रिकोषेट

When the name Russell Mulcahy is brought up for movies, fans will remember him for two well-known properties. The one fans will most fondly remember is Mulcahy's first entry in movies, that being Highlander (1986). The other widely recognized character that Mulcahy made a movie on was in The Shadow (1994). Of course in between those was Mulcahy's biggest blunder which was Highlander II: The Quickening (1991). That same year though Mulcahy also directed this movie featuring a different up and coming star. A young Denzel Washington was making his way through movies leaving a generally memorable impression on the characters he took on. At the time, the last big film that Washington got people's attention in was Glory (1989). He wasn't a lead, but his supporting role still played a very big part to the story.

The plot here is about Nick Styles (Denzel Washington), a cop who sky rockets to a high promotion after foiling the plans of Earl Talbot Blake (John Lithgow). Upon this moment, Blake makes it his mission to ruin the life Styles built for himself after he breaks out of prison. When he does, Styles is already the district attorney and has a wife Alice (Victoria Dillard) and kids. The original story was written by Menno Meyjes from The Color Purple (1985), Empire of the Sun (1987), Indiana Jones and the Last Crusade (1989) and Fred Dekker of House (1985) and Night of the Creeps (1986) fame. The screenplay was then adapted by Steven E. De Souza who wrote for Commando (1985), The Running Man (1987) and Die Hard (1988). Together, these individuals produce a very mindless action thriller. There is entertainment value to be had, it's just not a story that is game changer in the genre.

A lot of what makes this viewing experience a fluff show are a few things. One thing is that there are moments that are meant to be lighthearted. The dialog just makes it sound like it's trying to be a buddy cop movie. Even though Styles' partner Larry (Kevin Pollak) isn't the funniest if the laughter is relying on him alone. Some of the lines Blake says are also typical villain-esque, like "you're fired". There's also the issue with proof blindly being disregarded by people that any sane person could have figured out. It's like when there's an obvious change to something that's clear as day and yet no one can see that change. It looks stupid that anyone could fall for such an obvious callout. Then there's just the unrealistic events that happen in various spots. Two guys sabre fight in the middle of jail mess hall. Okay...who gave the inmates the approval to do that? It's things that take place such as this that question how much in the real world would this happen.

Apparently there is some valid connections to it though. Actress Mary Ellen Trainor plays a new reporter by the name of Gail Wallens. She also played that same character in Diehard (1988),...so a Diehard expanded universe? Strange; guess de Souza was kind of thinking for the long term? Aside from these flaws there are still good parts to the feature. All the actors provide what they can. Denzel Washington is still that likeable protagonist very few if anyone would want to see harmed. John Lithgow as Blake is a decent villain. He certainly can make his presence known and definitely shows no mercy for whoever he has in his sites. Lithgow would later play Lord Farquaad in Shrek (2001). There are appearances from other actors like Ice-T, Lindsay Wagner, John Amos, John Cothran, Lydell M. Cheshier, Sherman Howard also known as Bub from the original Day of the Dead (1985) and even Jessie Ventura.

The action and violence on scene is not abundant but when it's there, the viewer won't miss it. Some of it is actually pretty gruesome which is why it clashes with the comedy bits. It's not a dark comedy. The camerawork fits well with in the picture though. Shot by Peter Levy who worked on A Nightmare on Elm Street 5: The Dream Child (1989) and Predator 2 (1990), the shots are correctly taken with no real issues. For the film score, Alan Silvestri took the job of composing the music. While the album for it contains only a third of the entire run time, the tracks work to the films credit. Several of the cues have similar sounds to that of prior works like Who Framed Roger Rabbit (1988). There are lots of horn blasts and timpani rumbles. Not the strongest composition but still a fun listen.

Premise wise the story is fine, but the details within it, tone of certain scenes and hyper violent action makes this more of a fluff piece. Maybe consider it Diehard (1988)-lite since it's in the same universe? It has good acting, action, camerawork and music.

Denzel Washington, a policeman in law-school is playing basketball with the neighborhood toughs.

He achieves fame by bringing down a drug dealing character, played extremely well by John Lithgow, who by his acting of a psychopath, put a new dimension into his acting abilities.

Washington has it made as the years pass. Lithgow plots revenge while incarcerated and breaks out violently at his parole hearing.

He turns the tables on Washington in several ways including the killing of his friend and fellow officer, nice played by Kevin Pollak. Washington is blamed for the killing. He kidnaps Denzel and shoots drugs into his system and provides him with a prostitute.

The two eventually tangle on top of a high area before the obvious ending occurs.

A good story allowed to go awry by crazy staged events.

"Ricochet" is a movie worth seeing (renting) for its two lead actors; both of whom approach this movie with gusto, not to mention serious talent: Denzel as the righteous crusader attorney, and Lithgow as the bat-guano crazy killer. Lithgow plays the hell out of the psycho here, not the scenery-chewing bad guy you picture from "Cliffhanger", but the unhinged and unpredictable kind. The mindscrew he puts Denzel through in this movie is something else, man. Way out there.

Sleazy and over-the-top are both very good descriptors for "Ricochet", which isn't at all what I'd expected. It does have that early '90s violence (you know it when you see it), but a lot of it's shot like a music video; it's kinda surreal. Ice Ti's character/subplot is awkwardly shoved in there, but on the other hand, Kevin Pollack's a reliable presence. I do love that Mary Ellen Trainor's playing the same character she did in "Die Hard") it's so random). This holds your attention, but it's also fairly forgettable.

6/10

This is a typical Denzel Washington film: well-acted, rough language, a racial theme and an involved story that holds your interest. A lot of his movies fit those categories.

Washington plays a preacher's kid and its nice to see he has such respect for him.So many times, Hollywood portrays fathers and especially clergymen in a bad light. John Lithgow is the villain and is such a crazy over-the-top loon he's fun to watch. There are no lulls in this story, yet the action scenes weren't overdone.

It gets predictable in the end but I like the analogy in the film to the classic movie, "White Heat."

I was sorry to see a few things: once again, white people are all the bigots; Lindsay Wagner, television's nice lady of the past, now using very profane language here and looking hard.

Overall, this sometimes looks like a "B" action film more than a classy one but it's still an interesting crime film that sports a few different angles. It may not be one of Washington's better-known efforts, \but it is still entertaining.

A rookie cop becomes a media sensation after a video camera captures him shooting and capturing a psycho killer. The handsome, smooth talking cop becomes a celebrated district attorney and even potential political candidate. He now has a beautiful wife and two great kids.

Meanwhile the psycho killer follows his career from prison, seething with hatred, eventually to make a bloody break from prison, fake his own death, then begin a systematic attempt to ruin the D.A.'s life by a series of incidents in which people, including his own wife, will question his sanity. The D.A. will soon be on the run from the law, having to team with old street gang members in order to clear himself.

Denzel Washington is the cop/D.A. and John Lithgow, incredibly, the psycho killer who seemingly can't be stopped. Lithgow even has a mortal combat sequence with Jesse "The Body" Ventura in which he is the quite easy victor. Really? Lithgow besting Ventura mano a mano? Ice T plays the chief gang member.

This film starts well enough but becomes increasingly over the top as it proceeds and then, well, just plain dumb. Action fans who just want to go on a free wheeling ride and don't care about logic may enjoy it while others may be turned off by a film that becomes pretty hysterical in its presentation, particularly the climax with television cameras there to record all the action.

In the prison Lithgow has a cell wall covered with photos of Washington, a reflection of his clear obsession with him. But prison authorities don't seem to care. What kind of prison is this? His combat scene with Ventura, with all inmates cheering them on, continues for three or four minutes. No prison guards around to stop them? What kind of prison is this? When a prison break is made power tools are used as weapons, including a power saw for one spectacular way for a uniformed guard to die. What kind of prison is this? Washington's power as an actor comes through sporadically but he can't make the material seem any better. There are a couple of scenes in which he is stripped down to show how semi beef cakey he was at the time. There is also a moment, to show what kind of film Ricochet is, in which one character has a spectacular fall, landing on a spike which rips through his body.

Washington's deadpan response, "You get the point now, don't you?" It's a cheap jokey cringe worthy moment, reminiscent of Sean Connery's 007.