अपनी भाषा में प्लॉट जोड़ेंA Liverpudlian mother flees to New York in search of her father and finds female pro-boxing as a way to make ends meet.A Liverpudlian mother flees to New York in search of her father and finds female pro-boxing as a way to make ends meet.A Liverpudlian mother flees to New York in search of her father and finds female pro-boxing as a way to make ends meet.
फ़ीचर्ड समीक्षाएं
A British drama; A working-class Liverpudlian who is prone to using her fists to settle disputes travels to New York to find her estranged father. Needing cash to rebuild her life she joins a women's boxing circuit. Lumbering drama with below par dialogue, especially the fighting talk which doesn't sink deeply and often lacks subtlety. Margi Clarke is striking, packing a mean punch as a scrappy and devoted mother. But there is very little to engage with due to a story that doesn't grip and some of the other performances are weak. The fight sequences are choreographed well but they are not impressive enough to wait around for.
I came across this on Netflix and thought I'd give it a go as the clip was amusing and featured a very very young Stephen Graham. The star is undoubtedly Margi Clarke who deserved to be much more of a star than she ever did. She was approaching 40 in this and was still incredibly beautiful. But looks aside she was a damn good actor too who unfortunately never really broke out of tv shows set in her roots of northern England. The film definitely loses much of its appeal once the story shifts to New York in the second half but don't let that put you off it's still worth the time.
This is one of my favourite films of all times. I've watched it dozens of times. The plot of the film is probably less important than the brilliant one-liners and cameos, although maybe you have to be British to understand the subtle but incandescently funny subtexts that run through the whole film.
Margi is an excellent actress although I guess her in depth experience of the Liverpool psyche means she was playing a role that was kind of like just being herself a lot of the time maybe?
You have to realise that not all the lines are meant literally. Like in the fight scene at the beginning of the programme (has me in stitches every time I watch it). The wonderful Margi Clarke gets fisty cuffs with the superb actress Tina Malone. Tina warns Margi "Now GIT... Before I throw a bucket of p&*^ss water over ya". This is a classically hilarious line. Please don't construe from this that all people in Northern England keep a bucket of urine water handy, ready to throw over aggressive strangers.
:)
A
Margi is an excellent actress although I guess her in depth experience of the Liverpool psyche means she was playing a role that was kind of like just being herself a lot of the time maybe?
You have to realise that not all the lines are meant literally. Like in the fight scene at the beginning of the programme (has me in stitches every time I watch it). The wonderful Margi Clarke gets fisty cuffs with the superb actress Tina Malone. Tina warns Margi "Now GIT... Before I throw a bucket of p&*^ss water over ya". This is a classically hilarious line. Please don't construe from this that all people in Northern England keep a bucket of urine water handy, ready to throw over aggressive strangers.
:)
A
On my way to work I once passed a pair of teenaged girls engaging in a furious fight which revealed a capacity for aggro by the opposite sex that came to mind when I saw 'Blonde Fist'.
Margi Clarke is in her element as a chain smoking Scouse blonde bullet whose bright red lipstick matched her nails who turns her pent-up anger and frustration to financial advantage by joining the fight game.
The cartoonish credits are reflected by the nature of the violence that follows. Despite a couple of nostalgic black and white flashbacks to the 1950s depicting the early days of Clarke the bulk of the action takes place in 199 (complete with a woman wearing an anti-Poll tax teeshirt) which from today's perspective is almost as remote an era (as attested to by the fact that cast member Carroll Baker is now 92).
Margi Clarke is in her element as a chain smoking Scouse blonde bullet whose bright red lipstick matched her nails who turns her pent-up anger and frustration to financial advantage by joining the fight game.
The cartoonish credits are reflected by the nature of the violence that follows. Despite a couple of nostalgic black and white flashbacks to the 1950s depicting the early days of Clarke the bulk of the action takes place in 199 (complete with a woman wearing an anti-Poll tax teeshirt) which from today's perspective is almost as remote an era (as attested to by the fact that cast member Carroll Baker is now 92).
I was reacquainted with Blonde Fist a couple of weeks ago thanks to Talking Pictures TV; I only have a vague memories of this film's release back in 1991 - it was concieved, I assume, as a star vehicle for flavour of the then moment Margie Clarke, who was on something of a roll following an impressive turn on the long neglected (and unfairly so) social drama 'Making Out'.
Written and directed by her brother, co-starring her sister, Blonde Fist soon sank without trace. Drably shot and sluggish paced, the story seems to take forever to get going; Margi Clarke tries, but she is uncomfortable as she is unconvincing in the leading role - hampered by an unfunny script that's stuck between the far superior Boys From The Back Stuff, or an overlong episode of the dreadful Liverpool based situation comedy Bread, and a supporting cast of sanctimonious bullies and clichéd stereotypes.
Give this one a miss - it flopped for a good reason; the only point of note is an early appearance by Stephen Graham, and a small role for veteran Scottish actress Julie Graham; both made a better ''fist' of their careers than Margi ever did...and neither of them were related.
Written and directed by her brother, co-starring her sister, Blonde Fist soon sank without trace. Drably shot and sluggish paced, the story seems to take forever to get going; Margi Clarke tries, but she is uncomfortable as she is unconvincing in the leading role - hampered by an unfunny script that's stuck between the far superior Boys From The Back Stuff, or an overlong episode of the dreadful Liverpool based situation comedy Bread, and a supporting cast of sanctimonious bullies and clichéd stereotypes.
Give this one a miss - it flopped for a good reason; the only point of note is an early appearance by Stephen Graham, and a small role for veteran Scottish actress Julie Graham; both made a better ''fist' of their careers than Margi ever did...and neither of them were related.
क्या आपको पता है
- ट्रिवियाFilmed in six weeks on a £600,000 budget.
- कनेक्शनReferences Lost Horizon (1937)
- साउंडट्रैकLike I've never been gone
Written by Paul Hampton and Camille Monte
Sung by Billy Fury
Published by Chelsea Music Ltd
Courtesy of The Decca Music Company Ltd
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Blonde Fist?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- A Lutadora
- फ़िल्माने की जगहें
- Grafton Ballroom, West Derby Road, Liverpool, यूनाइटेड किंगडम(Venue for the boxing matches)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 42 मि(102 min)
- रंग
- पक्ष अनुपात
- 1.78 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें