एक अन्वेषक मनमोहन मित्रा 25 वर्षों के बाद भारत लौटते हैं, उनके खानदान की एकमात्र जीवित लड़की, उनकी भतीजी के लिए, जिन्होंने उसे कभी नहीं देखा है या मुलाकात की है. निश्चित रूप से, उनकी भतीजी औ... सभी पढ़ेंएक अन्वेषक मनमोहन मित्रा 25 वर्षों के बाद भारत लौटते हैं, उनके खानदान की एकमात्र जीवित लड़की, उनकी भतीजी के लिए, जिन्होंने उसे कभी नहीं देखा है या मुलाकात की है. निश्चित रूप से, उनकी भतीजी और उसके पति को उनकी पहचान पर संदेह होता है.एक अन्वेषक मनमोहन मित्रा 25 वर्षों के बाद भारत लौटते हैं, उनके खानदान की एकमात्र जीवित लड़की, उनकी भतीजी के लिए, जिन्होंने उसे कभी नहीं देखा है या मुलाकात की है. निश्चित रूप से, उनकी भतीजी और उसके पति को उनकी पहचान पर संदेह होता है.
- पुरस्कार
- 5 जीत और कुल 1 नामांकन
- Prithwish Sen Gupta
- (as Dhritiman Chattopadhyay)
- Chhanda Rakshit
- (as Subrata Chattopadhyay)
- Sital Sarkar
- (as Ajit Bandyopadhyay)
फ़ीचर्ड समीक्षाएं
Whenever I watch an S. Ray film, I always feel lost trying to find a main theme or thrust in the story. Here we have several: ancient custom vs. technology, self-discovery, mystery/doubt, etc. But they all co-mingle in this extraordinarily complex character (based on Ray himself no doubt, hence the high level of insight). His was a cinema of life, scattered and bewildering, yet sublimely beautiful.
Still, Ray remains one of the few great directors from his era who never quite mastered the use of colour. Indeed, the lingering shots of images lacks the power of say the chandelier in "Jalsaghar," and the regret and sorrow on the faces of the family doesn't come anywhere close to the final scenes of "Pather."
On top of this we have Ray trying most explicitly to be philosophical. Some of Manmohan's laments on civilisation resemble passages from "Notes From Underground," and we even have the husband talking about having to "put two and two together," but these themes seem to be mentioned for the sake of mentioning them. Ray, like Manmohan, was an anthropologist, not a philosopher. Still, there are some deeply touching moments in this overall capably and thoughtfully made film.
3 out of 5 - Some strong elements
This film is notable for being Satyajit Ray's final project. He may be best known for the s-called "Apu Trilogy" much earlier in his career. But, to be honest, I enjoyed "Stranger" far more. It was more polished, had a more intelligent script and dialogue. It is something of a masterful movie.
As I often say in reviews, I am not typically a fan of Indian / Bengali films. I rarely see one -- even those considered the best -- that I enjoy. But I would wholeheartedly endorse "The Stranger".
क्या आपको पता है
- ट्रिवियाThis was Satyajit Ray's final film. He was so ill during the production of it that most of it was directed from an oxygen tent.
- भाव
Ranjan Rakshit: I could see a headline before my eyes: Return of the Prodigal Uncle.
Manomohan Mitra: Do you know that prodigal has two meanings, Mr. Rakshit?
Ranjan Rakshit: Two meanings?
Manomohan Mitra: One is wasteful. And the other is repentant. I'm neither.
- कनेक्शनReferenced in Maacher Jhol (2017)
टॉप पसंद
- How long is The Stranger?Alexa द्वारा संचालित
विवरण
- चलने की अवधि2 घंटे
- रंग
- पक्ष अनुपात
- 1.78 : 1