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Jungle Fever

  • 1991
  • R
  • 2 घं 12 मि
IMDb रेटिंग
6.6/10
20 हज़ार
आपकी रेटिंग
Jungle Fever (1991)
Trailer
trailer प्ले करें2:31
3 वीडियो
74 फ़ोटो
ड्रामामनोवैज्ञानिक ड्रामारोमांस

एक विवाहित काले वास्तुकार के दोस्त और परिवार एक इतालवी सचिव के साथ अपने संबंधों पर अलग-अलग तरीकों से प्रतिक्रिया करते हैं।एक विवाहित काले वास्तुकार के दोस्त और परिवार एक इतालवी सचिव के साथ अपने संबंधों पर अलग-अलग तरीकों से प्रतिक्रिया करते हैं।एक विवाहित काले वास्तुकार के दोस्त और परिवार एक इतालवी सचिव के साथ अपने संबंधों पर अलग-अलग तरीकों से प्रतिक्रिया करते हैं।

  • निर्देशक
    • Spike Lee
  • लेखक
    • Spike Lee
  • स्टार
    • Wesley Snipes
    • Annabella Sciorra
    • Spike Lee
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.6/10
    20 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Spike Lee
    • लेखक
      • Spike Lee
    • स्टार
      • Wesley Snipes
      • Annabella Sciorra
      • Spike Lee
    • 67यूज़र समीक्षाएं
    • 52आलोचक समीक्षाएं
    • 78मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 6 जीत और कुल 11 नामांकन

    वीडियो3

    Jungle Fever
    Trailer 2:31
    Jungle Fever
    Spike Lee: Four Decades of 'Wake Up!'
    Clip 3:05
    Spike Lee: Four Decades of 'Wake Up!'
    Spike Lee: Four Decades of 'Wake Up!'
    Clip 3:05
    Spike Lee: Four Decades of 'Wake Up!'
    What Roles Has Halle Berry Turned Down?
    Video 4:04
    What Roles Has Halle Berry Turned Down?

    फ़ोटो74

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार57

    बदलाव करें
    Wesley Snipes
    Wesley Snipes
    • Flipper Purify
    Annabella Sciorra
    Annabella Sciorra
    • Angie Tucci
    Spike Lee
    Spike Lee
    • Cyrus
    Ossie Davis
    Ossie Davis
    • The Good Reverend Doctor Purify
    Ruby Dee
    Ruby Dee
    • Lucinda Purify
    Samuel L. Jackson
    Samuel L. Jackson
    • Gator Purify
    Lonette McKee
    Lonette McKee
    • Drew
    John Turturro
    John Turturro
    • Paulie Carbone
    Frank Vincent
    Frank Vincent
    • Mike Tucci
    Anthony Quinn
    Anthony Quinn
    • Lou Carbone
    Halle Berry
    Halle Berry
    • Vivian
    Tyra Ferrell
    • Orin Goode
    Veronica Webb
    Veronica Webb
    • Vera
    Veronica Timbers
    Veronica Timbers
    • Ming
    David Dundara
    • Charlie Tucci
    Michael Imperioli
    Michael Imperioli
    • James Tucci
    Nicholas Turturro
    Nicholas Turturro
    • Vinny
    Steven Randazzo
    Steven Randazzo
    • Sonny
    • निर्देशक
      • Spike Lee
    • लेखक
      • Spike Lee
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं67

    6.620.4K
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    फ़ीचर्ड समीक्षाएं

    6sol-

    My brief review of the film

    With some interesting ideas about racism, some creative camera-work, and generally solid acting, there is enough in this film to make it worth checking out, albeit not enough to make it a great film. Spike Lee's depiction of a modern society build about racism lacks credibility, as it is hard to believe that the only thing the characters care about is racism-related. Lee's colour scheme hurts the film too, as the hues, in particular the oranges, are very harsh on the eyes, this distracting one from the on screen action. There are also some drug addiction subplots fitted in, to no certain advantage, and despite Terence Blanchard providing a nice multi-style score, it is used rather awkwardly throughout. Plus, there one large unanswered question: is Lee endorsing segregation and racism in the film? Believe it or not, in spite of these problems, the film has enough in it for adequate viewing. Seeing Halle Berry in her first big screen appearance is quite interesting, and Queen Latifah makes her debut appearance too as a waitress. It is very well shot, competently acted and it provides some things to think about, even if it is not too great overall stuff.
    8lee_eisenberg

    This was the era when Spike Lee got as good as he ever got.

    Spike Lee made "Jungle Fever" in the era when he also made masterpieces like "Do the Right Thing" and "Malcolm X". I will admit that the subject matter here is nothing that we haven't seen many times (an interracial love story), but Lee knows how to do without getting idiotic or manipulating emotions. In this case, African-American Flipper Purify (Wesley Snipes) has an affair with Italian-American co-worker Angela Tucci (Annabella Sciorra), thereby setting off a racially charged chain reaction.

    A previous reviewer said that Lee throws in so many subplots that the movie gets too confusing. I agree that the various subplots do this to an extent, but I think that Lee mainly wanted to show how people's lives were getting affected by the series of events portrayed. There were some clichés, namely the bigoted Bensonhurst residents, but this is certainly a well done movie. Watch for a young Halle Berry as a crack addict, and I believe that Queen Latifah appears as a waitress.
    lwhite01

    parental relationships in "Jungle Fever"

    In his opening sequence to Jungle Fever, Spike Lee introduces the pervasive theme of the appropriateness of sex. Through the red haze of a Harlem morning, we are introduced to Flipper and his wife Drew in a very compromising position. Entangled in both the sheets and a moment of passion, the couple begin their morning in copulation, all the while trying desperately not to `wake the baby.' This `baby' could be a child who they've already produced or a child who is potentially in the making.

    This notion of sex as a means of producing children runs throughout the film. We find that even after Flipper has begun his relationship with Angela Tucci, he would never think of having children with her. Flipper's fear of having mixed (`octoon, quadroon, mulatto') children is very high. We learn that his wife is mixed herself. Her father is white and her mother is black. During the scene in her office, we get a glimpse of the kind of heartache that she has suffered from her skin color, a result of the intermingling of the two races of her parents. This sex-and-its-aftermath theme manifests itself in the dysfunctional parent/child(ren) relationships throughout the film. Angie is tied to her father and two brothers as a sort of domestic slave. Not only does she have to work hard in a distant part of town all day, but she also has to return home to cook for and clean up after her three male family members. She seems to receive no financial or emotional support for her efforts either. This becomes very clear when her father beats her up after learning of her relationship with Flipper. We see a similar relationship develop with Paulie and his father. His father's constant nagging about the number of each of the periodicals that he orders on a daily basis coupled with his lack of gratefulness for the meals that he cooks for him each day drive Paulie mad. Though Paulie's father isn't as physically abusive as Angela's father is, we see his proclivity toward violence we he forces his way into the bathroom and whaps a teary-eyed Paulie on the head with a magazine. Eventually, Paulie is able to stand up to his father, telling him `I'm not your f***ing wife; I'm your son.'

    The most powerful and destructive parent/child(ren) relationship that unfolds on the screen is that of Flipper's family, including his brother Gator and both of his parents. Lee's choice to introduce the reverend doctor and his wife as parents of Gator first necessarily colors our impression of them as good parents. What type of parents produce a crackhead? Certainly not the same type of parents that produce an upstanding architect, but maybe the type of parents who would rear an interracial adulterer. Other than Drew, who we really never see interact with her child, Gator's mother is the only mother to which we're physically exposed in the text. She loves both of her children and would rather not talk about the problems that exist in their relationships. Instead, she closes her eyes to the truth of Gator's drug habit and hands him money while he does the dances that she likes, and she would rather change the subject at the dinner table than broach the topic of adultery. This approach to parenting doesn't work any better than that of her counterpart. The reverend doctor doesn't ever want to really talk to his kids about their problems without using biblical metaphors. These one-sided diatribes seem to drown out any potential discussions just as much as the wailing of his favorite Mahalia Jackson records. In the end, he must kill his neglected son because he has deteriorated so extensively from crack use. The film's concluding sequence has brought us full circle. The framing of the newspaper landing on Flipper's stoop initially suggests that everything has returned to normal - that Drew has accepted her husband back into her life. Their daughter's smiles and giggles also point to the same conclusion. But we find, as Drew rolls over in bed and tells Flipper he better leave, that the sex is only a temporary fix for a desire for pleasure. The sex will not solve the problems that it has created. In the film's resolution, we see echoes of Paulie's father's former explosion in the bathroom: `All they think marriage is for is humping.'

    The final, seemingly confusing line of the film - `Yo, daddy, I'll suck your big black d*** for $2.' - sums up this theme well. It both mirrors in video and echoes in audio an almost identical part from earlier in the film. When Flipper was walking his daughter to school, a crack whore approaches him with the offer, `I'll suck your d*** for $5.' By the film's end, the price has lowered, the sex has been cheapened, and the whore is addressing Flipper as `daddy.' In this final line, the importance of parent/child relationships is emphatic. Sex, a supposedly physical manifestation of love, often results in a product - a child. This child will then live in a society where sex and love is misguided or undirected altogether.
    7msjpacke

    More about sex than race

    This movie is more about sex than race. Lee was quoted in the NYT as follows: "I hate this whole Hollywood process of breaking down a movie to one sentence," he said. "My films don't deal with one theme. They interweave many different things. You have to think. I'm not saying interracial relationships are impossible. Flipper and Angie are not meant to represent every interracial couple in the world. They are meant to represent two people who got together because of sexual mythology instead of love. Then they stay together because they're pushed together. They're outcasts. And since their relationship isn't based on love, when things get tough, they can't weather the storm." Thus at its core this film is a feminist critique of the nature of sexual attraction in contemporary America. These folks are wrong for each other but they both are stereotypically "attractive." There is "chemistry" between them, but no shared values that are the bedrock of a serious relationship. The "black stud"/ "sexy white girl" is just one way this could be instantiated.

    In one sense, this is a serious issue and it is worth exploring. My own misgivings about this film is that Lee's moral seems to be: values = good, chemistry = bad, and this strikes me as somewhat simplistic.
    arthurpewty

    Judging it again years later

    I saw Jungle Fever for the first time years ago, when it first came out on video. By the movie's end, I was lost. Part of it may have been maturity - I was in junior high - and part of it was that the movie I was sold was not the movie I got. Part of this selling is Stevie Wonder's title song, which frequently finds its way into my tapedeck. And the kind of color-blind love Wonder sings about is not the relationship in this movie. Something I feel now as I felt then was that the film does not let us get close to these people, let us see them in love. Only now do I realize that this is because the film is not about two people in love. When I first saw it, I thought the film was advocating segregation from the "other side." Now I realize that it just showing the complexity of issues which come to play when a black person and white person from separatist neighborhoods come together, and mostly how those environments are changed. There are things to overcome, but this relationship will not overcome them. I am still puzzled by the rather large subplot involving Samuel L. Jackson as Wesley Snipes's crackhead brother and by the final shot where Wesley Snipes clutches a crack-whore to himself and screams "NO!" while the camera rushes from halfway across Harlem to end in a close-up on him. It's indelible - most of what has stuck with me about this movie over time involves this subplot and that shot - but I am still puzzled by its intention in the overall scheme of what the film is trying to say. Something about the endless problems facing black people?

    इस तरह के और

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    8.0
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    7.7
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    6.7
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    6.9
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    6.7
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    7.8
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Samuel L. Jackson had just undergone treatment for drug addiction, and had only two weeks from his discharge from rehab to the start of filming. Jackson has gone on record as saying that Gator's ravaged look was not make-up, but actually the result of Jackson's own detoxification.
    • गूफ़
      At the start of the film, Flipper Purify tells his boss that he objects to having a white secretary, and instead demands "a woman of color." That would have resulted in his dismissal, especially in a New York City company. Such a demand would have been in open violation of local, state and federal civil rights laws banning discrimination in hiring based on race.
    • भाव

      Lou Carbone: If your mother was alive... she would turn over in her grave!

    • क्रेज़ी क्रेडिट
      The opening credits are printed on roadsigns that move across the frame.
    • कनेक्शन
      Edited into 2 Everything 2 Terrible 2: Tokyo Drift (2010)
    • साउंडट्रैक
      Bless This House
      Music by May H. Brahe

      Words by Helen Taylor

      Used by permission of Boosey & Hawkes, Inc., ASCAP

      Performed by Mahalia Jackson

      Courtesy of Columbia Records

      by arrangement with Sony Music Licensing

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Jungle Fever?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 7 जून 1991 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Fiebre de amor y locura
    • फ़िल्माने की जगहें
      • Bensonhurst, ब्रुकलीन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Universal Pictures
      • 40 Acres & A Mule Filmworks
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,40,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $3,24,82,682
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $53,32,860
      • 9 जून 1991
    • दुनिया भर में सकल
      • $4,38,82,682
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 12 मि(132 min)
    • रंग
      • Color
    • पक्ष अनुपात
      • 1.85 : 1

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