लिटिल मैन टेट

This movie is obviously what one would call "labour of love". It's a pleasure to watch. The story shows beautifully what a thousand articles on math prodigies cannot- that even geniuses need love and that no matter how "genius" that child is he is still only a kid.

She brings out the subtleties of her character. Fred seems adult-like in a child's world and yet deals with child-like simplicity in an adult's world. Jane is the headmistress of a school for the gifted, who believes that her theories on child-prodigies can bring out Fred's best talents, but forgets that Fred's best is not in his head but in his heart. Working to give her child the best yet fierce-fully protective of Fred is his mother Dede. This movie perfectly capture the heartbreaking events that can happen when a child is given too much attention but no affection. Hats off to Adam Byrd who gives a very nuanced performance. Both Jodie Foster and Nancy show the little personality clashes very well. Jodie foster has done a great job when she shows Dede's reaction and then later Jane's reaction to the fact that Fred has had a nightmare.I hope to be able to see more movies from her.

This work presents the challenges of raising a gifted child. It is never a easy as it seems, raising a child who is more intellectual than you are - a fact wrenchingly portrayed herein. The emotional needs of these children often go unattended, as the parents usually struggle to satisfy the intellectual needs.

Jodie Foster gives a fantastic performance as a mom under the aforementioned circumstances.

Many may consider the ending weak, if they are unable to demonstrate the ability to see beyond the story itself. If you can, then this work is well done and offers hope in the end.

I found it a bit better than mildly entertaining, but it's not something I will want to watch again.

It rates a 6.7/10 from...

the Fiend :.

In many respects savants, polymaths and autodidacts are in the same fix as slow learners, retards and idiots. They're all "special ed" cases, estranged from "normal" society by their intellectual "superiority/inferiority."

They share similar problems in classrooms; namely, the tendency to be bored, frustrated and/or disruptive. It's not easy being either too advanced or slow.

"Little Man Tate" dramatizes the plight of a "super-gifted" seven-year-old, subtly played by Adam Hann-Byrd. Little Fred Tate must cope not only with normal problems of childhood but also his extraordinary mental gifts which set him far apart from fellow children his age.

After feeling a lack of empathy from his mother (caringly portrayed by Jodie Foster) and his teacher-mentor (sensitively executed by Dianne Wiest) Fred reaches out to a college student who befriends him. Unfortunately, that relationship comes to a disappointing end when the older chum tells him that he must seek out kids his own age.

Scott Frank's script may have its peaks and valleys, yet its heart's in the right place, and he concludes his little drama on a happy (if tidy) note. Jodie Foster directs with concern and reveals genuine promise.

Through the eyes of a exceptionally gifted child of seven, 'Little Man Tate' delivers a riveting insight of the loneliness, maturity, isolation and brilliance of what it is to be highly prodigious yet very young and how imperative it is to achieve a balance when educating and raising such children.

Fred (Adam Hann-Byrd) is a very special little boy. He is able to play complicated musical pieces, pen deep and meaningful poems, calculate complex mathematical problems at an age when his classmates are still learning to tie their shoes and mastering their alphabet. He's a child old before his time, capable of thoughts far beyond the average adult's understanding, but at the core of it all, he is still just a seven-year-old who wants to fit in at school and have friends. His mother Dede, played by Jodie Foster, determines the best way to raise her beloved son is to treat him like any other child to the extent that she never really acknowledges his gifts, whereas Jane Grierson (Dianne Wiest) is on the other end of the scale as a psychologist whose speciality is gifted children. Jane takes an interest in Fred, believing his intelligence must be nurtured even if it means plonking a tot of seven into a university full of young adults.

Jodie Foster and Dianne Wiest deliver strong, solid performances as two women who both love this child and just want what is best for him, even if their approaches are very different. However, it is Adam Hann-Byrd who steals the show as the lead character of Fred. He depicts the brilliance of the character as well as his awkwardness in dealing with both 'normal' contemporaries and fellow gifted children. He is wonderful in showing how Fred is just a kid who wants to be liked, and how he desperately needs the adults around him to provide him a balance between being treated like the seven-year-old he is while allowing his towering intellect to thrive.

This film takes us into the heart of what it is to be a child prodigy and how it can be both a gift and a curse. We see Fred surpassing his adult classmates in his university course yet he struggles to interact with peers his own age who are of average intelligence. Through him, it is easy to see that being perceived as 'normal' can be the greatest gift of all. It also highlights the abysmal state of the state education system in teaching such children.

I really recommend this film as it delivers this fascinating story in a manner that is bittersweet, touching and, at times, humorous. The characters are all interesting and likable and you can't help but feel for Fred's joys and woes.

Little Man Tate has it's moments. Fortunately, it doesn't run into the problems of other kid-oriented movies by falling into stereotype. If it did, Fred would have glasses and acne problems like every other geek. I am happy that they found a decent child actor to carry the weight of the production (much like Empire of the Sun). There just isn't that much to say about this movie other than that it appeals only to a selective few.

I will be honest, this could have been better and deeper, but Jodie Foster didn't want it to and so she winds up being the Virgin Mary in this movie. I know that doesn't make a lot of sense here, but if you see it you'll understand. Perhaps she is becoming an egotist. Still, between Revenge of the Nerds and this, I'll take this.

Overall, not necessary viewing, but you could do worse. 3 out of 5 stars.