IMDb रेटिंग
7.3/10
7.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंFour English women, after World War I, who are unhappy with their lives, and their time away on vacation in a beautiful Italian villa.Four English women, after World War I, who are unhappy with their lives, and their time away on vacation in a beautiful Italian villa.Four English women, after World War I, who are unhappy with their lives, and their time away on vacation in a beautiful Italian villa.
- निर्देशक
- लेखक
- स्टार
- 3 ऑस्कर के लिए नामांकित
- 4 जीत और कुल 9 नामांकन
फ़ीचर्ड समीक्षाएं
Two thirds of nearly 2,000 IMDb users who have voted on this film have rated it at 8, 9 or 10 and one user reports wearing out six videotapes (Was this a record, or merely a faulty VCR?). Although the film is primarily intended as a period piece it clearly has a quite unusual fascination. But for some reason I imagined it as largely whimsy and until recently never felt the urge to watch it. My mind was changed by Elizbeth Von Arnim's original book. My wife loves reading but her sight no longer allows her to read much so she borrowed it in talking book form. Such books are usually irritating to a companion who is busy with other things, but I gradually came to appreciate that this one was seductively soothing, although in no way syrupy, and was also very well written. I realised my wife would enjoy watching the film, and so decided to buy her the videotape. I am now very glad that I did, and would certainly recommend its purchase to anyone else who appreciates a quiet reflective work with no fireworks but with well constructed character development and a very successful pre-Mussolini Italian atmosphere. The story is set in the immediate post WW1 period and starts with two married London ladies who decide to pool their savings and enjoy a holiday together, away from their families, in a rented villa in Italy. Force of circumstances lead to this couple being joined by two others with very different characters and backgrounds. Its theme is essentially no more than the interactions that take place as their holiday progresses, not only between these four very disparate mature ladies, but also with the occasional male visitor. If you want action, thrills, dramatic sex scenes, natural or man-made disasters, or Harlequin style romances this would not be the film for you. But IMDb users have collectively and very emphatically demonstrated that none of these are necessary for a film to prove highly rewarding to watch, and if you care to give it a try you may, as I did, come to rank it among your much loved films.
It is fairly rare for me to watch a film of a book with which I am already familiar. In many cases I find this takes some of the pleasure away from watching the film, but here there is such a strong visual appeal in the setting that I actually found my pleasure augmented by the anticipation of seeing the next segment of the book, effectively unrolled before my eyes. (Perhaps Italy itself has some part in this, the last time I had this experience was when I was watching tales from Boccaccio's Decameron on TV.) Generally films of books tend to increase the dramatic level of the original work to ensure that the filmed version has an even wider appeal, but here if anything it is reduced in order to keep the viewers attention on the gradual character development rather than on any background events. This works very well, although changes from the book are few and basically the film remains true to the original story. Great credit is due to the Director, Mike Newell, and all members of the cast, particularly those well known British Actresses who play the four principal ladies.
It is fairly rare for me to watch a film of a book with which I am already familiar. In many cases I find this takes some of the pleasure away from watching the film, but here there is such a strong visual appeal in the setting that I actually found my pleasure augmented by the anticipation of seeing the next segment of the book, effectively unrolled before my eyes. (Perhaps Italy itself has some part in this, the last time I had this experience was when I was watching tales from Boccaccio's Decameron on TV.) Generally films of books tend to increase the dramatic level of the original work to ensure that the filmed version has an even wider appeal, but here if anything it is reduced in order to keep the viewers attention on the gradual character development rather than on any background events. This works very well, although changes from the book are few and basically the film remains true to the original story. Great credit is due to the Director, Mike Newell, and all members of the cast, particularly those well known British Actresses who play the four principal ladies.
10suetr
This is a lovely, spirit-restoring movie. From the use of the actual villa that inspired Elizabeth Arngrim to write the novel in the 1920s to the inspired casting, every choice was perfectly right! The quiet joy of this film doesn't stale after repeated viewings. Josie Lawrence, Miranda Richardson, Polly Walker and Joan Plowright seem to have been born to play these parts! I would dearly love to see Enchanted April released on DVD in a widescreen format.
"Magic" isn't too strong a word for the spell this film weaves. You find yourself relaxing, and seeing others in a more benevolent light... Any movie that has that civilizing an effect on viewers deserves serious attention. Seldom are we soaked in beauty like this. As if that weren't enough, it's funny. Performances are, without exception, extraordinary, but special mention must be made of the miraculous Miranda Richardson, and the superb Josie Walker - both open like roses.
Why ISN'T this film on DVD? It deserves to live forever.
Why ISN'T this film on DVD? It deserves to live forever.
This movie works like a tonic to make one realize what is important. Even the act of watching it is soothing. The four central characters are all women of means living in relative comfort but their lives lack passion and significance. A holiday to Italy inspires them to relax and reassess their lives, something so many of us need and never do.
Lotty (Josie Lawrence) discovers an ad in the newspaper announcing an Italian castle available to let for the month of April. She implores her neighbor, Rose (Miranda Richardson), to invest in the trip so that together they might find happiness. Lawrence and Richardson beautifully portray compliant wives who are defined by their husbands, homes and obligations. Their body language and speech are so repressed at the beginning of the film. I found myself thinking that one or both of them will crack if they do not find peace.
To defray the cost of the trip, Lotty and Rose invite two other women to share in the villa rental, an elderly matron (Joan Plowright) and a titled socialite (Polly Walker). Interestingly, both Mrs. Fisher and Lady Caroline are very fragile, lonely women who have known great loss and mask their pain with cold exteriors. One is trapped by her past while the other is trapped by her beauty. Plowright shines as the brusque outer layers peel away and we discover her heart.
While each actress portrays a traditional female stereotype (Lawrence the daft, eager to please wife, Richardson the puritan, Plowright the hardened dowager, Walker the used up party girl), it does not detract and in fact, includes the viewer as we see something of them in us and vice versa.
For me, the essence of the film occurs when Lotty befriends Mrs. Fisher in a poignant scene. It characterizes the hope that all the women had when they embarked on their journeys. To love and be loved. To be happy with self. To be enchanted by life.
Lotty (Josie Lawrence) discovers an ad in the newspaper announcing an Italian castle available to let for the month of April. She implores her neighbor, Rose (Miranda Richardson), to invest in the trip so that together they might find happiness. Lawrence and Richardson beautifully portray compliant wives who are defined by their husbands, homes and obligations. Their body language and speech are so repressed at the beginning of the film. I found myself thinking that one or both of them will crack if they do not find peace.
To defray the cost of the trip, Lotty and Rose invite two other women to share in the villa rental, an elderly matron (Joan Plowright) and a titled socialite (Polly Walker). Interestingly, both Mrs. Fisher and Lady Caroline are very fragile, lonely women who have known great loss and mask their pain with cold exteriors. One is trapped by her past while the other is trapped by her beauty. Plowright shines as the brusque outer layers peel away and we discover her heart.
While each actress portrays a traditional female stereotype (Lawrence the daft, eager to please wife, Richardson the puritan, Plowright the hardened dowager, Walker the used up party girl), it does not detract and in fact, includes the viewer as we see something of them in us and vice versa.
For me, the essence of the film occurs when Lotty befriends Mrs. Fisher in a poignant scene. It characterizes the hope that all the women had when they embarked on their journeys. To love and be loved. To be happy with self. To be enchanted by life.
I just adore this movie. I am on my 6th video and have great hopes they will eventually release it on DVD. It is a wonderful story about 4 women who stay at a villa in Italy and how their relationships change while there.
The cast is full of well known British actors and they are brilliant in their roles. I watch this movie when I feel the need to relax and unwind. It is very well directed and tends to follow the book pretty closely, which is unusual for a director. The scenery and the script are both delightful. I recommend this movie to anyone who wants to escape from reality, even if only for a short period of time. When ever I play this film, I can almost imagine being in Italy with the smell of flowers and feel the sunshine. Four stars****
The cast is full of well known British actors and they are brilliant in their roles. I watch this movie when I feel the need to relax and unwind. It is very well directed and tends to follow the book pretty closely, which is unusual for a director. The scenery and the script are both delightful. I recommend this movie to anyone who wants to escape from reality, even if only for a short period of time. When ever I play this film, I can almost imagine being in Italy with the smell of flowers and feel the sunshine. Four stars****
क्या आपको पता है
- ट्रिवियाWhen she was cast as Mrs. Fisher, Dame Joan Plowright said that about twenty years earlier she and Dame Maggie Smith had planned an adaption of the same novel in which they would play the parts of Lotty Wilkins and Rose Arbuthnot.
- गूफ़Rose selects a spray of pink flowers from a vase to place in her hair. When she puts the flowers back into the vase, the straight plastic stem reveals them to be artificial.
- भाव
Lotty: Did you know Keats?
Mrs. Fisher: Keats! No I didn't, and I didn't know Shakespeare or Chaucer either.
- कनेक्शनEdited into Screen Two: Enchanted April (1992)
- साउंडट्रैकRap
Written by Jean-Jacques Beineix
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Enchanted April?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- 情迷四月天
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,32,00,170
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $73,041
- 2 अग॰ 1992
- दुनिया भर में सकल
- $1,32,00,170
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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