The Babe

There are really only two ways John Goodman could ever fit into a sports movie: a) he's not the lead or b) it's about fishing. I'm nowhere near an authority on the real Babe Ruth, but I reckon a baseball legend could probably run five yards without being completely out of breath. Don't get me wrong, Goodman is excellent in the non-baseball scenes, but whenever he gets on that plate it's really embarrassing and highly unconvincing. Was this movie made on a dare? Did the studio just think John Goodman needed some exercise? It's pretty painful to watch all in all, but you can't look away. And yet...in a way it's also indescribably entertaining, even though that's probably just my dark side enjoying the "run fatty run"-aspect of this film. It also helps a lot that, as I already implied, the parts about Ruth's personal life are well-acted and in fact much more interesting than the repetitive homerun-homerun-homerun-homerun-homerun-homerun-homerun scenes. "The Babe" is a decent biopic, but you never really believe you're watching Babe Ruth. Oh well, at least it's easy to sit through.

The 2 biggest complaints I had were the sequence of events in the movie and the character that Mr. Goodman portrayed.

It seemed that the movie attempted to show all events which dealt with Babe Ruth's life. Most actually seemed accurate, but the positioning of each event was off. For example, if Babe was so much against divorcing his first wife, why did he go ahead and marry Claire while still being married? The fact is, that he did not marry Claire until his first wife tragically died. This is not portrayed this way in the movie. Also, the movie suggested that Babe met claire as a rookie in Boston. He met Claire in New York in 1923. Does anyone actually think that Babe Ruth would have continued playing for the Yankees if he dangled his manager (his boss) off a moving train???

As for the acting. Babe Ruth NEVER approached the weight displayed by Mr. Goodman. Babe hovered around 200-210 for the most part of his career although his weight did fluctuate. It was a truly sick thing trying to watch Mr. Goodman swing or run around the bases. The guy could barely fit into a uniform. I did think that Mr. Goodman really did well in his facial expressions, speech and overall demeanor of the Babe. It was the physical acting that was left to be desired.

I would have liked the movie to concentrate more on Babe's lifestyle off the field. His womanizing (not enough in this movie), his appetite (not enough in this movie), and the fact he just was a social boob (i.e. couldn't remember names, had no manners). His on the field statistics speak for themselves.

As someone familiar with the historic record of Babe Ruth's life, the many "playings around" with the facts were noticeable. In some of the cases, presenting the story accurately wouldn't have changed the filmmakers' intent at all. Example: In the movie, Babe already is married to Clare when Dorothy dies in the fire. Dorothy died a couple of years before Babe got married. He was a Catholic, remember; they weren't living together.

I'm still pretty sure the Baby Ruth candy bar was named for Grover Cleveland's daughter, not the Babe. I am old enough to have attended many ballgames in Forbes Field, and they didn't even try to make the park in the movie look the same. Where was the ivy?!

In real life, Clare wanted Babe to retire after the 3 homers in Pittsburgh, but Babe had promised people he would appear in several more games. Nothing happened in those games, and, dramatically, having him quit after Pittsburgh made good sense for the movie.

I'm also glad the picture ended when it did, not showing Babe in his last frustrating years waiting vainly for the Yankees to call him. We didn't need to see his - and Clare's - decline.

I take serious issue with the critic here who apparently likes the William Bendix movie better. Keep in mind that was made while Babe was still alive. The Babe they presented there was so perfumed and sugar-coated as to be completely unrecognizable.

"The Babe" was a wonderful film. If critics want to nitpick it by commenting on the "authenticity" of the film like saying that all the games were played on the same field just re-organized, and making negative comments about about the film portraying the "dark side" of Babe Ruth, etc, I guess that's fine, but give the film what it deserves. First of all, John Goodman did an amazing job.

The truth is that Babe was a very confused person. He is probably baseball's greatest legend, but he did have some serious problems with women and alcohol. His childhood was a mess in many ways. He didn't know how to be married or to be a Father to a child. Everyone has issues. Accept the documented facts that he was not an angel. He had a huge heart and loved to do things for people. He also had his own demons to overcome and most of us do. I know that the film added a few things that may or may not have happened and I know that many things were left out, but unfortunately this is the way it has to be in ALL films like this. There is NO way to capture every single thing that the Babe ever did in less than 2 hours. They just have to do the best job they can with the time they have to work with.

This film was genuinely uplifting and to all who only saw the negative side of this film, shame on you. John Goodman is a huge Babe fan and even he felt that this was an acurate portrayal of the Bambino. The film is inspiring, positive for the most part and it's made me feel good every time I've seen it.

Despite critical reviews, this is really an interesting movie. A different look at legendary home run slugger Babe Ruth. Very low budget and historically incorrect. A major league turn around from the William Bendix BABE RUTH STORY(1948). Rowdy and ribald and one of baseball's original heroes is shown drinking, cavorting, skirt chasing and deep in gluttony. The real "Bambino"? Not candy coated, but not honestly factual either. John Goodman is outstanding as the slugger of mammoth and mythical home runs. Kelly McGillis plays Clare Ruth. Also in the cast are Bruce Boxleitner, Joe Ragno and Peter Donat. Take it all in stride. It is only a movie and not engraved in granite.