Texasville

With the exception of Timothy Bottoms and Cloris Leachman, and the addition of Annie Potts, the acting fell far short of its predecessor, The Last Picture Show. I felt as if fading legends returned for one last curtain call, leaning upon greying memories of better times rather than reaching in and dusting off their talents. Bottoms and Leachman were, again, superb. Quaid was immediately tiresome.

Another note: the sound (not soundtrack) left something to be desired - many scenes had background levels that over-rode the centerpiece of attention. I watched it twice and still was distracted by it. Reviewing the Soundman's credits (over 300 items), I was unable to discern if this film was a fluke or if it was his trademark - because none of the listed items had I ever had the inclination to watch.

So, overall, this is a 3 of 10, unless you catch it for Bottoms, Leachman and Potts.. then an 8.

Sometimes I actually think I like it better than THE LAST PICTURE SHOW but that's only now, after having seen TEXASVILLE, oh, fifteen, twenty times.

It's too easy to blow this movie off as being strange and not making sense -- I see that as its strength; it's *real*. It's oddly real, it's real in a way that most movies aren't; nothing ties up, there's no plot arc, people don't do what they're supposed to. But if you watch it as evidence of McMurtry's genius characterization, you'll see that the people in this film are tremendously human, and weird and flawed.

Annie Potts as Duane's wife Karla is really the standout performance in this sequel, though the rest of the principal cast from PICTURE SHOW are, IMHO, just as spectacular here. Potts adds something to the mix that allows a unique perspective on this weird little town, and, like Duane, you see her for all her flaws and you love her just for putting up with you.

And, really, is there *anything* sadder than Jacy wooing Duane's dog away?

See this film more than once before you judge it; that's all I've got to say.

Texasville is easily one of my favorite movies of all time because it doesn't go down the easy road, trying to please everyone, by being the same movie as Last Picture Show was. However, after having seen both Picture Show and Texasville back to back I noticed how surprisingly similar in context and theme they are. Both are about sad adults who look longingly onto the younger generation, all the while committing adultery as a way of recapturing their youth. I love both Picture Show and Texasville equally; but have a soft spot for Texasville because I was 11 during the timeframe shown in the movie, and 17 when it came out in 1990 so it is a bit more relevant to me. Also the dark humor helps make the film more enjoyable for those hot summer nights when the urge hits me to see it.

I've never thought of Texasville as fiction, more as cinematic fact. It's about as close to real life as you'll get without living it yourself. It was one of the first films I saw in a theatre as a cinema "connoisseur" and it'd be a shame to let it fade into obscurity. I highly recommend it to anyone reading this, a true minor masterpiece

Some worthwhile performances here. The film does suffer from comparisons to "The Last Picture Show". That film was astonishing in its originality and has become iconic. "Texasville" neither aims so high, nor lands so hard. Nonetheless, the whole atmosphere of sadness calls to mind TLPS, as does the lack of a musical score, the only background being radios or whatever that the characters also hear. The adult characters, who were teen-agers in TLPS never seem to have grown up. At all. As Ebert said, I wonder what Sam the Lion would think of all these people. I seem to have missed all the sex going on in the '50's (OK wasn't born yet) and missed it again in the 80's. Maybe I'll catch that train SOMEDAY.

Jeff Bridges put in a great performance here, just as he always does. He never seems to play a character you don't believe. This in films as disparate as this one, "The Fabulous Baker Boys", and, say, "The Big Lebowski". Cybill Shepherd was very good and very beautiful. It probably took some amount of courage for a former model/beauty queen to take this role, that explicitly compares her middle-aged looks to her youthful pulchritude. I thought she still looked great. (But then, I'm middle-aged) Cloris Leachman showed her dramatic talent to wonderful effect. But, saving the best for last, I thought Annie Potts basically stole the show. She was gorgeous, and she so totally nailed her character. Acting doesn't get much better than this.

Anyone who liked TLPS (and that's almost everyone) should see this sequel. But don't carry into it unrealistic expectations.

Since nothing could be as good as last picture show- I am glad this took a turn to comedy- Duane is a mess- he says things to his wife like " I'd like you to wear something I didn't have to read" . But Annie Potts is great as his sassy wife. I was a little disappointed by Cybill Shepherd's character-- I thought Jacy would grow up more spunky-- but Cloris Leachman matured nicely in her character... I was most confused by what happened to Sonny-- he truly did get tired in the head.... but the sub-plots of the stud son, the daughter who went on a honeymoon every time she met a boy and the twins tricks keep the film moving... but its no equal to the original story of the Texas town immortalized in Last Picture Show.