Homo Faber

I give Homo Faber 5/5, it captivates from the start. The movie is set in some beautiful places namely (France, Germany, South America and Italian countryside)which does justice to its aka title "Voyager." A carefully structured plot which unravels beautifully with a touch of adventure,nostalgia and mystique. Sam Shepard really shines in this role. The rest of the cast is up to the job.

A laconic engineer/adventurer, with a fear of chance and coincidence, courts both when he meets a young waif half his age who reminds him of his lost love, and not without good reason. The final surprise plot twist is telegraphed well in advance, but after a clumsy introduction, with too many flashbacks within flashbacks and odd, impulsive changes in scenery (Europe to South America to New York City), the globetrotting story settles down into a haunting parable of memory and fate, showing how one can be forgotten but the other never avoided. The only other flaw to the film is Sam Shepard's annoying and unnecessary voice-over confession, which sounds as if it were added for the benefit of slow thinking American audiences. The narration spoils what could have been a minor romantic masterpiece; notice how much more enigmatic and involving the story becomes without it.

The atmosphere, style, and characterization are quite striking and memorable, although some aspects of the plot are simply not credible. I was riveted to my seat by the powerful cinematography and characters. In the end I'm not sure if there is much of a governing 'vision of life' which informs the film, although such a vision might be hinted at occasionally. Not that every film must exhibit such a vision, but the result of such a meandering plotline, as we see here, is a simple yearning for resolution. So why do I give 'Voyager' a high rating? Simply because such memorable and humane images and characters are very hard to come by nowadays.

I saw this when it came out. All I can say, is I still remember the basic plot, and the cinematography. Walter Faber is paradigmatic as the post WWII individual, still blindly devoted to the goddess of Reason in his personal attitude to life, but beset by the unconscious flood of irrational experience: a real example of Carl Jung's warning that what is not made conscious will be lived out as destiny. It is overall a wonderful, understated film, beautifully directed and shot, representing in a gentle way what European directors (and all directors) should concentrate more on - literature, myth, relationship, culture. It's only fault, if I recall correctly, was that it was not longer and deeper, because it really could have been a great film. Go ahead and watch it!

Never mind the violent plane crash deaths, bloody suicide, venomous snake attack, and other undisclosed disturbing subject matter. You won't mind or even seem to notice with the relaxing vacation-like mood the movie creates along with Sam Shepherd's cool 'whatever' attitude. This film follows Walter Faber on a relaxing voyage of air and sea around the world as he fatefully keeps stumbling into people that are somehow connected to his ex-fiancé, Hannah.

The film will reach a point where you will understand what has happened, thereby even the climax is rendered anti-climactic. But don't worry about that. Just Sit back, relax, and enjoy the movie. All I can say is that Hannah has information that would have best been disclosed from the get-go (trust me), and that Julie Delpy is very sexy!