अपनी भाषा में प्लॉट जोड़ेंDuring perestroika, a Chicago student visiting Moscow inadvertently gets caught up in a perilous game involving a stolen Russian Orthodox icon amidst the USSR's transition to capitalism.During perestroika, a Chicago student visiting Moscow inadvertently gets caught up in a perilous game involving a stolen Russian Orthodox icon amidst the USSR's transition to capitalism.During perestroika, a Chicago student visiting Moscow inadvertently gets caught up in a perilous game involving a stolen Russian Orthodox icon amidst the USSR's transition to capitalism.
Aleksei Yevdokimov
- Mikhail
- (as Alexei Yevdokimov)
Nikolay Averyushkin
- Aide
- (as Nikolai Averiushkin)
फ़ीचर्ड समीक्षाएं
This time that film back in the ussr (1992) is supposed to be on DVD. This time I want it for real. Same thing as jumpin at the boneyard and night and the city (1992). Those 3 20th century fox films from 1992 need to be on dvd.
So this cool Whaley guy has young Jenny as partner in 1991 and the next year, he goes to Moscow to shoot with Natalya, the best Russian actress ever! I would be him i would consider my career as a winning one just for those 2 productions! Sure this movie may not have the best story for a thriller but it has the unique opportunity to have been shot entirely on Moscow and just after the collapse of CCCP! So every single minute of it is worthy the watching because you really discover a totally different country : streets, buildings, homes, fashion, everything is familiar but strange
How many American movies can offer you so much new stuff ?? As for Natalya, she was totally great : dynamic, smiling, careful and full of life ! So at the end, it may not be the movie of the century but i rank it among my best because we don't see anymore like this today, especially as Natalya nearly stops doing movies after
On his last day on vacation in Moscow, a young American's (Frank Whaley) attempts to get laid are sidetracked by a search for a stolen icon with the most preposterous set of plot twists imaginable. Worth watching (perhaps) as the first U.S. production to be filmed entirely in Russia, and much of the visual tour of Moscow is very impressive. Also, many of the performances by the Russian cast, especially co-star Natalya Negoda, are excellent. The film is fast moving, and the motivation and twists, especially the premise, are so ridiculous that one doesn't need to stop and wonder if they're believable -- they quite obviously aren't. Painless to watch if you're not too demanding.
While on a Russian tour, Archer; a young American tourist's experience takes an unexpected turn when he meets a mysterious woman named Lena. She has accidentally stolen a priceless work of art, and as events spin out of control Archer finds himself without a passport, accused of murder, hunted by the police, and pursued by a ruthless smuggler.
The main reason I saw this movie was to see Roman Polanski's performance as an actor. He was great in The Fearless Vampire Killers, The Tenant, and A Pure Formality. Like in A Generation, Polanski has a small role in this movie as well; nevertheless he proves he is a very talented yet overlooked thespian. As for the movie itself it's rather poor. It has the elements of making this a good thriller but the director aims for the Hollywood approach and it simply doesn't work. The use of young actors was a mistake in my opinion, if the protagonists would have been a little older the style of the film might have been more mature and we might have gotten a completely different movie. Instead we get a ridiculous film that doesn't really have any substance at all, and proper organization. The film leaves a great deal of questions unanswered; I can't even begin to explain how many holes were left uncovered. Basically it's just a sloppy movie. The only reason to see this is for Polanski. If he wasn't in it, trust me I would never have seen this movie.
The main reason I saw this movie was to see Roman Polanski's performance as an actor. He was great in The Fearless Vampire Killers, The Tenant, and A Pure Formality. Like in A Generation, Polanski has a small role in this movie as well; nevertheless he proves he is a very talented yet overlooked thespian. As for the movie itself it's rather poor. It has the elements of making this a good thriller but the director aims for the Hollywood approach and it simply doesn't work. The use of young actors was a mistake in my opinion, if the protagonists would have been a little older the style of the film might have been more mature and we might have gotten a completely different movie. Instead we get a ridiculous film that doesn't really have any substance at all, and proper organization. The film leaves a great deal of questions unanswered; I can't even begin to explain how many holes were left uncovered. Basically it's just a sloppy movie. The only reason to see this is for Polanski. If he wasn't in it, trust me I would never have seen this movie.
Nothing works in this absolutely witless teen fantasy, a lame Hitchcock rip-off about a stolen Russian icon and the plucky young American tourist who has to find it, pursued all the while by Soviet cops, Mafia killers, American embassy stooges, the Russian Orthodox Church, evil art dealers, assorted black marketeers (including a presumably desperate Roman Polanski), and the lovely Natalya Negoda, doing a somewhat sanitized variation of her delinquent character role from 'Little Vera'. Why travel all the way to Russia to make such a bone-headed, embarrassing movie, when even the local actors are so unconvincing? The answer is obvious: the film looks as if it was produced by the Moscow Tourist Council, with the full support of a government anxious for western currency, and eager to cash in on the promotional value of a slick, action-packed comedy caper filmed in their backyard. Ship this one to a distant Gulag.
क्या आपको पता है
- ट्रिवियाThe first U.S. film ever shot entirely in Moscow, Russia.
- क्रेज़ी क्रेडिटAndrew Divoff's name is misspelled as 'Divof' in the end credits.
टॉप पसंद
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विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $5,01,036
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