घर में स्वागत है, रॉक्सी कार्माइकल

Roxy Carmicheal was quite a treat. It showcases a young Winona Ryder's very obvious talent for acting, especially outcast roles, continuing her alternative edged film performances beginning with Lucas and Beetle Juice, which would continue onward into the future. The film viewed as a character study is much more enjoyable than the film viewed as a story about the prodigal homecoming of the immortalized Roxy Carmicheal to which the title refers. The real beauty of the film is witnessing the trials, the pathos, the dilemmas, and the funny stunts of social misfit Dinky (Ryder's character). I fell in love with this character, seeing her as almost a female equivalent to myself (or as I once was anyway). If you are in any way a misfit or rebel, whether you are male or female, you will instantly relate and have empathy for the character of Dinky, who virtually carries the film on her back (due credit should be given to Jeff Daniels' performance though, as another testimonial to his fine dramatic acting abilities). Unfortunately it somehow does not really work as a unified whole, but I agree with those who say this is underrated. It succeeds in creating a memorable and poignant atmosphere that may linger in the viewers' hearts and minds for a time afterward.

Stunningly beautiful in places, surprisingly funny, often deeply touching. At just 19, Winona Ryder had already scored two massive hits with Beetlejuice and Heathers, but this performance eclipses them easily - and is possibly one of her best ever. She is hugely talented, and I can't get enough of her when she's on this kind of form - which sadly isn't often enough in recent years. Jeff Daniels' performance is spot-on, and together on screen these two stars shine brightly - not to take anything away from the superb supporting cast.

One of my all-time favourite movies, and one that still looks as fresh today as it did 16 years ago - testament to the people who made it. Quite under-stated, almost apologetic, but it will delight you. Someone else here described it as a 'hidden treasure' and I agree - it is hugely underrated and is a must-see for anyone who loves movies, Winona Ryder, Jeff Daniels, or has ever felt something was missing, confused or that they didn't belong. If I had to choose one movie to rescue from my burning house, this would certainly be the one.

15 years ago, Roxy Carmichael left town leaving behind her boyfriend and new baby. Now, she's coming home as a success story. Her former boyfriend Denton Webb (Jeff Daniels) is still not over her despite being married with kids. Dinky Bossetti (Winona Ryder) is adopted, bullied at school and a loner who keeps lots of animals at an abandoned boat. Dinky is convinced that she's the love child of Roxy and Denton. She's interested in class hunk Gerald Howells but he's reluctant to show affection for the class freak. Her only friend is the school counselor Elizabeth Zaks.

Winona Ryder is perfectly cast as this sensitive outsider teen. She is great at playing this type of character. The rest of the movie lacks humor. It tries to be a sharp black comedy but the writing isn't good enough. Director Jim Abrahams is more known for his spoof movies. He doesn't seem to have a solid hold on a sensitive serious coming-of-age movie. The tone is awkward. The attempted comedy slams into Denton's anger and his side of the story. The movie works with Ryder but struggles without her.

A rather condescending view of small-town hoopla. I suppose the film is an extended character study. Nothing wrong with that, but the film fails to engage. Interesting, the only passing reference to a lesbian affair, or fling, between two of the peripheral characters. I wonder if some of that subplot ended up on the cutting room floor. Inspired performances by Winona Ryder and Laila Robins couldn't save this movie. Grade: C

Thomas Wilson Brown as Gerald Howells made this movie. This under used actor lent a sweet sentiment to a good movie that was having trouble finding it's way. Go ahead, watch it again. But, this time watch Thomas Wilson Brown. It becomes a whole different movie.