चौदह साल की सजा काटने के बाद जेल से रिहा हुआ एक सजायाफ्ता बलात्कारी वकील के परिवार का पीछा करता है।चौदह साल की सजा काटने के बाद जेल से रिहा हुआ एक सजायाफ्ता बलात्कारी वकील के परिवार का पीछा करता है।चौदह साल की सजा काटने के बाद जेल से रिहा हुआ एक सजायाफ्ता बलात्कारी वकील के परिवार का पीछा करता है।
- निर्देशक
- लेखक
- स्टार
- 2 ऑस्कर के लिए नामांकित
- 5 जीत और कुल 21 नामांकन
Fred Thompson
- Tom Broadbent
- (as Fred Dalton Thompson)
फ़ीचर्ड समीक्षाएं
Sent to jail for a crime he did commit, a newly released felon has some pain he's to inflict, on the lawyer that defended him, who gave him many years, for the scars of his internment that he carries and he wears, stalking his prey without cover or disguise, the family of Sam Bowden see their world start to capsize, a vengeance full of hate, a psychopath intent, many years of brewing, chewing, digest and ferment.
Robert De Nero delivers a tremendous performance as Max Cady who leaves you under no illusion of the torture he intends to inflict, psychological and physical, on the family of the man responsible for his incarceration. Nick Nolte plays Nick Nolte, not quite as elegantly as Gregory Peck.
Robert De Nero delivers a tremendous performance as Max Cady who leaves you under no illusion of the torture he intends to inflict, psychological and physical, on the family of the man responsible for his incarceration. Nick Nolte plays Nick Nolte, not quite as elegantly as Gregory Peck.
Scorsese inherited this project from Steven Spielberg when the two swapped films. Spielberg got Schindler's List and Scorsese got Cape Fear. It would've been interesting to see how it would've turned out the other way around. As it turns out, Cape Fear is a film that follows Scorsese's usual themes, mainly guilt. Nick Nolte suffers from it, and Robert DeNiro helps to amplify the guilt. He attacks Nolte indirectly, letting Nolte inflict the most damaging on himself. In order to fight this loon, Nolte has to sink to his level, which is what DeNiro's Max Cady wanted. Scorsese's use of the camera is fluid and always moving. Those slow zooms on Cady, the whip cuts from one scene to another and the whole end sequence is a doozy. Bernard Herrman's great score is pumped through your speakers in Dolby sound and gives the film, a proper level of menace. Watch this instead of "The Fan." You won't be disappointed.
Even though Robert DeNiro was nominated for Best Actor for this Martin Scorsese directed remake of Cape Fear, my heart is still with the original. The multi-tattooed voluminous DeNiro is far less menacing than Robert Mitchum was in the original.
One thing Scorsese did was change the billing to reflect the importance of the characters. Mitchum was billed second to Gregory Peck, the upright attorney who Mitchum threatened and stalked along with Peck's family. Then again Peck was producing the original Cape Fear so of course he was first billed.
Part of the problem was that with some 20 to 30 minutes additional running time Scorsese used it to make his characters a bit more complex. DeNiro was a real basket case as Max Cady in this one whereas Robert Mitchum was just plain no good.
Nick Nolte plays attorney Sam Bowden and he's also far more complex and not such a good guy. In the original film Peck was an attorney, but he was a witness in the trial that convicted Cady of rape. Here he was Cady's attorney and he tanked the case because Cady was such a psycho he deserved to be behind bars. Cady in fact does have a grudge of sorts against him. And it's not good to get a psycho mad at you.
Also Peck and his whole family which consisted of Polly Bergen and Lori Martin back in the original was your basic all American white bread family. Their very wholesomeness made the scope of Mitchum stalking them all the more frightening.
Nolte and Jessica Lange have marital problems and their daughter Juliette Lewis is not Mary Poppins. Not that they deserved what DeNiro was going to do to them, but it does blunt the impact of the scope of his evil.
Gregory Peck, Robert Mitchum, and Martin Balsam from the original cast all played supporting parts here. But while the film that Scorsese did is a good one, their presence made me all the more hunger for the original.
One thing Scorsese did was change the billing to reflect the importance of the characters. Mitchum was billed second to Gregory Peck, the upright attorney who Mitchum threatened and stalked along with Peck's family. Then again Peck was producing the original Cape Fear so of course he was first billed.
Part of the problem was that with some 20 to 30 minutes additional running time Scorsese used it to make his characters a bit more complex. DeNiro was a real basket case as Max Cady in this one whereas Robert Mitchum was just plain no good.
Nick Nolte plays attorney Sam Bowden and he's also far more complex and not such a good guy. In the original film Peck was an attorney, but he was a witness in the trial that convicted Cady of rape. Here he was Cady's attorney and he tanked the case because Cady was such a psycho he deserved to be behind bars. Cady in fact does have a grudge of sorts against him. And it's not good to get a psycho mad at you.
Also Peck and his whole family which consisted of Polly Bergen and Lori Martin back in the original was your basic all American white bread family. Their very wholesomeness made the scope of Mitchum stalking them all the more frightening.
Nolte and Jessica Lange have marital problems and their daughter Juliette Lewis is not Mary Poppins. Not that they deserved what DeNiro was going to do to them, but it does blunt the impact of the scope of his evil.
Gregory Peck, Robert Mitchum, and Martin Balsam from the original cast all played supporting parts here. But while the film that Scorsese did is a good one, their presence made me all the more hunger for the original.
Martin Scorcese's filmography as director is one of the most accomplished in modern film history. While Cape Fear can't even hold a candle next to "Taxi Driver", "Raging Bull" and "Goodfellas", it is still a fabulous remake of the 1962 noir classic and it keeps the viewer on the edge right through until the closing credits.
Robert De Niro (in yet another brilliant teaming with Scorcese behind the camera) plays Max Cady, a psychopathic rapist who was sent to jail 14 years earlier for such crimes. He leaves prison with vengeance. Not for his victims or his prosecutor, but his defence councillor, Sam J. Bowden, played by Nick Nolte. It seems Bowden did not defend Cady to the best of his ability. Cady knows this and wants some payback.
Cady's initial return into Bowden's life could not have come at a worse time. Bowden has been forced to move his family to Florida after his infidelities threatened his marriage and career. His wife is distrustful and worst of all, Bowden is on the verge of beginning another affair with a female workmate. Added to that, his daughter is at the difficult age of 15.
Almost by ozmosis, Cady understands these problems in the Bowden household and acts on them. He begins terrorising Bowden and his whole family, taking it from one extreme to the next.
What makes Cape Fear such a good film is the rapidly increasing sense of claustrophobia. Scorcese makes a point of using almost only close up shots towards the end of the film. It is a great touch that makes the viewer that much more scared as the film goes on.
Along with that, Robert De Niro is superb as Cady. Only occasionally does the role slip into parody. Mostly he is expertly evil.
Nick Nolte is good if not great, the same for Jessica Lange as Leigh Bowden. It seems as if they were void of any great lines in this film, which is unfortunate given their immense talent. Julliette Lewis is absolutely brilliant as the young daughter, Danielle. She slips effortlessly between curious sexual awakenings, rebellious teen and straight thinking woman. Add in small roles for Robert Mitchum and Gregory Peck (the leads of the 1962 version) and you have a great ensemble cast.
So not the best Scorcese film ever, but some tight editing, great camerawork, a haunting theme and devilishly over-the-top acting help make this a frighteningly fun movie to watch. Strongly recommended.
Robert De Niro (in yet another brilliant teaming with Scorcese behind the camera) plays Max Cady, a psychopathic rapist who was sent to jail 14 years earlier for such crimes. He leaves prison with vengeance. Not for his victims or his prosecutor, but his defence councillor, Sam J. Bowden, played by Nick Nolte. It seems Bowden did not defend Cady to the best of his ability. Cady knows this and wants some payback.
Cady's initial return into Bowden's life could not have come at a worse time. Bowden has been forced to move his family to Florida after his infidelities threatened his marriage and career. His wife is distrustful and worst of all, Bowden is on the verge of beginning another affair with a female workmate. Added to that, his daughter is at the difficult age of 15.
Almost by ozmosis, Cady understands these problems in the Bowden household and acts on them. He begins terrorising Bowden and his whole family, taking it from one extreme to the next.
What makes Cape Fear such a good film is the rapidly increasing sense of claustrophobia. Scorcese makes a point of using almost only close up shots towards the end of the film. It is a great touch that makes the viewer that much more scared as the film goes on.
Along with that, Robert De Niro is superb as Cady. Only occasionally does the role slip into parody. Mostly he is expertly evil.
Nick Nolte is good if not great, the same for Jessica Lange as Leigh Bowden. It seems as if they were void of any great lines in this film, which is unfortunate given their immense talent. Julliette Lewis is absolutely brilliant as the young daughter, Danielle. She slips effortlessly between curious sexual awakenings, rebellious teen and straight thinking woman. Add in small roles for Robert Mitchum and Gregory Peck (the leads of the 1962 version) and you have a great ensemble cast.
So not the best Scorcese film ever, but some tight editing, great camerawork, a haunting theme and devilishly over-the-top acting help make this a frighteningly fun movie to watch. Strongly recommended.
8Jyri
...and the best movie Nick Nolte will ever be in.
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क्या आपको पता है
- ट्रिवियाThe thick accent Robert De Niro used to play Max Cady reportedly gave Martin Scorsese the creeps. As a joke, De Niro would call Scorsese's house, leaving voicemails as Cady.
- गूफ़At the parade, Dani talks to her father but her lips are not moving.
- भाव
Max Cady: I ain't no white trash piece of shit. I'm better than you all! I can out-learn you. I can out-read you. I can out-think you. And I can out-philosophize you. And I'm gonna outlast you. You think a couple whacks to my guts is gonna get me down? It's gonna take a hell of a lot more than that, Counselor, to prove you're better than me!
- क्रेज़ी क्रेडिटLater half of the credits are played to the sound of nighttime crickets.
- इसके अलावा अन्य वर्जनSPOILER: When the movie was originally shown on network television, the blood left by Kersek's killing was optically removed by censors and replaced by a clean tile floor.
- कनेक्शनEdited into Cape Fear: Deleted Scenes (2001)
- साउंडट्रैकTipitina
Written by Alice Byrd
Performed by Professor Longhair
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Cape Fear
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,90,91,969
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,02,61,025
- 17 नव॰ 1991
- दुनिया भर में सकल
- $18,22,91,969
- चलने की अवधि
- 2 घं 8 मि(128 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें