City of Hope

Some people complain about the number of subplots:That's precisely what makes this movie so original and so endearing.This is a small microcosm of characters we follow during two hours without getting bored.Sometimes the director leaves two people talking for two other ones in the same sequence:this technique is an update of what William Wyler used to do notably in "detective story" (1952) and even "best years of our lives"(1946).The sequences are very short and are intertwined with skill;the cast is uniformly good,with Tony LoBianco as the stand-out.This is a very interesting movie ,focusing on such important subjects as responsibility,honesty and dignity.Really worthwhile.

The city is a multi-racial cauldron of backroom deals, petty criminals, unavoidable corruption, sincere endeavor, and most of all, people trying to make it to the next day with a piece of the pie. There is the black city counsellor trying to do right against the tide. There are the two black kids in trouble with the law and they make an accusation. There is the young Italian man with loads of baggage doing unnecessary petty crime. There is a whole system that is geared to deal-making and might makes right.

John Sayles has painted a portrait of an American city broiling with all the urban issues. He created an interconnected world where people do what they have to do to survive. It can be a little messy and it does feel a little constructed. These characters are bound together in what is almost a fairy tale for the city. My mind immediately goes to Crash (2004). This is what that movie wants to be. This movie says the things that Crash clunkily spouts. Ultimately, this movie has some critical praise, but not much from the public.

Like another Sayles film, Matewan, this really is one of the little known very solid films of our time. This precursor for Crash is a compelling look at the substantial impact strangers may have on each other.

While the acting is at times somewhat melodramatic, the direction of the film is typical of the brilliant Sayles. The film contains some very interesting tracking shots where inter-connected characters unwittingly enter and exit each other's lives.

Unfortunately, the film's title often has it mistaken for the awful "City of Joy" featuring Patrick Swayze

"City of Hope": Let writer/director John Sayles pull you into one huge, HUGE, swirling Swirling SWIRLING mmmMMesSsmEEEesSSSMsmeSss of corruption. A big city has all the typical problems. Everyone operates realistically – i.e., you scratch my back, maybe I'll scratch yours. Right and wrong are lost concepts. Social and political survival tactics are practiced by the hunters and the hunted. No one is clean. Deals are made. Victims are collateral damage. It is a realistic story, with slightly enlarged dramatic characters. You won't laugh. (P.S. - See John Sayles film "The Secret of Roan Inish". It is nothing like "City of Hope" but it's amazing and wonderful.)

This is a lengthy film with multiple short stories and vignettes along with an all star cast. It works surprisingly well. This well done piece of work is certainly a curiosity piece and may someday be destined to become a "new classic."