Rugrats

Post-1994

. . .

In 1997, at fans' urgings, Klasky-Csupo, with a more complex soundtrack and somewhat better looking animation, brought back Rugrats after a three-year hiatus.

Though not as classic as the old show, it still managed to maintain some of the charm and energy of the original series. A few of the better episodes which somewhat harkened back to the older series, including "Radio Daze", a spoof of the old Dick Tracy radio shows, and such typically whimsical episodes as "Send in the Clouds" and "Dust Bunnies". All episodes were enjoyable; even "The Family Tree", the set-up for the first Rugrats movie, was decent. In 1998, however, two tragedies befell the rugrats, sending them into a void from which they would never emerge.

First, the brilliant voice of Grandpa Lou, David Doyle, died. For fans of the actor or of his character, his last episode on the show, "Lady Luck", while hardly classic, should be cherished as his magnum opus. This left a void in the show which could never be completely fufilled. The replacement, Joe Alasky, tries hard but sounds more like he's drunk and suffocating than the much older Doyle did. Even the relatively annoying Alasky nonetheless held the show together well enough. But even he couldn't save the show from the next catastrophie.

Personally, I felt Rugrats was FINE. Most fans found it FINE. Even kids did. The show's creators should've stopped while they had a modicum of respectablity and originality left, in 1998. But:

At the end of the two-part "Family Tree", Didi reveals to Stu that's she's pregnant. Oh boy. Well, this still isn't necessarily a bad thing; it can be saved. If they could make an at least interesting new character, than perhaps the show's existance could be prolonged for the better.

But, in the at-best mediocre "The Rugrats Movie", we're introduced to Dylan Prescot (Dill) Pickles. Hah hah, great joke. We get it, not funny, boo.

But what's even worse is that Dill is a screaming piece of crap. Literally. He's there simply to be cute (which he's not) and to make poop jokes (hah hah!). He abuses the other rugrats (especially brother Tommy), walks around in a surrealistic walker (the "Kangaroo", or something equally absurd), poops himself, and says stupid baby talk. Now the babies are forced to babysit Dill. Whoo, what fun!

But even worse is that the adult characters are dumbed down. In the 1991-1994 - and, to a lesser extent, from '97-98 - they were humans. They had real concerns. They acted realistically. Well, they were a bit negligent, but they weren't too contrived. They are instead reduced to spouting stupid one-liners and observations. Their previous portrayal provide the framework, but not the characters, of the adults. Their characterization in these later seasons simply plays upon the cliches established in the earlier episodes ('97-98 included).

In "Still Babies After All These Years", creator Gabor Csupo claimed that they invented Dill so that there would be someone even "less evolved than the other rugrats". Yeah, right. Those of us over the age of seven or who have IQs higher than -10 can see that you were just doing this for money. Make the show run on and on. Get dumber characters and plot lines. Milk that cow as much as you can.

By 1999, however, Klasky-Csupo had, shockingly, already gotten tired of Dill. So, they made "Rugrats In Paris".

Personally, I find nothing wrong with the film itself - it had a good plot, funny jokes (especially the "Godfather" references), and a great voice cast. Well, actually, yes, I do:

Grandpa Lou got married; Lulu (oh, match up similar names, whoohoo, funny!) is the wife's name. Now, Chaz gets married, too. Kira, the mother, and Kimi, the daughter, two typically PC Japanese characters, join the family. Oh, and there's a dumb dog. Spike, the dog, falls in love with Kira and Kimi's dumb dog and it's just stupid.

What little respectability the Rugrats had maintained following Dill's addition (not much at all, with "Submarine" being the only episode that was even tolerable - ruined, of course, by Dill) was gone. Now, the cash hogs at Nick are caving into to the stupid kids' demands. Why does the majority have to be stupid?

So, Rugrats just barrels on into oblivion. It is doomed to implode in on itself, like the dreams of Ms. Bitters. There may be more movies, and the series shows no signs of stopping. Rugrats was inducted onto the Hollywood Walk-Of-Fame - I don't know whether to be happy or sad.

And then, in July 2001, a last-ditch effort to save Rugrats occured. The grand redoubting of the tyrant Klasky-Csupo - which has destroyed such great shows as "Aah! Real Monsters!" (actually one of their own), "Rocko's Modern Life", and now, "Invader Zim"(!), brings us: teenage rugrats! Lame, lame, LAME! That's all I have to say. The only thing different is that the babies interact with the adults. Whoo-hoo.

So here Rugrats is: from great show to money-starved pig. Enough said.

I used to love "The Rugrats". Before they became unbearably popular. Before Dil came. Before David Doyle died. Before the movies. Before . .. you get the picture.

Why? Very simple. The initial Rugrats was a great show.

When the show premiered, in 1991, with "Tommy's First Birthday", nobody could've guess how far it would go. It had a simple premise: what life as a baby was like.

As the show began to climb, the jokes and the show itself began to become polished. The animation was horrid - but who cares? If the show's enjoyable, then I won't hate it for a single quality. Besides, the scribbles that made up the animation added to the whimisical feel of the show.

The show was, at first, intelligent, with jokes and plot lines that both kids and adults could relate to. Media references abounded. For example, in "Showdown at Teeter-Totter Gulch", a Stetson-wearing Tommy faces off against the "Junkfood Kid" (played by Nancy Cartwright), recalling "High Noon" and numerous Leone westerns. In "The Booster Shot", Chucky's doctor is named "Dr. Lecter", a reference to the flesh-eating psychiatrist from "The Silence of the Lambs". The episode with Dean (Angelica's love interest) spoofs James Dean in "Rebel Without A Cause". "The Dog Groomer" recalls "The Terminator", "The Mysterious Mr. Fiend" spoofs "Frankenstein", Dr. Lipschitz (Tony Jay) is a Sigmund Freud-esque child psychologist, and numerous others are similarly intelligent.

Also, the characters were well-developed and likable. At this point, the dialogue was great. Not only the kids, but the adults. The adults were intelligent, had emotions, and were very realistic. They made many of the jokes, and were interesting, rather than the no-dimensional shells they become.

The show's popularity began to grow in 1992, but it was put on hiatus in 1994, when Paul Germaine left the show.

I used to love "The Rugrats". Before they became unbearably popular. Before Dil came. Before David Doyle died. Before the movies. Before . .. you get the picture.

Why? Very simple. The initial Rugrats was a great show.

When the show premiered, in 1991, with "Tommy's First Birthday", nobody could've guess how far it would go. It had a simple premise: what life as a baby was like.

As the show began to climb, the jokes and the show itself began to become polished. The animation was horrid - but who cares? If the show's enjoyable, then I won't hate it for a single quality. Besides, the scribbles that made up the animation added to the whimisical feel of the show.

The show was, at first, intellegent, with jokes and plotlines that both kids and adults could relate to. Media references abounded. For example, in "Showdown at Teeter-Totter Gulch", a Stetson-wearing Tommy faces off against the "Junkfood Kid" (played by Nancy Cartwright), recalling "High Noon" and numerous Leone westerns. In "The Booster Shot", Chucky's doctor is named "Dr. Lecter", a reference to the flesh-eating psychiatrist from "The Silence of the Lambs". The episode with Dean (Angelica's love interest) spoofs James Dean in "Rebel Without A Cause". "The Dog Groomer" recalls "The Terminator", "The Mysterious Mr. Fiend" spoofs "Frankenstein", Dr. Lipschitz (Tony Jay) is a Sigmund Freud-esque child psychologist, and numerous others are similarly intellegent.

Also, the characters were well-developed and likeable. At this point, the dialogue was great. Not only the kids, but the adults. The adults were intellegent, had emotions, and were very realisitc. They made many of the jokes, and were interesting, rather than the no-dimensional shells they become.

The show's popularity began to grow in 1992, but it ended abruptly in 1994, when Paul Germaine left the show.

(Continued in Part Two.)

I love watching THE RUGRATS. This first came on in 1991 and is still on the make, there has been lots and lots of episodes as the rugrats are likely following in the simpsons footsteps as they are also still on the make with lots and lots of episodes. The Rugrats have made 3 movies and hopefully there will be more movies to come from them. My favourite episode of The Rugrats is No More Cookies Angelica because i really love that episode where Angelica Burps. That makes me laugh. I give The Rugrats a good score 10 out 10.

Rugrats was one of those cartoons I grew up watching as a kid. Before SpongeBob, Nickelodeon had this show which last for 14 years and it was successful. It was one of the original Nicktoons to be produced. The series follow a group of babies going on adventures by themselves without their parents knowing. As a show itself, its not perfect. I loved the earlier seasons the most especially before the 1998 movie. Come season 6, the quality did became lesser, but it was still good. Seasons 7-9, however, are really boring to watch, since there's recycled stories, and uninspiring writing. It can get repetitive in general, in which most of it have to involved the babies doing something, Angelica try to stop whatever they're doing, etc. Animation wise, it is trippy and art style is unique at the time that it was never on-model. Writing was at its peak during seasons 2-3. Early episodes have its bump, but still had its charm. Seasons 4-6 while weaker in writing still had its Rugrats feel for the most part., even if the latter does become to feel tired. Once you get to the post-Paris movie seasons, the writing fell apart and you'll be disinterested for 70% of the time. The characters are likable for the most part unless we're talking about Angelica and maybe her parents. Voice acting can be obnoxious at times, but they still pull it off during emotional moments. IMO, it's still one of Klasky Csupo's magnum opus. I only recommend seasons 1-6 though and the first movies are classic (avoid the crossover movie with The Wild Thornberrys).