प्रहार

What else can I say about Nana Patekar? Excellent actor. And the fact that he tried to make a realistic indian commando movie is commendable. But he takes it to one higher level and makes it into an indian "Death Wish". Coupled with the complexity of his character's backround, you can't help but admire what he's done with this film. Must watch.

Prahaar review :

Nana Patekar chose an unconventional subject for his directorial debut; Prahaar revolved around an army man whose favourite cadet is murdered in broad daylight by street goons who were extorting 'hafta' from his shop. The unfortunate incident makes him realise that the enemy within the country is as dangerous as the one across the border...

Being a perfectionist that he is, Nana actually took commando training before the filming started. Infact the film's first half is dedicated to the tough training his character imparts to the new recruits. "Mushkil waqt, commando saqt!!"; the training sequences are the highlight of Prahaar and I really enjoyed the way Patekar finds out which of his student had whistled at a passerby lady!!

Coming to the ladies, Patekar hired two divine beauties Dimple Kapadia and Madhuri Dixit and presented them without any makeup throughout the film. Dimple played a widow who is troubled by the neighborhood goons. She looked simply mesmerizing even in a white saree. Madhuri played the murdered cadet's fiancée who tries to cope over her personal loss. Ankush Mohite showed promise as the goonda extortionist whom Nana bumps off brutally in the end.

Prahaar was quite offbeat in approach though it was within the realms of commercial cinema. The movie wasn't a box office success appealing more to the younger urban generation. I still remember as school kids, we used to fight with each other reciting Nana's punchline "COME ON, KILL ME!!". Epic stuff, I tell ya.

Regards, Sumeet Nadkarni.

Prahaar (1991) : Brief Review -

A tight slap on Dusty Minded Society with right perception and Nana Patekar's stone-breaking characterization but with wrong objects. Prahaar is front loaded material if you're fan of 90s Nana Patekar films but somehow it tries to clean the dust of society which was too late by then. Mainly it comes with less action but solid characterization of almost every single artist present in the film. The film is about an Army officer who is outraged by the the muteness and deafness of the society against Evils. The officer takes law in hands to complete a revenge of his loving fella by giving it a name of his duty of cleaning enemies of country. The script seems bit offbeat and hard-hitting looking at it's period of early 90s when Bollywood was in relationship with mainstream action/romace films. Another offbeat or may i say new thing was to introduce Army training camp in Bollywood in strict manners. It was pleasing and interesting throughout the narrative and it was also shockingly acceptable in the climax when we realise the importance of Army Training. Now how much sense it made is a different topic to argue anyways because every brain has different definitions of Freedom and Independence that we have got. Nana Patekar as strict army officer is in sublime form and all his physical, endurance and training acts are real treat to watch. Rest of the cast don't get too much to show so i should say it's decent. Technically and cinematically there are few mistakes which are ignorable but some big falters in the writing must not be spared. This is the only thing which goes wrong with the film that it used the wrong objects to tell this overwhelming storyline. It should have came from a common man from the same dusty society rather than Decorated Army Officer. Overall, a Fantastic Social Drama.

RATING - 7/10*

By - #samthebestest

I would rate this as Nana Patekar's career best performance after his National award-winning performance in Krantiveer. Good acting by first-timer Gautam Joglekar(who was not to be seen after this movie) and the gorgeous Madhuri Dikshit. The film opens with Peter D'Souza(Gautam Joglekar) who joins the army and has to report for commando training, much against the wishes of his father and his fiancé Shirley (Madhuri). There he meets Major Chauhan(Nana Patekar) who is the instructor at the academy. Maj. Chauhan makes Peter and his fellow commandos go through various hellish training regimes which are indeed nearly brutal. Peter decides he has had enough and decides to quit. But when Maj Chauhan learns about his decision, he humiliates Peter in front of his fellow commandos. This makes Peter re-consider his decision and he tops the commando training. After the training is nearly complete Peter discovers Maj Chauhan's nice side too. The story also reveals Maj Chauhan's dark past. He is the son of a prostitute, who is sold to a couple of goons by her pimp. He is then raised in an orphanage and then goes on to become an army officer.

Soon after the commando training is over, Peter becomes an invalid due to injuring his legs in a mission against hijackers. Peter is discharged from duty and then he decides to marry Shirley, the invitation for which is received by Maj Chauhan. But when Maj Chauhan reaches Mumbai for Peter's wedding, he comes to know that Peter was killed by the neighborhood goons, when he refused to pay them extortion money.

What Maj Chauhan does after that to gain justice for Peter and his family forms the crux of the plot. This movie sends out the message that India's sovereignty has more threat from the corrupt politicians and policemen than from any kind of foreign aggression. It also sends out the message that Army officers, who risk their lives, sometimes sacrifice them for the benefit of the nation , are meted out treatment far worse than dogs after they are discharged due to injury or illness, and that their condition should be improved.

This Movie Will Change Your Thoughts About Your Country. Because Nanaji Can Do This Great Job. Nice Movie For Every Youth Of India Should Watch This Masterpiece Love For Nanaji Because Of This Cult Classic. Here Nanaji Not Were Act But Live This Character. This Movie Shows How Our Soldiers Fight With Outside Enemies But Loss In Inside Our Country Reason Is Bhrashtaachaar, Bad Politics, Corrupt Society, Less Thinking Of People And So All. Prahaar: The Final Attack" stands out as a thought-provoking film that challenges societal norms and highlights the importance of individual responsibility. Its strong performances, especially by Nana Patekar, and its unflinching portrayal of justice make it a significant work in Indian cinema.