Beethoven standing on a rock, silhouetted against a sunset. He barks as the screen fades to black.
- कनेक्शनEdited into 5 Second Movies: Beethoven (2008)
- साउंडट्रैकRoll Over Beethoven
Performed by Paul Shaffer and The World's Most Dangerous Band
Written by Chuck Berry
Produced by Paul Shaffer
टॉप पसंद
- How long is Beethoven?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Chú chó Beethoven
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $5,71,14,049
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $75,87,565
- 5 अप्रैल 1992
- दुनिया भर में सकल
- $14,72,14,049
- चलने की अवधि
- 1 घं 27 मि(87 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1