Truly Madly Deeply

I was given this film as a present on my 17th Birthday - a bit cynical to watch such a soppy love story, i decided to go it a go one evening..and didn't take my eyes off the screen until the end! This movie is fantastic! As a product of the late 80's myself - it is a film that makes me wish i still lived in that era!

Some of the best quotations! - that make you realise how important insignificant things are in a relationship (Watching the clouds go by on a lazy autumn morning, sitting up all night chatting etc) This film fills you with nostalgia; my fav part has to be the end..having gone through a rough break-up recently, i can empathise with the feeling of 'letting them go' and moving on.. "My feet shall want to walk to where you are sleeping - but i shall go on living" Watch this film - it'll make you think...

I had no idea it was going to be as good as it was. The two leads, Stephenson and Rickman, produce such a quality together that it flowed very nicely and I did not want it to end there.

Overall, spirit movies have their own presence and I hate to say this, unbelievability. However, this movie was different in that Rickman's "Jamie" was so believable. It's probably because it was Rickman, who is by far a great spirit, in my opinion. It was very poignant in bring about the message to leave the past as past, and live for the present. Grief brings out a reflection of past and how sometimes we could have made things different. This was more of an embrace on living life to it's fullest, while you still have it. Minghella is an artist!

Truly, the ghosts were fantastic!! It added more to Jamie's plea for Nina to experience life again without him - he had his life, and she needed hers in her world.

This one of the most memorable and touching movies about love and loss that I have ever seen. It does fall a little into the trite towards the end with some of the side plots, but the essential message is there from beginning to end. There are people who you love who leave deep and indelible pieces in you, but the essence of living is painful and individual.

The characters are well drawn and the performances by Rickman and Stevenson are nothing short of inspired. Rickman in particular has an ambivalent character- he has the attraction of a unique and fleeting genius, juxtaposed with the temperamental flightiness of a hot house flower. Stevenson's dealings with this paradox of a person and her relationship, forms the driving force behind her quest for meaning.

There are moments of humor and extreme poignancy in this movie. The use of Bach and the poetry of Pablo Neruda is both organic and brilliant.

The trite parts are largely collateral. The movie rather than being "PC" is idiosyncratic with unusual characters.

This is a beautiful little movie. Juliet Stevenson (as Nina) plays one of the most authentic female leads I've ever seen: She bawls full-out, complete with fluids; she looks like a man in bad lighting; she's passive aggressive and irritable and loveable and likeable and real. Likewise, Alan Rickman's character, Jamie, is peevish, like all of us, self-centered, like all of us, but beautiful and unique and again, real. Unlike the schmaltz we're fed here in the states, where dialogue consists of rehearsed speeches (think Jerry Maguire) and love seems skin-deep, this is a couple that seems not only to love each other but to genuinely like each other; a couple that has their own language, as long-term couples do (and it's not translated, which is so refreshing), a couple that can be silly with each other and irritated with each other within minutes; that can have spats that are not high drama or the beginning of the end or anything other than the end of a long day in a too-hot apartment. The ending broke my heart yet seemed like the most natural and right course of action. Truly stunning.

This is NOT a chick flick. True, it is rife with sentiment but is not sentimental. It pushes the envelope in several ways but the thing that really gets me is how much better these English actors and writers are than we are. I shudder to imagine what pablum (e.g., Ghost) would have come out of Hollywood. The humor and imagination that has gone into this film is amazing and then, there's the Bach. I mean, listening to Bach on the cello is worth the price of admission in itself. The little bits and pieces of how a shattered life is put together is touching but never maudlin. The ghosts who are always cold (well, I mean they're dead, aren't they?) and who are hooked on videos of classic movies (OK. Is it High Noon or Fitzcarraldo?) is great. If you can watch the closing scenes without chocking up and getting at least a little teary, you are made of pretty stern stuff. I love this film and highly recommend you see. I plan to watch it again and again...