Tune in Tomorrow...

i have never seen such a romantic movie ever. this movie has it all. laughs, love, keanu reeves and sorrow. i love this movie~~its so lovely, enchanting and dreamy. in a few sentences of summery about this movie: martin falls in love; but this love is wrong. trying to keep their relationship-he will do anything~~perhaps even kill??>>but one thing is for sure>they live happily ever after~~. i really enjoyed this movie because it shows us the ones who have fallen out of love> someone else is out their waiting for them-no matter how old you are love will come but you just got to be patient!i would also like to recommend the movie: a walk in the clouds also stars keanu reeves.

"Tune In Tomorrow" is a near miss. It's a movie that is funny in moments but unfortunately these moments are few and far between. Peter Falk is enjoyable as is the story of the effects of a radio serial on those involved with its' creation. The movie just never clicks. Much of the blame has to go to Keanu Reeves. It is almost worth watching the movie to see how bad an actor can be. I don't know if he's just horribly miscast or maybe it was just a bad day at the office for him but he is awful. The funniest portions of the film have to do with the fictional radio serial Peter Falk's character has created. The insults against the Albanians are laugh-out-loud funny. With a little more work this could have been a very funny movie.

I love this movie. I love everything about it.

It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.

The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?

Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.

As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.

From some of the other comments (especially the one complaining about the Southern accents), it's clear that people are judging this film at face value. This movie is not meant to be realistic! It's a whimsical, highly stylized fable, right in line with director Jon Amiel's best work -- and it's a delight from start to finish. Everybody in the cast is clearly having a great time -- particularly Peter Falk -- and if you have an open mind, and are willing to surrender to the film's atmosphere, you'll have a great time too.

Hilarious, smart, sexy, surprising -- in other words, not your typical Hollywood comedy. Give it a chance!

A sometimes uneven romp is overtaken by a simply brilliant performance by Peter Falk. Don't miss this overlooked jewel. Falk stars as a writer of radio serials who has been both a success, and ridden out of town, from every decent station in the country. Now in New Orleans, we discover his secret for success, and his hysterical passion to pull everything together.