Siu ngo gong woo: Dung Fong Bat Bai

many of the previous comments have cited this film as one the best in the martial arts genre. i think there's a little more to it. this film articulates one of the central philosophical questions of the Chinese tradition: withdrawal from the world vs. facing the world. it is a theme featured in all of china's great philosophers, Lao-Tze, Zhuang-Tze, Confucious, and as well as its great poets and artists. it is also, arguably, the central question of Chinese Buddhism.

recall that the film premises on the withdrawal of Jet Li's character and his clan from the world of martial arts (the uniquely Chinese, "Jiang-Hu"). they were tired of the constant battles and blood-shed. "Ox-back Mountain" was, for them, the idyllic place to escape the bitterness of the world. the events of the movie--Jet Li's involvement with Ying Ying, the rescue of Ren Woxing, the appearance of Dong Fang Bu Bai, the brutal slaughter of the Hua Mountain clan--all serve to problem's the possibility of exiting the world.

Linghu Chong's (Jet Li's) conversation with Ren Woxing captures this conflict in these immortal words (my translation): "you (Linghu Chong) know so little about the world. when there is people, there is hatred and resentment, and when there is hatred and resentment, there is Jiang Hu (the world)." this is a pessimistic view of the world, but one that rightly argues for the importance of resentment in the order of the world. moreover, unlike most films that fall into this trap, the Swordsman II does not posit love as a force of reconstitution and re-ordering; love only complicates things...

If you only see one movie from Hong Kong, look no further. This one packed the best of all that kept HK's movie industry at the forefront of the action/ martial arts genre. The androgynous leading role also revived veteran actress Brigitte Lin's career, launching scores of other copycats casting her in such roles. She completely overshadows everyone else, despite the star-studded cast (incl Jet Li). The action sequences were stunning and kudos also for the meticulous costume-design and music score - a classic!

Provided you are slightly interested in fantasy, horror, and a little kung-fu, this film is the best in the genre. Great choreography and music, ok humor, very good lighting, nearly perfect sound (unlike many fantasy flicks), a very good story and colorful and dynamic cinematography (Lau Moon Tong) that surpasses even Crouching Tiger Hidden Dragon (Lee, 2000) sometimes though it is nine years older. On every other fields CTHD is simply crushed by this fabulous film. I can't believe CTHD got 22843 votes and Swordsman 2 less than 1% of that. Mwahahahehe: have all these guys missed something! :-P

In Asia Jet Li is very famous and most Chinese who are interested in movies will probably have seen this already. In the rest of the world this is probably only seen by people who liked Evil Dead (Raimi, 1982), Chinese Ghost Story (also directed by Siu-Tung Ching, 1987) AND at recently CTHD. Featured are Recoiling whip, Flying bomb, Rotation of the stars (massive action scene with 6 swordfighters), Essence absorbing stance, Invincible Dawn, Kiddo and Scum Bag (last two are characters). Some of the story elements are hard to follow, but that doesn't diminish the entertaining value (story continues AND action continues): just go see it again if you didn't understand it 8-)

THIS is groundbreaking: not CTHD. The action scenes in CTHD may be shot beautifully and without many cuts, but Swordsman 2 definitely has more fantasy and the director isn't afraid of showing blood like Ang Lee WAS unfortunately. Swordsman 2 tries to embed the story in Japanese civil war and therefore the film starts with Japanese swordfighters (speaking Kantonese though) and Japanese music. After the titles we are left with gravity-defying swordfighters of Chinese AND Japanese origin and ninjas as they fight in South China in the 22nd year of Emperor Sun. Also there is a megalomaniac who slowly changes into a woman and there is a girl who constantly is mistaken for a man (not exactly like Vasquez in 'Aliens'). Don't ask for the significance of that plz. Swordsman 2 (haven't seen part 1 yet) is NOT over-rated with 8.6 (211 votes), and provided you liked Iron Monkey (Woo-Ping Yuen, 1993), this one will blow you out of your socks and chop you in half. Finally, the popular Stormriders (Wai Keung Lau, 1998) also couldn't come near this masterpiece.

10 points out of 10 :-)

You know it's going to be a wild ride when bodies are being chopped in half five seconds into the film. The manic pace of this film never lets up, the assault of flashing swords, flying bodies, snakes, needles, throwing stars, whips, needles and kitchen sinks (all right, not really, but I think you get my point) is almost too much to absorb all in one sitting. But what really makes the film is the striking performance by Brigitte Lin as the villain. She's fast becoming my favourite HK actress, and her wicked performance here is a big reason why. Her character is so captivating that the next "Swordsman" film was apparently centered around her character. The only letdown is that for the bulk of the film, she's dubbed (with a male voice), but since that's integral to the plot, I'll let it slide. For fans of HK fantasy/action films, this is very much worth your while.

For sheer entertainment value, it's hard to beat this film. If you're not concerned about intellectual stimulation, you'll have a great time. The plot is completely confusing, but it helps if you've seen "The Swordsman", the first movie in this sequence.

Don't worry; you won't be paying too much attention to the plot, because if you do you'll get a headache. In a capsule, various martial arts clans vie for possession of a scroll which describes how to obtain secret powers. This is a great excuse to hang together a bunch of amazing martial arts sequences, silly humor, and drunken singing -- and you'll probably sing right along. In fact, you'll see where "The Matrix" got a lot of its inspiration when you watch this film. (The Wachowski brothers worship Jet Li.)

As in "The Swordsman", I appreciated the fact that there are a number of strong female roles in this film. Hollywood doesn't allow many women action heroes, and this film shows how women can knock your socks off, if given the chance, in the fighting sequences.

Assume movie essence absorbing stance!