Mississippi Masala

Some may think that all it is about is the race relations between Asian Indians and Blacks in Southern USA. I saw it as collection of stories, each running along its own thread while impacting others at the same time. There is a love story between a Black guy and an Asian Indian (by way of Africa) girl, there is a man trying to regain his lost homeland (which some may consider artificial), there are others who are trying to fit into the new-new-South, a younger brother who is a bother and a motel owner who doesn't understand the people around him. All in all, a well knit story.

It is rare for what amounts to a simple love story to cover as much ground as this film ultimately does.

There's a political layer, with the 1970s era unrest in Uganda being a primary driver and motivator for much of the other decisions made by the characters. There's a racial layer, with racial tension in Africa spilling over into reciprocal racial tension in Mississippi in turn. There's a layer for interpersonal relationships as well, with Demetrius and Meena's growing love and the estranged friendship with her father and his friend back in Uganda.

Weaving all these layers together requires a very deft suite of actors and a very deft director and, for the most part, everyone is up to snuff. There are some very high quality acting performances indeed in this film.

Ultimately, the film is about the first generation of an immigrant family struggling to come to grips with their diminished situation. Some members of this first generation embrace the change and attempt to adopt many of the idioms and customs of their new home, and the second generation most definitely does this, but the patriarch of the family struggles to accept that his life in Uganda is essentially gone. The entire film builds to a climax that ultimately has nothing to do with Demetrius and Meena's relationship.

The real climax is the father's ultimately forced acceptance of his new situation. The interracial relationship is the driver, but the destination is purely internal for the family patriarch.

A nod has to go to Denzel Washington for opting into this small-budget film of exceeding quality when his star was clearly on the rise and such films could easily have been deemed beneath him. Choudry is positively mesmerizing, and she steals many scenes with her subtle facial expressions and body language. Clearly, she was a gem that needed a better setting for her later career.

I'd love to give a cast award, because the cast is almost univerally above average, which is very rare for a film. Some very bit parts become part of a larger tapestry that is very worth one's time to witness.

This movie showed one thing that is totally true about many Indians in America (I don't know about England). Many Indians who immigrate to this country start acting and behaving like they are white. Sometimes they forget that they are not even white (I am guilty of that sometimes too, probably even more because I grew up here). Denzel Washington points that out to Roshan Seth very well in this movie. "You are no more than a few shades from my complexion." And then Jammu point out to Anil how he has started to act American (probably means white American), and Anil says, "So what? I'm living in America! You don't like it? Go back to India!"

Overall, it's a really good movie. I like it even more than "Monsoon Wedding," and I feel this movie was very underrated. My seventh grade teacher recommended this movie a long time ago (actually a few mos. after I saw it myself.) I myself have been recommending it to some of my non-Indian college friends who have seen Monsoon Wedding.

This is a very enjoyable, NON-FORMULA film. It manages to show the inescapable ironies of rascism from a variety of viewpoints. The love story is earthy and sensual, yet tasteful as well.

I love this movie. I first saw it as a preteen and did not understand the concept. I have recently got the DVD as a gift and watch it over and over again and learn something else from it each time. Sarita Choudhury is one of the best actresses of our time and I respect her decision to not want to go "Hollywood". She has appeared in movies with substance and a message unlike the movies that are coming out in mainstream Hollywood. Denzel Washington is a great actor in this movie as well. Playing Demitrius, you really see his versatility as an actor. Mississippi Masala touches a new kind of racism not shown in movies before. Dark skin vs. light skin seems to go across every ethnicity in the world and I respect Mira Nair for making this film. Although the movie or its actors didn't receive the attention or awards (i.e. an Oscar) for their extraordinary performance, this is a must see movie and it will change your mind about the caliber of movies you choose to see from now on.