Don't Tell Mom the Babysitter's Dead

Don't Tell Mom The Babysitter's Dead (1991)

This is one of the best and the last 80's style comedies along the lines of "Uncle Buck". Sue Ellen (Christina Applegate) is the oldest of 3 brothers- Kenny (Keith Coogan), Walter (Robert Gorman), Zach (Christopher Pettiet) , and 1 sister- Melissa (Danielle Harris). Excited about her mom leaving for Australia on vacation, Sue Ellen is expecting to have a great summer- that is until she discovers she is going to be "babysat" by the evil Mrs. Sturak- a mean, grumpy old hag who gives you book reports instead of letting you watch television in the evening. Then, Mrs. Sturak dies- leaving Sue Ellen and her four siblings to survive the summer, prompting her to get a job to support her brothers and sister, put food on the table, and learn the true meaning of responsibility. This movie has some laughs and is pretty fun and entertaining. A good family comedy. 8/10.

You know... I've seen this a couple of times and I'd see it again. It made me laugh. It was charming. It was a harmless flick; no psyches were harmed in the making thereof. Granted, no real thought needs to be put into watching it. But it was fun, and I enjoyed it.

Christina Applegate especially impressed me, which is noteworthy as -- at the time -- I really disliked her as a result of really disliking "Married With Children." She was not only good in her role but, I have to say, pretty much won me over.

I can't say that the film made me wish I had siblings or a dead babysitter, but it did entertain me, and it made me smile to remember it watching this review, which has got to be worth something.

This film is sort of like a perfect time capsule for what life was like before the internet. What a trip.

What is a great film? Something that is truly timeless, or something which is a classic of its genre? Obviously, no-one's pretending "Don't Tell Mom the Babysitter's Dead" is a great film (no great film has a title of more than three words. Think about it) but nonetheless, one does get to see how a film handles its composition of several genres rather than one. It's the best strategy towards greatness, and I hope to see this attempted more frequently.

"Don't Tell Mom..." is at an interesting cultural crossroads. It's basically the last of the Eighties high-concept comedies: the same broad category as films like Big and Crocodile Dundee, where the whole film comes from the pitch. However, we get to see shades of Wayne's World-esquire Generation X teen movie, especially in the character of Rob, and unfortunately the short-lived genre of 'kids acting in grown-up situations and delivering ever-so-amusing grownup lines.' John Hughes was the master of this style of film-making, and there's definitely shades of his work in here, most noticeably the setting of a film largely within a family house.

First of all - the pitch. Kids left at home for summer with babysitter. Babysitter dies and kids must fend for themselves with as few people let in on the secret as possible. From this moment on, the film was always going to go about the format of throwing its naive, brattish teenagers in the real world at the deep end and extracting as much amusement as possible from their sinking-or-swimming.

The screenplay starts to thin at this point. Of the five kids in the house, only two are feasibly old enough to work, or indeed to learn any sort of life lesson throughout this experience. The plot then follows Sue Ellen as she stumbles her way into a job and up the corporate ladder (the script is devoid of jokes at this point, but I kept watching because Christina Applegate is a surprisingly good actress.) Everything from this point is a misjudgment - it's virtually scrawled across the screen that Sue Ellen is getting some life lessons and becoming a young adult. The film could have done without the 'boyfriend' storyline though - it's without doubt the saggiest part of the film.

More interesting is the Kenny storyline. Younger brother Kenny goes from being a hopeless layabout stoner with no inkling to as what he wants to do in life to a man with a plan. Lack of screen time prohibits us from truly understanding why, but we do get an insight into the film's message - the real world is about sacrifice. Kenny must throw away his carefree existence if he wants to become a man.

Sure, this film has faults like pearls on a string - the annoying smaller children who eat up screen time and contribute nothing but an unbearable cuteness (and they're not even that cute: they steal money from their mom's purse - twice.) Sue Ellen's corporate life is shown as patronizingly simple, but that's a fault of all movies in general, you can't have clever successful people as the heroes because the audience feels intimidated. The other major fault I'm going to point out is the chronic lack of laughs. About the biggest giggle was David Duchovny's horrendous yellow shirt. But "Don't Tell Mom," much like its characters, has an innocent, naive charm about it, and if you can put aside your critical mauling instinct, it won't be the worst two hours of your celluloid life.

Keep your eyes peeled for a throwaway reference to Big.

I loved this movie as a teenager, and still love it now , it's funny the acting is wonderful, and it's just a silly movie to relax and enjoy