बॉयज़ न द हुड

"Boyz n the Hood" seems to pride itself as a morality play, but it's the characters that had me glued to the screen. Laurence Fishburne is magnetic, and I couldn't get enough of his sermonizing as a single father defiantly raising his kid in a hopeless world. And even though it's Cuba Gooding Jr.'s soul at stake throughout all of this, it's Ice Cube I really felt sympathy for in the end. At that point, for a rapper-cum-fledgling actor, he really brought out the sadness in his thug character.

Subtlety isn't the movie's strong suit, and that feeling of dread knots itself in your stomach right on cue. But Singleton does a great job saying that this isn't just a depressed (and violent) neighborhood - there are real people living here. And it says a lot that every time you see a low angle shot of palms, rundown street, plane flying overhead, you conjure this particular movie; even after all the imitators. A standard was set, certainly.

7/10.

Boyz N The Hood Directed by: John Singleton Country: USA Year: 1991 Running time: 107 minutes Starring: Laurence Fishburne and Cuba Gooding Jr.

"I watched the news this morning. Either they don't know, don't show, or don't care about what's going on in the hood. They had all this foreign sh-t. They didn't have sh-t on my brother, man."

The mother of Tre Styles (Cuba Gooding Jr.) decides to send her son to live with his father, Furious Styles (Laurence Fishburne), after he gets into a fight at school. Furious, who lives in the heart of South Central LA, is a man that knows the values of how to respect and how to earn it. He's strict, but he's fair. Furious works as a mortgage broker.

We watch Tre mature from a young boy to his senior year in high school taking the SAT's. His two best friends are brothers. Ricky (Morris Chestnut) is a great athlete and is getting into college to support his girlfriend and infant son. The other brother, Doughboy (Ice Cube), is headed down a totally opposite path of guns, drugs, gangs, and violence. He's in and out of prison each year.

Furious knows that his son could get killed easily, as he was once involved with the gang scene himself. He wants Tre to graduate college and be good in whatever his profession may be.

As the story goes more in depth, we see that even if you aren't involved in a gang, you could still be a target. Whether it's your brother, cousin, sister, or other family member that is thee one involved with the violence, the main target could be the person in the family who stays away from the dangers of the street.

Tre and his friends are in a world where being violent is sometimes the way to live. Helicopters are heard searching for murderers every night. The police are so busy, that sometimes a 9-1-1 call could mean waiting for the police to arrive. There is even one Black-cop, who uses his power to try and intimidate young Blacks who he thinks might be involved in the gangs and violence.

This is the ultimate ghetto film, which will never be topped. All of the direction and screenplay is brilliant. Singleton doesn't use cheap scenes that get the viewer off-topic and the audience, as a whole, is always into the movie. Come into a world that most of us haven't been in. Follow the life of one boy who turns into a man as he has to not only goes through personal struggles, but has to worry about whether he'll be killed at any moment. -Pat

10/10

John Singleton with his debut film cleared easily any opposition in the ghetto life genre. These are real characters facing real problems. Singleton goes one step beyond Spike Lee, analyzing and not only describing, proposing and not only denouncing. The film gets even more absorbing by the terrific camera work and the top notch acting.

In South Central Los Angeles, the boy Tre Styles lives with his divorced mother Reva Styles (Angela Bassett). When Tre is suspended for three days at school, Reva decides to send him to live in Crenshaw with his father, the businessman Furious Styles (Larry Fishburne), "to become a man". Tre befriends his neighbors, the half-brothers Doughboy and Ricky Baker, and soon they become best friends. Seven years later, Tre (Cuba Gooding Jr.) is an educated teenager preparing to join the university; Ricky (Morris Chestnut) is an athlete, expecting to join the university with scholarship since he is a great football player; and Doughboy (Ice Cube) is a small time criminal that has been arrested several times. But they live in a dangerous neighborhood where dreams are shattered by bullets.

"Boyz n the Hood" is a powerful drama by John Singleton that has not aged after twenty-five years. The social problem in American ghettos is shown in South Central Los Angeles. Youths are forced to live with violence and shootings since their parents cannot afford to move to a better neighborhood and even those that try to prepare for a better future, may be involved with the environment. The fate of Ricky and his family is heartbreaking. My vote is eight.

Title (Brazil): "Boyz n the Hood - Os Donos da Rua" ("Boyz n the Hood – The Owners of the Street")

Well-done movie by John Singleton, and very well-acted. Well-developed characters, and people you come to really care about. What's especially sad is we actually have areas of this country where the brutality and senselessness portrayed here is all too real. Cuba Gooding, Jr. is exceptional as a bright young man deperately trying to not get sucked into the endless rage and revenge life of his boyhood pals. Laurence Fishburne is tremendous as a father trying to steer his son through this minefield of a life, and on to better things.

One complaint, his "Don't trust the white man" speech has gotten ridiculously old. This attitude serves absolutely no one, and makes all of us, white and black, worse off because of it. It's time this ceased to be portrayed in movies.