IMDb रेटिंग
5.5/10
7.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champio... सभी पढ़ेंIn the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champions.In the distant future, mankind has forsaken global wars for battles of single combat. The world has been divided into two opposing super powers, with each side represented by trained champions.
- पुरस्कार
- कुल 1 नामांकन
Geoffrey Copleston
- Confederation Commissioner
- (as Geoffrey Coplestone)
फ़ीचर्ड समीक्षाएं
Robot Jox tries hard, but is fundamentally a series of fight scenes strung together -- robot against robot, man against man, man against woman. The premise had potential, but it seems the script wasn't really given the couple of more drafts it needed. Still, it was fairly good, for a science fiction action movie. Part of it was because the script was by Joe Haldeman. For those who aren't familiar with the name, Haldeman wrote the award-winning science fiction novel "The Forever War." It's considered one of the very best powered battle armor novels, right up there with Robert Heinlein's "Starship Troopers" and John Steakley's "Armor." And this movie is really more like a giant powered battle armor movie, rather than giant robots. It's closer to what fans would have wanted instead of the travesty that was Paul Verhoeven's "Starship Troopers," which bore only a passing resemblance to the novel it was based on.
Despite some assumptions, this really isn't based on Homer's "Iliad." A couple of names are all they had in common. Achilles having his robot's foot blown off had no parallel in the Iliad, which didn't include Achilles' death. Nor was the ancient Achilles a noble warrior. He was the mightiest, but also vengeful and petty. Even the robot jock killed off in the first scene doesn't fit. He was named Hercules, while the Greek Iliad would have had Herakles.
The effects were fairly good for the time and the budget. True, it wasn't comparable to "Terminator 2" a year later, but that movie cost ten times as much. The stop motion was almost as good as the robotic walkers in "The Empire Strikes Back" and "Return of the Jedi." Better, in fact, than a lot of Ray Harryhausen animation, which is highly regarded, but quite dated.
Don't bring high expectations into this and you probably won't be disappointed. It's better than a lot of other low-budget flicks and even some big-budget blockbuster wannabes that have better effects but far worse scripts.
Despite some assumptions, this really isn't based on Homer's "Iliad." A couple of names are all they had in common. Achilles having his robot's foot blown off had no parallel in the Iliad, which didn't include Achilles' death. Nor was the ancient Achilles a noble warrior. He was the mightiest, but also vengeful and petty. Even the robot jock killed off in the first scene doesn't fit. He was named Hercules, while the Greek Iliad would have had Herakles.
The effects were fairly good for the time and the budget. True, it wasn't comparable to "Terminator 2" a year later, but that movie cost ten times as much. The stop motion was almost as good as the robotic walkers in "The Empire Strikes Back" and "Return of the Jedi." Better, in fact, than a lot of Ray Harryhausen animation, which is highly regarded, but quite dated.
Don't bring high expectations into this and you probably won't be disappointed. It's better than a lot of other low-budget flicks and even some big-budget blockbuster wannabes that have better effects but far worse scripts.
I read somewhere (in a fairly panning review) that this is something of a live-action mecha anime, and I think they're on the right lines. I first watched this movie when I was very young and I've been dying to see it again, and when I finally did just recently all the memories came flooding back. I don't think this is to be taken too seriously - it's just a bit of good old 80's almost-a-TV-movie fun (it is set against the backdrop of a fairly dark future, although this point isn't stressed too much). What I admired most about this movie was that the dialogue didn't sound generic - no clichés, no predictable lines - all in all just good fun! Maybe time hasn't been kind to this little movie, but still I can find appreciation for it in me. It's by no means perfect, but it's entertaining and doesn't try to be anything other than that. Let the nerds and comic-store-guys worry about technicalities - who cares? See it for yourself and make your own decision. No-one else's opinion matters.
This was a great movie. There wasn't one minute this movie was on when I wasn't laughing. This movie wasn't supposed to be a comedy, but that's what it ended up being. The one liner's, particularly the one where the Russian says "This time next week, I kill you dead", and just the crappy effects were enough to make this movie great. My favorite part of this movie is when the giant chainsaw comes out of one of the robot's crotch. I mean, come on. How can they be serious. And then you have the fat cowboy who is exactly like Joe Don Baker killing Chinese people. It's great. If you've never laughed at anything, rent this movie, or if possible buy it. Please.
In the future all national battles are settled on the robotic battlefield by ten story robots commanded by human robot jox. The battle is on for Alaska's resources and it is up to USA's Achilles (Gary Graham) to take it to the evil Russian rep and dirty fighter Alexander (Paul Koslo). This was Stuart Gordon's fourth film for Charles Band's Empire and the most expensive (rumored to be $10 million) in the company's short history. Was it the film that broke Band's bank? Possibly. It was filmed in 1987 but didn't get released until 1990 (via Triumph theatrically and RCA/Columbia on video) after Empire had gone bankrupt in 1988. Regardless, it is still a pretty entertaining film and - even though I've never seen a single second of Michael Bay's TRANSFORMERS films - I know it is a better film. The screenplay by sci-fi author Joe Haldeman touches on some good stuff, like genetic engineering and the gladiator mindset. Sure, there is some really cheesy stuff ("we can live"), but the cast is all game and you have to love Koslo's villain. The stop motion effects by David Allen are the real showstopper and they hold up pretty well. The miniatures are great too. Look for Stuart Gordon in a cameo as a bartender and Jeffrey Combs as an overly excited bystander. Crash and burn, my friends, crash and burn.
It's not Stuart Gordons best movie but it's still an absolutely fantastic movie. Terribly bad acting. Weirdly placed music. A script that would of killed itself if it was sentient.
All adds up to one of the best movies of the time.
I've often wondered if Ray Harryhausen ever saw this because it's probably one of the last best movies to feature stop motion.
All adds up to one of the best movies of the time.
I've often wondered if Ray Harryhausen ever saw this because it's probably one of the last best movies to feature stop motion.
क्या आपको पता है
- ट्रिवियाThe screams of the spectators being crushed by the giant robot were later sampled in the song "The Becoming" by Nine Inch Nails.
- गूफ़When Athena confronts Achilles in his apartment to render him unconscious with an injector, it's all too easy to spot Athena pulling what is clearly a glue gun out of her outfit. This is then "matched" to a much better looking prop injector in an insert - followed by a cut back to the shot with the original glue gun.
- इसके अलावा अन्य वर्जनSPOILER: MGM's R1 DVD carries the film's original PG rating, but includes instances of violence and gore previously unseen in the U.S. and Canada. After Achilles' robot falls on the spectators, there are more shots of both Gary Graham's bloody face and of the dead bodies in the stands. A news broadcast immediately following now opens with a badly burned man screaming in pain for a couple of seconds. Also, when the traitorous person shoots scientist Matsumoto in the head, blood sprays on the wall behind the latter. In the old version (released theatrically by Epic and on tape and laserdisc by RCA/Columbia), that person pulls the trigger and it instead cuts to a recycled shot of an exploding robot on a video monitor; the bloodstained wall is never shown. The bits in question are included on the Japanese DVD, so apparently American and Canadian audiences are only now getting the cut of the movie that the rest of the world has seen for years. The MPAA database indicates that ROBOT JOX was originally rated PG-13, but trimmed to obtain PG. Evidently Epic felt that children were the movie's only audience, which makes one wonder why they didn't also edit out Anne-Marie Johnson's brief nude scene.
- कनेक्शनEdited into Crash and Burn (1990)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Robot Jox?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $1,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $12,72,977
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,64,441
- 25 नव॰ 1990
- दुनिया भर में सकल
- $12,72,977
- चलने की अवधि1 घंटा 25 मिनट
- रंग
- ध्वनि मिश्रण
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