Let Him Have It

This just wasn't right. A 16 year old is given a 10 year sentence for shooting and fatally wounding a police officer while his friend who was IN POLICE CUSTODY at the time of the shooting gets death by hanging. All because he was 19 at the time and shouted "let him have it." First, there is no malice aforethought to justify murder. He did not want the police officer to be killed; in fact after the officer was killed he told his friend to give up the gun and surrender. At MOST he could be faced with an involuntary manslaughter charge with up to 10 years in prison (maybe not in 1952 Europe). This film was shocking. I urge anyone who has any interest in the law to watch this film. It was amazing well done and kept to the point that the law is the law even when it is wrong.

Derek Bentley a partly retarded youth due to an injury as a child in a bombing raid in World War 11 becomes involved with Christopher Craig and other anti-social misfits called "teddy boys" during the early 1950's.

In November 1952 Craig, with Bentley under his influence decide to rob a confectionery business in Croydon, London but are observed climbing onto the roof of the building and are reported to the police.

When the police arrive and apprehend the youths, Craig opens fire on the officers from a concealed gun killing P.C. Miles, although Bentley has already surrendered beforehand to Detective Fairfax, already wounded by Craig in an earlier part of the shootout.

At the following trial of the two youths for murder, the already biased Lord Chief Justice Goddard is determined to exact the supreme vengeance on the perpetrators of this crime. Craig who fired the shot killing the Police Constable is detained at Her Majesty's pleasure being a juvenile under the age of 16 years. Bentley aged 19 and considered an adult is sentenced to death as an accomplice.

Despite a public outcry over Bentley's fate, and petitions made to save him from the gallows, the Home Secretary Sir David Maxwell Fyfe refuses to grant him a reprieve,and Bentley is hanged on 28th January 1953.

The great irony of this case is that the Home Secretary was the successful chief British Prosecutor of the Nazi War Criminals in 1946 in Nuremburg but tarnished his reputation in a most disgraceful manner in the way he treated the semi-illiterate Derek Bentley who was made the condemned victim for his part in this crime because the real killer could not face the supreme penalty.

The other most shameful and disgusting aspect of this case is that it took over 45 years for the unforgiving self righteous British law courts and representations to the various Governments of the day, to finally overturn the conviction of Derek Bentley, although both his parents had died beforehand, but at least give the rest of his surviving family the satisfaction of knowing that his sentence was totally improper and unjust.

Christopher Eccleston gives a fine performance as Derek Bentley, along with Tom Courtenay as Bentley's father, who wages a relentless but futile attempt to save his son from his fate. The rest of the supporting cast is great.

A must see for those who think justice is blind and fair to everyone.

The case of Derek Bentley and Christopher Craig is perhaps one of the most famous miscarriages of justice in the UK. 'Let Him Have It', directed by Peter Medak tells the whole story in full, right up to the terrible death of Bentley. The film is predominantly set in the year 1952. Derek Bentley, aged nineteen, has had a difficult life from the beginning. The film begins by telling us a little about Derek's early life. We see that he suffers from learning difficulties and epilepsy, and often falls prey to temptation, getting into crime and gangs. He is caught, and spends most of his teenage years in an approved school. The film then jumps forward a further four years, and we finally meet the main Derek, aged nineteen, played by Christopher Eccleston. He soon meets Christopher Craig, and joins him as a friend. Throughout the first half of the film, we follow Bentley as he is drawn into a life of petty crime. This leads up to the grand climax of the film, the famous break-in which eventually turned into a murder scene. What follows, is a long and emotional journey through the weeks after Bentley is sentenced to death. As part of the English GCSE syllabus, we have been watching this film as part of our media review project. I can't say I enjoyed it - it has a very depressing and upsetting plot line - but it was a very well made and interesting portrayal of the story.

I did not know about this case before I watched this film, but the synopsis on the back of the video case was so compelling I had to rent it. I did not expect to be emotionally involved but it was hard to keep from shouting at the TV screen that it's unfair. The system portrayed seemed almost hellbent on sending Derek to the gallows, guilty or not. Even when evidence seem tainted or appeared to cast doubts on the veracity of some of the testimonies, the only cry ringing out was that a cop was killed and someone's blood must be spilled in revenge. It is chilling to know that sometimes justice can be blinded when emotions are involved, showing how important it must be to fully understand the implications before imposing any penalties which cannot be reversed even if desired.

This is a very convincing film of the life of Derek Bentley and his eventual execution. 1950s Britain is just beginning to emerge from the years of post-War austerity with all of the milk bars, pop records and teddy boy youth culture showing a new, malign confidence. The undercurrent is definitely youth crime gone wild. But is Derek Bentley really one of the gang?

Christopher Eccleston is absolutely brilliant playing Bentley, and truly captures the inner torment and diffidence of a young man suffering from years of epilepsy and failure at school. Bentley is clearly not normal and probably more impressionable than most people of his age – this is the essence of this tragic story. He wants to be like everyone else but stupidly chooses the wrong people – or do they choose him?

You are never sure whether Bentley's friend Chris Craig (the brilliant Paul Reynolds) is a nasty piece of work or maybe someone else led astray, this time by his truly monstrous, menacing older brother Niven Craig (Mark McGann) who he sees receiving 10 years for armed resistance to police arrest. Who is Craig - is he Pinkie in Brighton Rock (Boulting 1947), Jimmy Hanley in the Blue Lamp (Dearden, 1950) or one of the famous five with a gun?

After his brother's trial, Chris lies down at night and then – rather poignantly and in a nice little flourish from director Peter Medak – lays down his handgun on his bedside table, finding a gap amongst his toy cars, trams and aeroplanes. Perhaps he's just a naïve little kid after all.

When the gang goes to the cinema what else would they watch but a Jimmy Cagney gangster movie? Maybe if they'd watched the Blue Lamp instead they would have been warned off.

Anyway, Bentley clearly did not murder the policeman on the rooftop - that was Craig (some say it was a policeman's bullet gone astray). Bentley was executed for a crime he did not commit, pure and simple.

Good, haunting musical score by Michael Kamen.