IMDb रेटिंग
7.6/10
5.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe story of the rise and fall of an African American vocal group.The story of the rise and fall of an African American vocal group.The story of the rise and fall of an African American vocal group.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
After you've seen this, you might as well just avoid seeing any other movie regarding going form nothing to having it all in the music industry...some stories may be more dramatic, some more extreme...but this one pulls it all together lays it out like no other. I have seen this movie probably 20 times and will surely see it another 20. All of the ingredients are there. It's well made and yet, the roughness apparent in the script and acting at times seem to add to it's charm. Perfect imperfections, as Cee-Lo Green has named his new Album, is how I'd like to call it. When you watch the %H, you feel like you're back in the 60's and understand that the groups of that time simply had this fire inside that they had to get out of themselves....the problems came only after the fire was released: WHat does one do NOW?
Wonderful, wonderful, wonderful, wonderful, wonderful movie...Hey Bobbie T. Lace us with another one of these!!!!
Wonderful, wonderful, wonderful, wonderful, wonderful movie...Hey Bobbie T. Lace us with another one of these!!!!
By now, every film buff knows the legendary story about the plucky, tenacious indie filmmaker who maxed out all his credit cards to realize his celluloid dreams. Spike Lee was one of the directors most associated with the tale, as he completed SHE'S GOTTA HAVE IT. Another was Robert Townsend, who made the hysterically biting satire HOLLYWOOD SHUFFLE, about the African-American experience in Tinseltown.
Once that film became a surprise success, Townsend finally found himself a respected talent, and chose his next project accordingly. He decided to chronicle the long, hard road to success traveled by a black singing group, through several decades of triumph and tragedy. Using the personal experiences of the legendary R & B group The Dells as a blueprint, (they also served as technical advisers), Townsend hammered out a screenplay with friend and colleague Keenan Ivory Wayans, and THE FIVE HEARTBEATS is the result.
Though the film contains moments so overwrought with melodrama that they threaten to slip into parody, the issues of racism, class distinctions, greed, payola, and the ever-present lure of sex, drugs and excess that accompany celebrity status are never treated casually or simply glossed over.
Whatever plot points the script may sometimes seem to stumble over, the talented cast, lead with steadfast confidence by actor/writer/director Townsend, never miss a note or a beat, especially when helped along by a great soundtrack, supervised by jazz/funk/R&B great Stanley Clarke. Every performance is remarkable, with special mention going to the underrated Michael Wright as Eddie, the group's talented and troubled lead singer, to Leon as the group ladies' man, (whose good looks and talent have landed him in several other similar high-profile roles), and to the overlooked Hawthorne James as the malevolent "Big Red," the epitome of a man who has completely sold himself, body and soul, to the dark side of success.
Townsend also manages not to forget that between the dramatic moments, what makes a great musical is great MUSIC; songs that remind us why even though the concept of people suddenly bursting into fully orchestrated tunes defies logic, the pure, giddy sense of fun and enjoyment we derive from such moments are why musicals are a genre that simply refuse to die.
Nowhere in HEARTBEATS is it more apparent, than when Townsend and actress/singer Tressa Thomas team up on a show-stopping number called "We Haven't Finished Yet," as Duck, Townsend's character, struggles to write a song, getting some unexpected and able-bodied help from his baby sister, who nearly brings down the house! It's moments like this that make musicals memorable, and in a niche that can never have too many well-rendered stories about groups from "back-in-the-day," THE FIVE HEARTBEATS is a genuine classic that can be recommended not just to black audiences, but to moviegoers of any background who love good stories about music and musicians.
Once that film became a surprise success, Townsend finally found himself a respected talent, and chose his next project accordingly. He decided to chronicle the long, hard road to success traveled by a black singing group, through several decades of triumph and tragedy. Using the personal experiences of the legendary R & B group The Dells as a blueprint, (they also served as technical advisers), Townsend hammered out a screenplay with friend and colleague Keenan Ivory Wayans, and THE FIVE HEARTBEATS is the result.
Though the film contains moments so overwrought with melodrama that they threaten to slip into parody, the issues of racism, class distinctions, greed, payola, and the ever-present lure of sex, drugs and excess that accompany celebrity status are never treated casually or simply glossed over.
Whatever plot points the script may sometimes seem to stumble over, the talented cast, lead with steadfast confidence by actor/writer/director Townsend, never miss a note or a beat, especially when helped along by a great soundtrack, supervised by jazz/funk/R&B great Stanley Clarke. Every performance is remarkable, with special mention going to the underrated Michael Wright as Eddie, the group's talented and troubled lead singer, to Leon as the group ladies' man, (whose good looks and talent have landed him in several other similar high-profile roles), and to the overlooked Hawthorne James as the malevolent "Big Red," the epitome of a man who has completely sold himself, body and soul, to the dark side of success.
Townsend also manages not to forget that between the dramatic moments, what makes a great musical is great MUSIC; songs that remind us why even though the concept of people suddenly bursting into fully orchestrated tunes defies logic, the pure, giddy sense of fun and enjoyment we derive from such moments are why musicals are a genre that simply refuse to die.
Nowhere in HEARTBEATS is it more apparent, than when Townsend and actress/singer Tressa Thomas team up on a show-stopping number called "We Haven't Finished Yet," as Duck, Townsend's character, struggles to write a song, getting some unexpected and able-bodied help from his baby sister, who nearly brings down the house! It's moments like this that make musicals memorable, and in a niche that can never have too many well-rendered stories about groups from "back-in-the-day," THE FIVE HEARTBEATS is a genuine classic that can be recommended not just to black audiences, but to moviegoers of any background who love good stories about music and musicians.
I have the DVD of this movie and it is moving. It shows all races black and white that if you want something to keep working toward it and never give up. This movie really touched me and gave me a new outlook on my life and the things that i do. Where are the great writers like the ones who wrote this story? We need to be giving them all of the credit and praise because they are the ones who believed that the world should see how black music began and evolved into what is the most dominant music in America. We have had problems over the years with the really bad music and the really great music. This shows that black people lots of talent and much more charisma and can truly ACT.
This is such a wonderful, underrated film. Everyone I recommend it to looks at me like I'm crazy until they watch it and become total fans. One of the many delights about the Five Heartbeats is the soundtrack. The songs were written, performed and recorded with such attention to period detail they sound like they really come from the years of the movie. And most of them are great songs anyway. If they had been "real" they would be classics today. A Heart is a House for Love which was actually sung by the Dells, made it to #13 on the R&B charts. Most of the music came from Stanley Clarke, the brilliant bassist and composer. But Thom Bell, one of the originators of TSOP, contributed importantly too, including one of his old songs for the Delfonics. There are so many cool moments in this film. Michael Wright and Hawthorne James offer stand- out performances in a great cast. The Five Heartbeats is easily Robert Townsends best film.
The Five Heartbeats was a real, honest, remarkable film. It was packed with emotion. Well acted by all involved. A must see to appreciate! The portrayals on the members in the group were believable. It is my understanding that this is a story based upon the popular singing group, "The Dells". I don't know how true it is. I feel that Robert Townsend not only acted well in this film but, he did a fantastic job in directing it, too. To me, it's one of if not the best piece of work that he has done. I also enjoyed his film, "The Hollywood Shuffle" but the Five Heartbeats is my overall favorite. Kudos to Mr. Townsend for a job well done and may we say his greatest works are yet to come. Thank you Mr. Townsend and I hope to meet you one day!
क्या आपको पता है
- ट्रिवियाThe lives of several performing R&B groups and artists inspired this film: The Dells, The Temptations, Frankie Lymon and Sam Cooke according to Robert Townsend in a Mademe Noir Interview. Townsend says the crux of the story was based on the breakup of the Temptations which was an event he took personally.
- गूफ़When Eddie is being chased from the alley he jumps out into the main road in front of a 1969 Firebird when the film is set in 1965.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Five Heartbeats?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $90,00,000(अनुमानित)
- US और कनाडा में सकल
- $87,50,400
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $16,30,689
- 31 मार्च 1991
- दुनिया भर में सकल
- $87,50,400
- चलने की अवधि2 घंटे 1 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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