Rambling Rose

This film is essentially character-driven and features excellent performances throughout, particularly the four principals-Laura Dern, Diane Ladd, Robert Duvall and Lukas Haas. Ladd and Dern mother and daughter in real life) give especially fine performances and deservedly received nominatins for the Academy Awards In the Actress and Supporting Actress categories. The film has a good script and is well done technically. But it is first and foremost an actor's movie and the acting carries the movie along. Well worth your time. Recommended.

Robert Duvall was splendid in this movie. I do not want to ruin it for people watching, so I can not tell you much but his acting was great as well as Laura Dern. What a dynamic and thought provocative movie with so many interesting twists that are unexpected. The wife was really good too. The morals of it, the conflicts, the family. This movie had it all, love, conflict, compassion, passion and all great acting too! I would imagine if this movie is a book I should read it actually. The nuances were subtle and well done, it did address some touchy topics as well. The young boy actor really was well cast too. I guess all in all, the casting was super, the dialog was well done and the way they captured the south was excellent as well.

I haven't seen this film in quite a while but I have pretty good memories about it. It's an intriguing film, something different and appealing even though some of the subject matter is "inappropriate."

I saw the last word because it involves a 13-year-old boy whose hormones are raging and his brief relationship with a grown woman. There is one sex scene that may make people squirm a bit, so be forewarned. Other than that, I don't remember anything else objectionable.

I like the photography and always enjoy seeing the old days - here it's the 1920s and 1930s - portrayed on today's films with the great cameramen and directors of today. Also, the South has some beautiful scenery that is eloquently on display here.

The story is well-acted with real-life mother-daughter Diane Ladd and Laura Dern, along with Robert Duvall and Lukas Haas. The latter plays the young man and was already somewhat of a star after playing the young Amish boy in the 1985 film "Witness." Duvall is one of the finest actors of his generation so you always get a good performance out of him.

This is a pretty low-key story but never puts you to sleep. Modern day feminists might like this film was Ladd plays that role to the hilt. Dern also delivered, making a very believable "Rose."

If you grew up Southern you always have a thing about Hollywood actors trying to put on a Southern accent. I cringe when I hear Paul Newman, his wife Joan Woodward or Elizabeth Taylor trying to be "Southern." I liked "Rambling Rose" because, for once, the actors nailed it. Only to be expected, I guess, since Diane Ladd is from Mississippi and Laura Dern is her daughter. (So how to explain Robert Duvall, who grew up in San Diego? Well, he's just one helluva an actor.) Aside from the accents, the acting was outstanding.

Also I thought the soft summery lighting was perfect, unlike some period movies that seem done in comic book colors. I wonder where the location scenes were shot--anybody know?

The story itself wasn't great, but was above average, IMHO.

An ingénue nymphomaniac's turbulent life rooted in the 1930s depression period of southern USA, served as a housemaid in a hotel owner's home, our heroine Rose, an uncultured but stalwart gal whose miserable past is the hidden wound cuts her deep and being unaware of her sex-addicted disposition, her path of looking for Mr. Right is rather bumpy and poignant.

The film is narrated by Buddy, the eldest son of the hotel owner, Rose is his first love and always occupies a special place in his heart. Although Rose is the potent pillar of the film, female director Martha Coolidge has steadily integrates a handful of equally vivid characters (young Buddy, his Daddy and Mother) into a moderate template of chanelling and rescuing Rose from her self-destructive hazard, despite of wanting any laudable gambits in highlighting the narrative skills and the plot is always stuck into a hoary frivolousness, the complete work is at best satisfactory.

The film is noteworthy by setting a record in the history of the academy by virtue of a real mother-daughter pair garners two Oscar nominations in the same film, Dern and Ladd (a second collaboration in a film after Lynch's WILD AT HEART 1990, 7/10) both showcase their stunning acting bent. Dern has nailed a quite innately delicate role since Rose is the damaged goods by nature, but her pure kindness and innocence hasn't been impaired and her female vulnerability is the real gem under the circumstance, even if she would mature gracefully later and give a more challenging and nail-biting performance in Lynch's INLAND EMPIRE (2006, 7/10), this film is among the crests of her filmography nonetheless. Ladd, after the pompous and lavish turn in WILD AT HEART, unexpectedly chooses a more positive and orthodox good-lady embodiment, her award-worthy moment confidently present itself in the latter part of the film, and single- handedly salvaging Rose from the misogyny from seedy male-predominance. But Duvall is also glittering in his category-fraud (I put him in leading) portrait of a man who is much wiser than he initially appears, and a juvenile Lukas Haas, almost being provocative while driven by curious sex impulse to take advantage of Rose, which might be the most contentious segment of the film per se, and at least he acts like a pro.

My final conclusion is that regardless of its maternal inclination of female-skewing demography, it is indeed a thespian playing field with decent fodder.