Beauty and the Beast

Beauty and the Beast is an engaging movie with so much care and beauty fused into its core. Beauty is much more than just an influential animated classic. It is a grand and powerful fable, sugar coated with the best animation effort in a time where CGI was becoming a movie mainstay. In its finest moments, Beauty is a rousing musical, making your head move and getting caught up right in the mix. The score is unforgettable and the characters are so easy to get into. A movie that children and adults alike will love, Disney deserved its Academy Award nominations for creating such a joy.

Small town Belle longs for more than a local life, maintaining her imagination through books and taking care of her kind, yet eccentric father. But when their horse returns without papa, Belle sets out to find the awful truth in an enchanted castle.

You can see that so much time and care was spent in drawing this masterpiece. I cannot think of many other movies that show such meticulous background and animation. That such effort is woven effortlessly into its songs that make Beauty and the Beast the timeless classic Disney rightfully lauds itself over. 'Be Our Guest,' 'Beauty and the Beast,' 'Gaston,' you will be humming these songs at one point in your your life! Kudos to Disney for creating a charismatic, attractive villain in Gaston. He would not be a villain if he was not such a jerk. You must watch this movie at least once in your life, in a comfortable sofa and with the sound turned right up for the Broadway scores. You will enjoy it!

This is a classic movie. We have breakthrough films like Snow White and Fantasia, and we have other greats like Aladdin and The Lion King, but this definitely tops them all. There is so much here that is missing in other Disney classics. This film has emotion, incredible music and animation, characters that you admire, laugh at, and despise. This movie is a fun ride from beginning to end. We can all relate with the suffering of the Beast (being an outsider), and we all know a Gaston in our lives. The way we can identify with the characters sucks us into the story. Don't miss this classic...the only animated film to be nominated for a Best Picture Oscar.

I've not seen the newly added song sequence (Human Again) featured in the latest IMAX version so my comments are based entirely on the original theatrical and VHS release.

BEAUTY AND THE BEAST is Disney at its peak. From the stained glass window at the opening and the beautiful narration, the viewer is drawn into the story by the appealing music and clever lyrics ("Belle's Song") which gets the picture off to a bouncy start. The opening sequence showing Belle and the townspeople in song is masterfully handled and choreographed for maximum effect, setting the tone for the entire story.

The plot becomes thicker once Belle's father enters the castle grounds where the Beast resides. The castle interiors are brilliantly Baroque and the odd characters inhabiting the grounds are delightfully rendered by a perfect blending of art and voice talent. Cogsworth, Lumiere and Mrs. Potts are delightful creations, each with strong, consistent personalities. David Ogden Stiers, Jerry Orbach and Angela Lansbury cannot be praised enough for their contributions.

Two of the musical highlights are Orbach's dazzling job on "Be My Guest" (with French accent) and Angela's tender rendering of the title song, "Beauty and the Beast". Unforgettable movie moments. As Gaston, Richard White's robust baritone voice adds greatly to the effectiveness of his villainy.

It's no wonder the film was the first to receive recognition by the Academy with a Best Picture nomination. Outstanding in every department, including the end title song sung by Celine Dion and Peabo Bryson in a more "modern" style.

Along with SNOW WHITE and SLEEPING BEAUTY, a top-notch fairy tale with its appeal evenly divided between adults and children--as well as the child in all of us.

When an arrogant Prince turns away an old woman looking for shelter with only a rose for a gift, she warns him not to just take the surface appearance as being the all of a person; however he rejects her a second time – only for her to reveal herself as a beautiful enchantress. She casts a spell on him, turning him into a beast with the only hope of return being to fall in love with a woman and have her fall in love with him before the rose wilts and dies. Resembling a carpet stuffed with walnuts, the prince figures he has no chance and withdraws into his castle. When an elderly man wanders into the castle, the Beast holds him prisoner and only lets him go when his daughter, Belle, offers to replace him in the Beast's castle. With time running out, the Beast's staff hope that Belle will be the one to break the curse but the Beast cannot remember how.

Being quite a cynical, acerbic person I must admit that I prefer modern animated films that deliver lots of adult humour along with a good emotional story and often I struggle to enjoy films that take the more traditional Disney route. However with this film I was quite taken by how classy the whole affair was, with great effort being shown in every area from the animation, to the songs through to the emotionally involving story whose telling is touched with a nice sense of wonder throughout. The story doesn't really hit many bum notes (I thought Gaston's sidekick was a bit too obvious and half cooked) and it is interesting and enjoyable for the vast majority of the time. The story and comedy is aimed at both adults and children – but the stuff for kids is not basic pratfalls, nor is the adult material just a load of references or suggestive jokes. Instead the two are quite well blended with good physical comedy and plenty of wit. Again, it is the sense of spectacle and wonder that came through that I really appreciated.

The animation feels more impressive for the reliance on mostly traditional animation rather than computer effects – in fact the computer effects look a bit dated now, even if they do still produce the goods in some key scenes. Mainly it is the feeling that every frame has had a lot of effort and love put into it that makes the whole affair feel classy. The songs are also great and feature quite a few memorable songs that stick in the mind; meanwhile the choreography of these scenes is generally very imaginative (Be Our Guest was my favourite). The cast don't feature many big stars and perhaps this is good because the real people don't distract from their characters. That said, I thought that Benson, O'Hara, White and a few others were quite unremarkable even if they were good enough for the film. Orbach, Stiers, Lansbury and others provided comic work in the support characters and everything worked well.

Overall this is a really classy animated film that shows the effort and care put into it in many different regards. It does suffer a bit from cuteness and sentimentality but I didn't think this was a massive problem or something that was not to be expected from Disney and generally I really enjoyed the film and see it as one of the films that define Disney for people of my generation.

The only animated movie to receive a Best Picture Oscar nomination, and it deserved it.

Magic from the opening prologue to the final credit, "Beauty and the Beast" is the last real classic to come from the Disney crew before John Lasseter came along. This was one of the few movies I happily paid to see twice in the cinema, and sitting in a sparsely-populated Friday night audience (I was living in Barbados at the time, and it was hardly the most artistic place on Earth... it was a crying shame that there was hardly anyone there while "Home Alone 2" went through the roof) the second time, the magic remained.

You all know the story, so apart from pointing out the movie's one flaw (the prince's spell had to be broken before he turned 21 or he would remain a beast forever; so if it was cast ten years before the events of the movie, wouldn't that mean he was 11 when the spell was cast...?), let's look at how well the movie works. You have a monster who's more human than the movie's medallion-man villain; you have a heroine who's PC but engaging with it; you have a supporting cast of magic utensils who wisely never upstage the couple at the centre of this love story (and despite the Disney animated trappings, it IS a love story); and you have a captivating story, beautifully told.

The movie's also got wonderful design of its French setting and characters, with the ballroom scene a standout (the tiny but appreciative audience were impressed by the sight of the Beast and Belle in their evening wear - the only time I've ever seen cartoon characters get wolf-whistled in a cinema); and Alan Menken's score is his finest work for the Mouse, with matchless lyrics from the late and much lamented Howard Ashman - how many musicals can you name where ALL the songs are brilliant? But ultimately it's the movie's very real heart that makes it a keeper; the cliche "You'll laugh, you'll cry" is all too true in this case. A lot of movies called 'classic' don't deserve that appellation, but this one does.

I'll be slaughtered by anime fans, but what the hell... one "Beauty and the Beast" is worth a thousand "Akira"s. And "Shrek"s. And, I'm willing to bet, "Treasure Planet"s. This is a truly adult animated feature that's also one for the entire family. Forget "The Silence of the Lambs" - this is the real best picture of 1991.