In a Child's Name

This is not your standard underdeveloped Lifetime movie fare. There is nothing superficial about this movie. The characters are fully developed. Let's face it. The best movies on Lifetime are the ones that are two parters. When you are dealing with this kind of material, you need that extra time to develop the plot and characters fully. Valerie Bertinelli is at her best in this. I kind of almost got the impression that she was really just playing herself. The aspect that I found most interesting in the second half of the movie, was the exploration of the Midwestern "Family Values" of the Heartland versus the evil New York/New Jersey devils represented by the Silvanos. Kind of makes you wonder!

I think this movie is one of my most favorite movies on lifetime. I have seen it about 3 or 4 times on lifetime and always wondered when they will release it on DVD. I am amazed how Valerie Bertinelli played a grieving sister who wants to put away her sisters husband and also get custody of her sisters son. She is a wonderful actress, who wont let nothing or no one in her way of getting what should be done. The law enforcers also played a good deed for the grieving family. This movie shows how the law works sometimes, and as for Valerie Bertinelli's character, she did not stop til she and her family won all the way. This movie will have you teary-eyed and thinking how a person could do this to his wife and have his parents believe what he said. I think his family should serve time for helping their son. After you see this movie, you will still think about this movie, you will talk about this movie to your friends. I admire everyone who played in this movie and think they are good actors and actresses.

This movie is heartwarming and a real tearjerker. I have a copy of it on tape, and I watch it all the time. I never get tired of watching the Taylor's get what they deserved. I really enjoyed watching it over and over again.

I usually don't watch the junk on Lifetime, but I'm on a Valerie Bertinelli binge. (I'm just recovering from my Deborah Kerr binge.) This is what so-called "women's television" should be -- a compelling story (Whether it's "true" or not has never been a selling point with me.), very well-drawn characters, and a solid script. If you'll pardon the screenwriter's lingo, the set-up was one of the best I've ever seen. The Silvano family was colorful without being a parody of Italian-Americans. Each member was presented as an individual as well a part of the whole. Finally, I first realized Valerie Bertinelli (VB) was (and is) one darn good actress when I saw her in "The Haunting of Helen Walker." Another exception to the usual Lifetime TV fare, I was floored by VB's performance -- solid, subtle without being underacted, giving her own interpretation to a well-known character. In "In a Child's Name," VB gives another very good performance, presenting a well-rounded character -- recognizable and one-of-a kind at the same time. Yep, one darn good actress...

This movie epitomizes two telefilm genres (the Sunday Night Tearjerker and the Lifetime Movie) but towers above most examples of both. It aired as a two-parter; the first half told the story of a woman's murder by her husband and his eventual arrest for the crime, while the second concerned the custody battle over the couple's son between her sister (Bertinelli) and his parents (Huddleston and Fletcher).

The first half retains an admirable level of tension throughout, though the crime isn't ever really a mystery. Thankfully, the actual crime is not shown, though the filmmakers found a better way to convey its brutality: the final shot of the first half of the show is one of the most shocking sights I've ever seen on television.

The custody battle in the second part is less suspenseful but raises several interesting questions. The cultural bias by the killer's parents against the evil, urban, ethnic (Italian) family of the victim had some resonance in their son's marriage. Not to overgeneralize, but a friend of mine was married to a man from rural Indiana and his family was a LOT like the people in this film. The filmmakers clearly sided with wife's family on this point--the "moral" Hoosiers are both unattractive and unpleasant. The question of how their "heartland values" produced their monster of a son is never really addressed.

The performances are uniformly excellent and often surprising. Bertinelli and Chris Meloni as her husband prove to be far more than a couple of (very) pretty faces, as does Michael Ontkean as the cold blooded killer. It is important that this not get lost by being lumped in with the scores of similar but inferior TV movies.