The Borrower

Aliens punish one of their own by sending him to earth. The alien is very violent, and when the body he occupies is damaged, he is forced to find another. Strange, unorthodox science fiction/horror film. The script is quite clever and the film has plenty of amusing moments, but Mr. Mcnaughton should stick to more serious films, i.e. "Henry". Impressive make-up effects by Kevin Yagher and plenty of gore help but only to a certain extent. Runs to long and tends to drag out a bit, especially towards the end. Above average for this kind of film but somewhat disappointing in the end.

5.5/10.

A criminal alien is sentenced to spend time on Earth ("A fate worse than death") but finds the climate doesn't agree with its genetics and its human head explodes. No problem, right? It just keeps grabbing heads off of victims (including a dog) and swapping them out to survive. Chicago cop Diana Pierce (Rae Dawn Chong) is on the case though. This was John McNaughton's follow-up feature to HENRY: PORTRAIT OF A SERIAL KILLER and I will admit it has a genius set-up. Unfortunately, the film completely lacks focus and feels like two scripts slapped together. Chong's cop character, who apparently is assigned every case in and outside of the city, spends too much time obsessing over a rapist she busted and they try to wrap this into the alien head snatching plot. When the film focuses on the alien bits, it really shines thanks to great turns by Tom Towles as alien's first victim and Antonio Fargas as a homeless guy who befriends Towles. This was shot in the late 80s (a movie marquee offers DAKOTA) but not released until 1991. As a rule, this should always be played as a double feature with JT Petty's THE BURROWERS.

Like he did in "Henry: Portrait of a Serial Killer", director John McNaughton presents us with a predator's eye view of the wonderful world of victims, with a tad more dark humor this time around, and the result is a fine little film. We clueless humans are portayed as a strange bunch in the eyes of an alien criminal, who has been sentenced to the worst punishment on his planet: Life as a human! The human form is not entirely compatible with this species' biology, the annoying result being the head's tendency to explode. Consequently, our alien protagonist is constantly "head-shopping", taking on characteristics of each victim he decapitates in order to capacitate himself. Rae Dawn Chong is the only human to catch on, but of course, who's going to believe a hotheaded female detective? The offbeat characters and wonderfully warped humor set this title apart from most genre offerings .... a cult gem, maybe not for most tastes, but definitely worth a DVD re-release. Check it out if looking for something a bit ... different.

From John McNaughton, the mastermind behind Henry: Portrait of a Serial Killer, comes...The Borrower. Whereas Henry is disturbingly realistic, this is the exact opposite. The Borrower is completely absurd. An alien criminal and outcast is de-evolved to human form and exiled to earth. The de-evolution process, however, has made his body unstable and he must "borrow" other people's heads to survive. The story sounds good, but is obviously hard to execute. Tom Towles, also from Henry and numerous other genre classics, is hilarious as one of the borrowed heads. It's too bad that he has the least amount of screen time. The other cast members include Rae Dawn Chong as a detective investigating the murders and Antonio Fargas as a bum that befriends the Borrower. The music is awful and annoying but Kevin Yagher's make-up effects are sufficiently gross. Yagher's gore effects and Towle's performance are the main reasons to watch the movie. The box reads "more animated than Re-Animator" which is a lie but it should please the majority of horror fans.

From the guy who brought us the unnervingly realistic and tense 'Henry: Portrait of a Serial Killer (1986)' comes another genre effort by director John McNaughton, but you can call 'The Borrower' somewhat a total change of pace. Its ridiculous premise bathes itself in hysteria, cheese and an overpowering metallic soundtrack. A true step-down, but the angle has changed for this low-budget outing in favour of a black comedy with a less than serious tone and horrifically in-your-face FX work. It kind reminded of the similar themed 'The Hidden (1987)', which seemed to be a trend-setter for many that followed ('Dark Angel and 'Split Second' shoot to mind) involving cops on the trail of a serial killer that may be of extra-terrestrial origins.

A criminal alien is genetically devolved and vanquished to earth in human form. There he discovers that his head has a habit of exploding, forcing him to find another replacement and eventually another one. Police detectives Diana Pierce and her partner Charlie Krieger find themselves on the case of this very demented serial killer who likes to take the heads of the victim, but soon they realise there might be more to this case.

As it is it's a mildly fun b-grade romp with numerous moments of flamboyantly gooey head explosions and tearing off heads (kind of like that in 1979 film 'The Dark') to only borrow them. Strangely when the alien does do that, the body changes too, even though its only should be the head. Whoops. The idea shows a breath imagination, but McNaughton's duplicated handling of it is simply disappointing and never variable enough. Even the social element is weakly penned. Other than those unconventional graphic scenes, nothing much tends to happen from its slight structure. It suffers from a languishing last quarter, muddled writing with a redundant sub-plot (though it does tie in at the end… but why?) involving another killer and one of the cops. Even the lighting is so smoky, or some sequences are paved in darkness making it hard to work out certain details. While the action when it occurs is frenetic, there's nothing beating its systematic feel and where we are left with an incomplete feel due to its cop-out ending after rattling climax.

Rae Dawn Chong emit's an uninterestingly sullen temperament as detective Pierce and a grizzled Don Gordon is fine as detective Krieger. The support fairs up much better with a delightfully amusing Tom Towles and Antonio Fargas steals some scenes.

'The Borrower' is moderate entertainment due largely to the make-up FX, but ends up being bounded in its bizarre concept and plodding narrative.