No Telling

"No Telling" will not appeal to the "jump out and scare you" crowd. It will be appreciated by those viewers who like some intelligence with their thrills. The story involves a researcher and his wife taking a farm property for the summer so the husband can do undisturbed animal research in a huge barn on the property. Soon their relationship begins to deteriorate, as his bizarre animal experiments escalate. The acting is mostly believable, character development is good, and some of the visuals are quite creative. The entire film is edgy and at times frightening. This is a mad scientist film that makes sense, with disturbing images that will linger for quite a long time. - MERK

This is a low-budget movie that certainly has the look and feel of a low-budget movie. Marketed APPARENTLY as a "horror" movie, there is NO horror and very little even "horrific" except for the pretend cruelty to animals depicted throughout the movie.

The movie, thankfully, stars the very talented Miriam Healy-Louie, in what, sadly, appears to be her only acting credit. Yet, it was her "journey" that prompted me to watch to the end.

The movie has an unsettling atmosphere throughout, though never enough to be suspenseful or thrilling - or even creepy.

We're left anxiously awaiting what the devious husband is doing in the barn-turned-laboratory THOUGH we're given something of a preview when the wife finds research photos, at which point we can surmise that the "big reveal" is unlikely to be that earth-shattering.

There is the hint of an affair that never happens.

All this being said, I cannot recommend this movie to anyone looking for an entertaining or intriguing horror movie.

This is part of what is apparently Fessenden's "Trilogy of Horror," though the horror to be found in this one is minimal. It looks like it was created on zero budget compared to Wendigo, but it is much more watchable due to its original take on a classic concept. Basic plot: Geoffrey, a scientist trying to get a grant for some top-secret work, moves to the country for the summer with his artist wife, Lillian. They grow apart because he spends to much time in the lab. She meets an environmentalist who is the antithesis of Geoffrey, and she starts questioning what exactly it is her hubby is doing in the lab all day. She makes it her mission to find out. Overall, it is a pretty uneven film. The acting is great at times and really inexcusably bad at other times. This, combined with poorly written dialogue, nearly ruins the few sequences that are supposed to be scary. One scene, which presents the viewer with some horrific imagery, has our protagonists responding somewhat lethargically, making it difficult for the viewer to be properly creeped-out by it. Some of the camera work is really creative, but some of it seems pointless. One stellar aspect throughout was the effectively creepy soundtrack. I didn't find this movie to be preachy. The story is really Lillian's, and it is rare to see a healthy splash of feminism thrown into a movie like this. Not recommended for people who cannot watch depictions of animal cruelty. The DVD includes a "making of" doc that is worth seeing.

This movie's visual content is very strong, and I do not recommend it to anyone, especially if you have children. It does point out the dilemma of animal experiments, but the level of cruelty to animals pictured here is so high that it could be easily classified as an NC-17 -horror- movie.

I caught this movie EARLY one morning on the Independent Film Channel. Although it's not the greatest film, it is definitely thought-provoking and I thought the visuals were amazing, especially the final images were seared in my memory.

This film was made in 1991. Some may think this is stuff from Frankenstein and not give it another thought. It is now the year 2000 and these kind of animal and medical experiments are being done! After seeing this film, I felt like I had been kicked in the gut! Not many films have that power.