The Boneyard

A great B-horror flick if I may add first of all. This movie stands on it's own ground as slick, original, and creepy. The acting could be a little better, and there could have been more violence but overall this movie is a sure classic.

The writter/director of the movie (James Cummins) is not bad at his work. But if you purchase this movie on DVD and listen to the Audio Commentary or the Exclusive Interview you will hear James Cummins say "And um....." about a hundred times.

I haven't seen any copies out there for rental but if you do see it, rent it. A great midnight movie for everyone. 7/10 stars.

This movie cracked me up,for ten minuites it seems like a "straight" horror,then wham!!!! really really stupid stuff,like green puke and cool gore.

I loved phylis diller in this,its her best role ever.The poodle was very cool too.

Do not take this movie seriously,this is for fans of "the living dead" type.

Back in the day, during the VHS rental period, when you could walk down isle after isle, genre after genre, seeing all types of unknown flicks, you'd always happen to walk by one more than the other. Or just notice one a tad more than the others because of the ridiculous covers. The Boneyard happened to be one of these movies for me. And it took me over a decade to finally see the evil, grinning poodle movie. Well, that was my impression anyways.

The Boneyard revolves around a psychic woman, a charismatic detective and his wet-behind the ears partner who team up with a morgue crew to stop some ancient supernatural evil......demons. To stop demons.

The Boneyard more or less succeeds in a being a pretty good horror flick. With surprisingly good music (which you should notice right away), some over-the-top acting which makes you smile more than roll your eyes, and some very fun make-up effects. Though, The Boneyard does have problems taking itself serious during emotional scenes, and the tension builders take too long and eventually grow tiresome instead of frightening. I also would have appreciated a little more violence/gore. But no biggie it seemed they spent most of their cash on the make-up effects which were definitely cool.

Another thing this movie has going for it is the hero. Or should I say, heroine. I'm actually one who is very much annoyed by all the horror flicks these days that are riddled with skinny, gorgeous women who by bullsh!t chance survive the unbelievable. In the Boneyard it's a tad different, even though our main character is a woman, she's a very overweight and average looking woman. It worked, it was unique, funny and it's something I really appreciated seeing.

With The Boneyard delivering some fun running around, some cool effects and a nice score it made for a pretty enjoyable 90 minutes. Definitely give it a look if you're looking for a clear-your-mind and enjoy type horror flick. Oh, being a big fan of horror movies would suit you well.

Somewhat a forgotten kooky 90s zombie low-budget horror film that seems loosely inspired, tonally and set-up wise at least, by Return of the Living Dead. Slow to get going, real slow and mainly set in the one location; the graveyard shift at a mortuary on its last legs. However during the slow first half of nonsensical story exposition, and drawn out character exchanges. I actually found the character banter (by a stellar cast) rather amusing, especially Phyllis Diller's bark (which could be more ferocious than her poodle) and Ed Nelson's deadpan reactions to keep you engaged before the ludcrious thrills and ghoulish FX finally breaks out. And when it does, it doesn't disappoint.

Trapped inside with creepy rotting, and gooey zombie kids (from an age-old curse) munching away on corpses that suddenly turns into some wild, and goofy mutated monster fun. Maybe at times low-scale in its excitement and gets you wanting more than what's presented by rushing through the mayhem, but the imagery (FX I mean) is indeed a sight to behold... permed muscle-bound monster poodle anyone?

P.s. Diller's stunt double diving over a table in a grey wig won't be fooling anybody... that moment made me chuckle.

Who'd have thought this little known, little seen 80's horror flick would have turned out to be such a fun time? It gets off to a slow, exposition-heavy start that can get a little confusing for the first 25/30 minutes, but once all the main players are assembled in the film's main location (a mostly deserted hospital morgue at night), things start perking up as bodies in the morgue just won't stay dead and begin terrorizing our leads.

There's some refreshing about seeing a mostly older cast in a film of this type including Three's Company's Norman Fell and Phyllis Diller, who seems to be having the time of her life playing the spunky morgue receptionist. Even cooler, the heroine of the film is an overweight middle aged woman. You won't find that in your average Blumhouse movie, will you?

The practical effects are astounding, especially considering the budget.