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Boy oh boy, where to start with this one? This movie affected me so deeply when it first came out. I saw it many times in the theater and was blown away every single time. Deep and powerful, yet hilarious and fun in many parts. This one is flawless. My girlfriends and I still quote lines from this. This movie is NOT man bashing. It has some very powerful things to say about choices, friendship and the life that you make for yourself. Truly memorable and the kind of movie that really stays with you.

"Thelma and Louise" made a huge splash when it was released and has since become a part of the pop culture lexicon. In it, a mistreated housewife and harried waitress stumble into an out-of-control - but totally liberating - crime spree. As bold and relevant as ever, it remains a vastly entertaining must-see.

Callie Khouri's screenplay is a feeling, funny classic and director Ridley Scott lends this road movie epic scope, seeking out the beauty in open spaces.

Both leads - Geena Davis as Thelma and Susan Sarandon as Louise - give fine performances. Thelma and Louise become fully realized human beings who share a powerful and authentic friendship. Their transformation into two outlaws is also made entirely believable by the actresses.

And what about the men? Harvey Keitel is charming as the sympathetic lawman, Hal, and Michael Madsen's turn as Louise's boyfriend Jimmy is wonderfully nuanced. Brad Pitt also leaves a strong impression as the winsome blonde thief J.D. It's easy to see why this film made Pitt a star.

"Thelma and Louise" is a film of rare cultural resonance, to be sure. Yet while undoubtedly provocative, this movie is also alot of fun.

The road movie is traditionally a male genre, relying on the sense of freedom and independence that having one's own transport provides and which has usually been the privilege of men… What is innovatory about "Thelma & Louise" is the way it reequips the genre for women…

Thelma (Geena Davis) is a housewife trapped in a meaningless marriage, Louise (Susan Sarandon) is a waitress in a not very significant relationship… They decide to give themselves a little space by taking off for a weekend… But when Louise shoots a man who is trying to rape Thelma, they are precipitated into a far more radical break with their past lives…

The setting of action in the American southwest and the acts of outlawry the women are obliged to commit in order to keep on the run give the film some of the feel of a Western… What makes it nevertheless a women's film is that the relationship between the two principals is at the center of the story… The various men they encounter, both the ones they leave behind and those they meet on the road have less importance for Thelma and Louise than the two women do for each other…

Predictably, the film met with hostility from some male viewers, on the grounds that the men were caricatured and that the film encouraged violence

Thelma and Louise is a rarity. It is a buddy movie about two women, and it is one of the best road movies to ever grace the screen.

Louise (Susan Sarandon) and Thelma (Gina Davis) are two friends who plan a road trip into the mountains for the weekend. Neither one of their lives seems exciting at the moment. Louise waits tables at the local diner and is also waiting on boyfriend Jimmy (Michael Madsen)who is always traveling and seems destined to never settle down. Thelma is a sexually repressed housewife who lives at home with a self-important husband (Christopher McDonald) who doesn't seem to care much for her at all except when she is not fulfilling her house-wife duties like having diner made and the house cleaned.

It is no wonder these two decide to take a trip for the weekend to the mountains to get away for awhile and have fun. Of course there is an event that happens not long after they have started their journey, and right after said event, things quickly spiral out of control as the two girls find themselves racing for Mexico with the law quickly on their heels.

This movie could've been just another boring road picture, but both Geena Davis and Susan Sarandon along with a fine script and clever pacing by director Ridley Scott, make it much better. Davis and Sarandon have great chemistry together, and the script is loaded with offbeat humor to go along with its clever story. The movie is never boring because Ridley Scott makes it so by slowing the pace down at the right moments, and then picking it back up when necessary. I enjoyed all the characters, including the minor ones which included a cameo by Brad Pitt as the young hitchhiker JD who Thelma quickly falls in lust with.

Some people may see this as the ultimate female picture, but I think it is more than that. Harvey Keitel is the inspector on the case who believes that these girls really aren't as bad as some may think, and his character is interesting as well because he seems to understand why everything involving the girls has lead up to this series of unfortunate events. Michael Madsen, as Louise's boyfriend Jimmy, also adds depth to his role as a man who though upset with what Louise is going to do understands and loves her still. These two characters add something more to the story which makes it less of a feminist picture without once taking away from the two leads. If that was even possible.

My only gripe with the movie would be the ending. Not the way it ended but how quickly it rushed to the end credits. I for one, like Roger Ebert who stated the same thing in his review of the movie, believe that the ending should of lasted a little longer before fading out. That's my only problem, and it's the only reason why the movie doesn't get a perfect score from me.

Two accidental female fugitives elude the police while attempting to drive across the Southwest to Mexico. Filmmaker Ridley Scott shows a terrific talent for directing women here, and the performances by Susan Sarandon and Geena Davis are almost uncanny. One can hardly believe that these two haven't been friends for years, their give and take seems so lived in. Salty waitress Sarandon, initially the savvier of the two, is loose and girlie with Arkansas housewife Davis in the beginning; however, their character shadings soon change, with both ladies eventually taking turns playing 'the brains' (I didn't really believe it when, having been pulled over by a cop in the desert, Sarandon's Louise becomes kind of a dingbat, but you accept it for the moment and the movie quickly rolls on). The men in the cast obviously don't get much of a chance to shine, but Harvey Keitel does the understanding detective bit very well (it's almost the same man he portrayed in "Mortal Thoughts"); Brad Pitt has a scene-stealing, star-making role as a cowboy hustler, yet this film took a long time to gain a fully appreciative audience. It did modest business and garnered Oscar nominations for the ladies, but only afterward did it take on some resonance (it's now viewed as a feminist statement and has a loyal following among lesbian audiences). It creaks a little, and the twangy main theme gives way to a ridiculously melodramatic score, but the narrative is so tight and the women are so good that it keeps you watching--and returning. *** from ****

Thelma and Louise is an incredible, if familiar, adventure that's funny, well paced and emotional. Susan Sarandon and Geena Davis give incredible performances and have fantastic chemistry. Harvey Keitel, Brad Pitt and Michael Madsen all give really good supporting performances. Ridley Scott's direction is amazing and the music by Hans Zimmer is great as well as the soundtrack.

This movie got a big play as having a feminist plot with active and strong heroines. It had two rather stupid women who got them selves into trouble by being stupid. The only hero was the cop. Making women stupid criminals is not feminism, its macho with long hair and dresses.

Through his career, Ridley Scott was an eclectic film-maker because he broached (with success) several cinema styles: science-fiction with "Alien", historical film with "1492: Christopher Colombus". Here, he succeeded very well his way to the road-movie and this one is listed among the best road-movies ever made. At first look, the story looks simple and without too many claims: two young women, Thelma and Louise are going out for the week-end with the firm intention of having a ball. But what they don't know is that this drive will soon become a descent into hell... The movie is worth seeing for its two main actresses: Susan Sarandon and Geena Davis, both outstanding and what interests Ridley Scott, is their temperament and their evolution during the movie. At the beginning, a sensitive and fragile Thelma is next to a energetic and realistic Louise but in the second part of the movie, more precisely, after Thelma burglarized a shop (probably the best sequence in the whole movie) in order to grab money, roles are reversed. This is an occasion to make out Louise's wounds and weaknesses. So, don't rely too much on appearances... "Thelma and Louise" is also a movie where Scott takes a lucid look on the hidden side of the American society and especially on men. Scott introduces them to us with their worst faults: either they're macho (Darryl), obscene (the truck driver), perverse (the rapist) or coward (the cop). The only one saved is Harvey Keitel who never falls into the caricature of the American cop usually described to us as merciless or obsequious. Here, he shows understanding and even compassion towards the two runaways, notably Louise because he knows that she hides a terrible secret. A dynamic and panting movie where laugh and sorrow are skillfully married.

This is one of the rare times that I went to see this movie more than once. When I first saw it "I had no idea what to expect" and neither did the audience. Everybody thought we were "Seeing a Comedy". So the events in this film shook me (and the rest of the audience) to my core. What I saw was a film that did not follow the predictableness of a Hollywood film. What I got was an eye opener. I loved the film regardless of the events that happen in the film.

I do not want to give this entire film plot away but to me "Everyone Should See This Film". It is a statement on relationships and how things happen when you "Never Saw It Coming" WOW!!

Back in the 30s and 40s, there was a kind of movie known as the women's picture. These were typically romantic dramas told from a female perspective, and while they often featured headstrong intelligent women (at least by the standards of typical portrayals), they would often have some kind of moral at the end about being a loyal and obedient wife as a kind of final goal in a woman's life. It was a long time, even years after the era of women's lib that patriarchy in the movies began to be completely deconstructed. The subject of women driven to murder by the actions of men was not a new one when Thelma & Louise was made in 1991. But if you look at a picture like Play Misty for Me from two decades earlier, where a used woman becomes the antagonist in a Psycho-type thriller, or I Spit on your Grave (1978) in which a woman's revenge for being raped could only be shown in a lurid exploitation movie, we can see how far the perspective has had to shift.

Thelma & Louise, brilliantly scripted by Callie Kouri, gives an explanation for violence by women towards men, and it does so with amazing simplicity. There are no explicit arguments made. No character makes an overt feminist statement – the closest it comes to that is a by-the-way reminder by Geena Davis to the abducted policeman to be nice to his wife. The message, as it were, is up there in the screen as the story takes place. And although the basic outline of Thelma & Louise is very much out-of-the-ordinary for most women, if you break it down moment by moment, the men they encounter and the exchanges they have are very much on the near side of normal.

A lot of Thelma & Louise's power is in its magnificent cast. Both Susan Sarandon and Geena Davis have a remarkable realism that demonstrates a great rapport between the two characters. When they laugh together, it's the laughter of two friends. Sarandon is brilliant at keeping that mystery to her character – the secret in Louise's past is bubbling under the surface of her performance long before it is revealed to the audience. Davis does an excellent job of showing character development, growing from the sheltered housewife into an independent woman comfortable with her newfound criminality. And it's neat how her sense of playfulness remains somehow consistent even as she changes. There are plenty of decent supporting performances as well. Brad Pitt was obviously chosen primarily for his youthful good looks, but he can act with it. Michael Madsen is very good too, intimidating in his controlled anger, but radiating a presence that makes his attractiveness to Louise understandable.

The movie is directed by that meticulous craftsman Ridley Scott. He manages the movement in the frame with expert control for the right effect. In the opening scenes, the camera follows Sarandon around the chaos of the café. As she moves into a backroom during her phone call to Davis, the movement in the background tails off but is kept going by the chef juggling a can, and then as she moves across further the backdrop becomes the tranquil fish tank. These natural-looking set-ups are carefully controlling the mood of the image. As this road movie progresses, the backgrounds become increasingly wide open and breathtakingly beautiful, in line with the spirits of its protagonists. Scott culminates all this with some wonderful stylisation in the final action sequence. The movie would be in danger of becoming overly technical if it wasn't for his almost constant focus on Davis and Sarandon's faces, such as their quiet smiles as they cross Monument Valley by night.

For all its feminist modernity, as a type of movie, Thelma & Louise treads familiar ground. The story of sympathetic criminals running free across the country as fate closes in can be seen in such classics as High Sierra (1941), Bonnie and Clyde (1967) and Butch Cassidy and the Sundance Kid (1969). Really, the only major difference here is that the criminals are both women, not a couple of male hoods or a gangster and his moll. And yet, all it takes is this simple gender substitution to speak volumes about the experience of women in this society. That it does so without resorting to sermonising, and keeping up a healthy feeling of fun, makes Thelma & Louise an outstanding motion picture.

I finally watched this film in 2022, and have mixed feelings about it.

The acting is generally excellent, and conveys the feelings of these two women trapped in empty unfulfilling lives, in a society that marginalises them.

But my empathy was marred by how unredeemingly stupid Thelma is. Without her poor judgement, the plot simply would not happen.

Having said that, the world portrayed here is of a barren, sparsely populated America. There are no big cities and crowds, just mostly empty highways and big expanses of countryside, with motels, diners and trucker bars. This cleverly adds to the sense of isolation.

The only true ray of light in the women's lives is Harvey Keitel, who is fighting from inside a system designed not to provide justice. Every other male character is pretty much human garbage.

The message here is about taking control of your lives, personal freedom and fulfilment. I fully endorse that message, but I cannot endorse a film that suggests you need a gun and to commit crimes to achieve this.

THELMA & LOUISE has to be regarded as a pure 90s classic that brought up a considerable amount of risk in creating a first-person feminist formula into a mainstream movie, which is often missing. It pulls off fantastically true in form, with the exceptional Southern character talents of the two lady fugitives on the run, Geena Davis and Susan Sarandon, who may stand out as memorable on the silver screen. Let's not forget that silly truck driver they pass quite often, and of course, cowboy Brad Pitt as a young student. While not needed to be fully reliant on action substances like gunshooting, there is good chemistry within its grasp. Every single minute should not be wasteful, as plenty of refreshing outbursts of enjoyment outweighs the familiar old plot of evading the police. The ending is a definite eye catcher, and also the riskiest ever filmed! Beware of this rip-off called GOOD GIRLS DON'T, another poor B-movie with no redeeming quality. Satisfyingly original, and highly recommended!

You have to give it up for a movie that casts Michael Madsen as pretty much the only sane guy in existence. Thelma (Geena Davis) and Louise (Susan Sarandon) go off from their banal existences to a trip that heads up poop creek really REALLY fast. After shooting dead a would-be rapist, they both head for the hills where the law, personal freedom and, yes, Brad Pitt await! I hadn't seen this in quite a number of years, and it was great to come back to. I remembered a lot of it, but I noticed particularly this time the strong performances of not only of Davis and Sarandon, but of Harvey Keitel, Madsen (who is actually amazing), Pitt, and quite underplayingly, Christopher Mcdonald. Ridley Scott puts these elements all together in one explosive package.

Thelma and Louise is a timeless masterpiece that encapsulates the spirit of joyful adventure in a road movie during the 80s and 90s. The film, directed by Ridley Scott, takes audiences on a thrilling journey with the dynamic duo, Thelma and Louise, portrayed brilliantly by Geena Davis and Susan Sarandon. Set against the backdrop of vast American landscapes, the movie intertwines exhilarating escapades with poignant moments of self-discovery. The chemistry between the two leads is palpable, elevating the narrative beyond a mere road trip. The film's exploration of female empowerment and friendship resonates with audiences, breaking away from conventional storytelling. The 80s and 90s aesthetic, from the fashion to the soundtrack, adds a nostalgic layer to the cinematic experience. "Thelma and Louise" remains a cinematic gem that not only captures the essence of its era but also stands as a testament to the enduring power of rebellion, friendship, and the thrill of the open road.

The trailers led me to believe that this would be another of those feel-good road trip movies I'd seen a dozen times before, but boy was I way off the mark! Albeit It didn't affect my experience in any shape or form, it did catch me off guard for a moment.

Inspite of the fact that the layout here was quite similar, the kind of subjects it sought to deal with (as compared to similar movies in this realm) are conspicuously different and are more profound in nature. The journey does begin on a familiar note, but with every passing juncture, the tones, the treatment got more and more raw & rough.

Amidst a slew of flaws and a dated feel, the film leaves a strong impression mainly because of two reasons, first, the lead pair; the electrifying chemistry they share, and their laudable acting talents (Susan Sarandon in particular), and for the second, it's the music; the entire soundtrack had a distinctive late 80s' vibe to it, and I adored that.

Two women flying by the seat of their pants won't end well if they're both terrible decision makers. This fun road trip turns into a Bonnie & Clyde-esque situation. Except Bonnie & Clyde was an adventure-filled whirlwind of romance, daring, and careful planning, while Thelma and Louise repeatedly make terrible and often illogical actions. They begin as very relatable women who need a change from their mundane lives, but they begin to develop into exactly the people that the police believe they are, and they relish in it almost to the point of psychosis.

The whole cast performs well, but the movie failed to logically or emotionally hook me into Thelma and Louise's flippant acceptance of their new life. If you can't follow the transition, you won't enjoy this movie as the fun and carefree adventure that it was intended to be.