New Jack City

In one of the greatest patriarchal roles since Brando's in The Godfather, Wesley Snipes astounds and overwhelms as "the godfather" in this film, directed and co-starring Mario Van Peebles. Snipes, however is where the strength of the film lies. His drug lord has no remorse. No heart. No soul. All he has is his power and he wants more of it. The film has a quick pace. The cast is quite good, including Ice-T as a cop going on the inside to try and take down Snipes' drug lord. Judd Nelson is dark and sardonic as Ice-T's main opposition on the case.

This is one great movie, but the thing that really made it special was Wesley Snipes portrayal of a totally despicable character in Nino Brown. He didn't portray Nino as the stereotypical drug dealer. Instead he portrayed Nino as a highly intelligent man who you wonder what would have happened if he had put his intelligence to more productive pursuits. Also, Ice-T wasn't bad in his first major role and you can see how much he has improved by watching Law and Order: SVU.

This is not your typical movie about the drug culture.

Van Peebles directs a great cast in this detached-from-reality film about a truly evil drug-lord with a head for business and murder (Snipes), and a tough, street-wise pair of cops (Ice-T and Judd Nelson) hell-bent on bringing him down. The message is an important one - slogans are not going to win the war on drugs, and the way the message is carried in the film is more subtle than you might expect. The end of the film makes the point very clear, and I won't discuss it because I do not write spoilers. Like many of the more intelligent films made in the early 1990s, New Jack City is also an indictment of the euphoria of the Reagan years - telling the true story of what that time was like for those living from paycheck to paycheck, or trying to live without one, and dealing with the invisible "war on drugs" which had little to no effect on anybody in our inner-city neighborhoods.

Snipes, Ice-T, Allen Payne and Chris Rock give stand-out performances, and the rest of the cast provide excellent support. The film also stars New York City, and definitely has an NYC flavor (seasoned with more than a pinch of Hollywood). The cinematography is a little breathless - not unusual for the genre but in this case a bit extreme. The script is good, but perhaps too dense with rich plot details. And the editing provides a few pacing problems toward the middle of the film which, combined with the over-abundance of subplots, detract from the development of the main themes. The soundtrack is excellent - including a nice mix of hip-hop, rap, contemporary soul, and dance music - all blended nicely with the imagery of the film. Van Peebles style is well developed in this film, but I felt that some aspects of the plot were a little too outrageous for the seriousness of the film's message, and I fear that the message may have been lost on many of the film's viewers.

Overall, this is a good film. Entertaining and thoughtful, but definitely not for everybody.

New Jack City is from is probably an example of an early 90's blaxpilotian flick which is straight up with other greats like Boyz'n'Hood. However this focus's on more of the 1980's era when the crack cocaine problem broke out onto the streets on New York City. The movie is brilliant because unlike most gangster or mafia flicks which almost portrait a hedonistic view , New Jack City is very urban and down to earth . The film waste no time breaking into action with no OTT clichés which we have all gotten used to seeing. The script was great with a lot sharp twists and turns. Ice T performance was certainly note worthy and it is easy to see how he would go onto play Law and Order , although I felt there were some stereotypical 'black cop' moments in his performance which I am afraid I just did not by and his partner did not really do much apart pass sarcasm and comes up with probably one good idea in the movie. Having said that the star of the show was truly Wesley Snipes because truly without him this movie would have been nothing , although I am aware that he models him-self after Tony Montana in certain aspects he was actually basing his performance on a real life gangster , and it was a pleasure to see him on screen because he was not portraying a typical hood rat! Instead we have got a person who almost reminds one of Al Capone with his untouchable attitude but at the same time is very intelligent! One might even be charmed or might find him-self agreeing with the stuff he comes out with but Snipes does a masterful job of showing us how evil this man really is although with Robin Hood and his Merry men crew also it note checking out Chris Rocks performance although he was added for humour he did not shy away from the dangers of crack. The film only faulted with a few minor things like the ending which probably everyone saw coming however have said that , New Jack City was from time when I was growing up where the word 'cool' was at an all time high with wacky track-suits and hair cuts but the rap music still has not lost its shine along with a very sharp anti-drugs message. I would recommend this one to fans of blaxpoltation,Law and Order and also gangster flicks or just for Snipes performance alone as you will watch one man who exploits the misery of others as a business opportunity all in the name of the American Way!

NEW JACK CITY : 8.6 OUT OF 10

'You gotta rob to be rich in the Reagan Era!' - Nino Brown (played by Wesley Snipes)

This movie was a surprise. I remember Mario van Peeble's father's "Watermelon Man", an amusing comedy that turns anti-white about half-way through and winds up rather a racist tract. It's almost a convention in movies about African-Americans who seem destructive to themselves or others that they are turned on to dope by white guys. Or, if they retain their rectitude, it's the white guys that are at the head of the horde of local pushers. Of course white women flock to the heroes, etc. We've seen it hundreds of times. But this one is different. The majority of performers are African-Americans, both the cops and the bad guys, neither of them perfect in their goodness or their evil. The characters seem to choose their own destinies for a change. Wesley Snipes is not given a loving trophy blonde. There is a token white cop, Judd Nelson, who was my supporting player in "From the Hip," an extraordinarily good film itself, who is permitted to say, "It's not a black thing. It's not a white thing." Crack is the problem here, not race. We're all in this together, which, in these days, is a pretty progressive statement. It's strictly a genre film. There is craftsmanship in it, if no noticeable attempt at depth, but it's well and stylishly done too. Van Peebles knows how to place the camera and when to cut. The performances are excellent for a film of this type. Snipes especially is a fine physical actor. It winds up with the expected shootout in an empty warehouse or factory. I'd kind of put off seeing this on TV, afraid of wincing through the prejudices I anticipated being expressed, and I was pleasantly surprised to find them completely absent here.