Fried Green Tomatoes

I enjoyed this movie immensely. This is one of the best examples of storytelling that I have seen. The structure of the movie - alternating between the past and present, with multiple intertwining plots - keeps the viewer hooked on how the story will unfold. It unfolds gracefully and is enjoyable throughout.

The acting is exceptional. Mary Stuart Masterson and Mary Louise Parker carry the bulk of the acting load. They are fantastic. The relationship between these very different young women is complex and satisfying.

Since the movie is about women and the female roles are so strong, this movie has been dubbed a "chick flick", but that pejorative is unfair. This is good film making and those who like plot-driven cinema will enjoy this immensely. This one is in my DVD collection.

While I love this film, and have seen it a dozen times at least, the maturing of my mind since the first time I saw it as a teen in 1991, have made me take a second look at this stunningly acted film about love, friendship, devotion and racial issues in a multiple decade look at women's roles in society.

Anyone who went to college where I did would see that Idgy from her childhood is the sterotypical Lesbian. She does not like to wear dresses and prefers a man's dress even as a youngster. As she ages, and as Ruth befriends her, she is tantalized by a kiss Ruth gives her on the cheek at the swimming hole and so devastated by Ruth's wedding that she does not even attend but instead drives hours to Valdosta, Georgia to look on hurtfully from the woods at Ruth carried in her new home in her wedding dress.

As the film progresses and Ruth is rescued from her abusive relationship the two start a cafe called Whistle Stop Cafe in Whistle Stop, Alabama. If one watches carefully they'll see that the two live together in a house near the cafe. In one poignant moment, the two women are talking over coffee late at night in the cafe when Ruth says that she feels bad that Idgy may feel she needs to stay and care for Ruth and Buddy Threadgoode Jr. (Buddy is Ruth's son but has Idgy's last name?!) Ruth says that if it weren't for she and Buddy, Idgy may "settle down" Idgy dramatically replies "I am as settled as I am ever going to be" and "I don't want you to move out" The clincher was the image they showed shortly after that scene of Ruth in a feminine dress and Idgy in shorts and a shirt and tie, holding each other and smiling. Idgy never married or dated and Ruth never remarried.

Everyone must come to their own conclusion but mine is two women in the 1930's who enjoy a healthy, loving lesbian relationship with the disguise of business partners in a time and place when different anything race, religion or creed, was just not tolerated or accepted.

This is truly a beautiful film.

Well written and superbly acted it tugs at the heartstrings harder than almost any other movie. The way it sets up an obvious story line and then like a gentle roller-coaster suddenly takes you in another direction is unequalled in this type of film.

There are so many points of genuine sadness and whenever you think you have guessed the story you suddenly turn to find an outcome more surprising than you thought.

Major characters die, major characters do not "fall in love" and major characters are not allowed to cop-out; it is as a film should be.

Remarkable well written, produced with care and acted with understatement and love - it is a beautiful film.

Watch it.

A heartwarming female bonding movie that has all the elements of a good ol' Southern yarn.

It was a good thing that Kathy Bates made this movie so soon after "Misery." She had made such an impression as a psycho in the earlier film that she might have had trouble getting herself out from under the mantle of Annie Wilkes. But she plays a completely different character here, a dowdy, bored housewife who befriends a little old lady forgotten in a retirement home (Jessica Tandy). Tandy begins to tell her the story of a female relative, Idgie Threadgoode, and her deep friendship with Ruth, which is played out in flashback by Mary Stuart Masterson and Mary-Louise Parker. The story is one of those melodramatic, life-affirming ones, but it's acted extremely well by the four women, and the film mostly avoids the treacle that threatens to come pouring in around the edges.

Grade: A-

This is one of my top five films of all time. I was somewhat skeptical the first time I saw it because I adored the book and I knew there were some changes, but I found the essence of Fannie Flagg's fabulous novel in tact. This is a story that burrows into your heart and mind and stays there. It is absolutely magical storytelling with a stellar cast and beautifully written characters that never fade from memory.

A time and place in America, filled with the best and the worst of our life and history, is impeccably captured. The flashbacks take us to the time of an Alabama whistle stop town that was a bustling hub when the railroad was the center of all movement. This was the era of hobos and simple pleasures. The scenes from the past become more powerful by the juxtaposition to modern times, where the story begins and returns at intervals.

Kathy Bates plays Evelyn Couch, an unhappy middle-aged housewife who stumbles on Ninny Threadgoode (the superb Jessica Tandy) one day by accident at the nursing home where she is visiting one of her husband's relatives. The two have an instant chemistry and a deep friendship begins. Ninny proceeds to tell Evelyn the story of Idgie and Ruth, two young women who shared an amazing friendship and love 50 years earlier.

This movie has to be experienced, as mere descriptions might sound like another southern-flavored movie about women or a weepy nostalgic tale. It is much more than that, and more than the most glowing review can ever convey. If you are reading this and haven't seen it, please make a point to. The actors are nothing short of magical. All four actresses (Jessica Tandy, Kathy Bates, Mary Stuart Masterson and Mary-Louise Parker) are at the top of their craft.

I will borrow a line from Ninny Threadgoode to describe how I always feel after seeing this film. "I may be sitting here in this nursing home but in my mind I'm over at the Whistle Stop Cafe having a plate of Fried Green Tomatoes".

I may be sitting here finishing this comment but in my mind I'm at the Whistle Stop Cafe. That's how powerful this story is for me.