Billy Bathgate

While hanging out with friends in 1935 New York City, Prohibition-era poor Loren Dean (as Billy "Bathgate" Behan) notices notorious gangster Dustin Hoffman (as Arthur "Dutch Schwartz" Flegenheimer) doing his dirty work. After admiring Mr. Dean's ability to juggle four balls, Mr. Hoffman gives the younger man a job with the mob. Dean begins by sweeping the floor, but is quickly promoted to keeping smoking hot girlfriend Nicole Kidman (as Drew) satisfied under the sheets...

One of the problems with "Billy Bathgate" is that Dean appears as a fully grown man who is being treated, and often acts, like he's a 14-year-old kid. Sometimes he is made to appear shorter and younger, but it's really a lost cause. Consequently, the scenes with Dean and the other men seem silly. And, even on his own, top-billed Hoffman's character registers nothing but ugly.

Dean is more convincing with Ms. Kidman, who has a brief "full frontal" moment after a swim. A highlight is the "Saratoga" horse-racing sequence, with Dean, Kidman and Steve Buscemi (as Irving). Kidman has a husband (Xander Berkeley) who likes to unbutton a man's shirt on the couch, and another (Bruce Willis) who gets to try on a pair of Hoffman's cement shoes...

***** Billy Bathgate (11/1/91) Robert Benton ~ Loren Dean, Dustin Hoffman, Nicole Kidman, Steven Hill

The big screen adaptation of E. L. Doctorow's novel shows impressive credentials and handsome production values; so why is the finished film so inert? Is it because the story itself, about a fresh-faced Bronx kid who, during the Depression, learns the hard facts of criminal life from mobster Dutch Schultz (and falls for the boss' girlfriend) is so familiar? Could it be the abrupt, anti-climactic ending to the film's clever hopscotch structure? Or is it because the movie is too much about Billy (played by clean-cut newcomer Loren Dean, a throwback to pre-Touchstone Disney) and not his psychotic mentor? No evidence is visible of the much publicized production problems other than a few scenes where dialogue was obviously overdubbed, but the film still looks as if it were made under duress. A strong supporting cast, and Dustin Hoffman's exciting performance as the vulgar Dutch, are saving graces.

Some review comments about it having an "abrupt ending" were peculiar since the ending was HISTORICAL. The chop house shooting happened. The characters could have been drawn better, much better, especially regarding motivations. Perhaps this is why people were left unsatisfied at the ending; they didn't care about the characters. A major reason for that is the lead title character was completely forgettable. Yes, Nicole Kidman struts around stark naked; you'll see more of her here than in "Eyes Wide Shut". (She's really a little too thin). If you stumble across the movie check it out; better yet, read the book.

It's kind of shocking to see less than 20 reviews (as of March, 2006) for a movie that stars Dustin Hoffman and Nicole Kidman and also has Bruce Willis and Loren Dean.

This story of gangster "Dutch" Schultz is told, like the beginning of Goodfellas, through the eyes of a young guy (Dean) who breaks into the business, so to speak. Probably in this case, he was more attracted to Kidman than the business, and who could blame him?

Dean was a complete no-name at the time and is a fine actor. Hoffman plays the crude Schultz and Kidman is his immoral wife. For some people, this film is remembered for quick full frontal nudity shots of Kidman. The most interesting person in the film, I thought, was Schultz' lawyer/confident Otto Berman, played by Steven Hill. Willis also helps make up a good cast, but his role is short.

For a gangster/action flick, there wasn't a lot of violence in here and I liked the period detail. It looks nice, especially on DVD. One downfall on some of these modern-day films: there isn't one morally upright character in the story and the filmmakers make Dean and Kidman into sympathetic figures. Overall, however, a good crime movie.

This film had some problems, but is still underrated. Hoffman is intense and frightening as Dutch Schultz and I can't believe he wasn't nominated for this. The lead kid, Loren Dean, simply has no acting talent whatsoever. Nicole Kidman is fetching as the spoiled, rich girl and Steven Hill is excellent. Robert Benton is a wonderful filmmaker and I rate this a 7 out of 10.

The novel is better than this, but there are wonderful scenes and even Bruce Willis is believable for the only time other than Pulp Fiction. I can't believe this bombed as it did, but I think in the future people will give a higher rating than they did at the time. One of Hoffman's best performances along with Midnight Cowboy and Straight Time.