Tune in Tomorrow...

Whenever I think of extremely underrated movies, Tune in Tomorrow always comes to mind. Barbara Hershey, Peter Falk and Keanu Reeves all shine in their leading roles. The luminous and hilarious supporting cast showcases Patricia Clarkson, Peter Gallagher, Elizabeth McGovern and John Larroquette like you've never seen them before. This ensemble is one of the best that I've encountered on screen and makes me wish they gave out awards for supporting casts.

The movie might not be everyone's cup of sweet tea but it's a gem, nonetheless. Even if the story doesn't tickle your heart, the movie is definitely worth catching for the Wynton Marsalis score and the classic images of a pre-Katrina New Orleans.

i have never seen such a romantic movie ever. this movie has it all. laughs, love, keanu reeves and sorrow. i love this movie~~its so lovely, enchanting and dreamy. in a few sentences of summery about this movie: martin falls in love; but this love is wrong. trying to keep their relationship-he will do anything~~perhaps even kill??>>but one thing is for sure>they live happily ever after~~. i really enjoyed this movie because it shows us the ones who have fallen out of love> someone else is out their waiting for them-no matter how old you are love will come but you just got to be patient!i would also like to recommend the movie: a walk in the clouds also stars keanu reeves.

I thoroughly enjoyed this movie. The jokes about Albanians were hilarious and Peter Falk's character was the most ridiculous. Just one person creating so many multi dimensional characters. Especially the fire scene. Very dramatic. Keanu Reeves and Barbara Hershey play very good characters with romantic interests in each other. Well you end up rooting for Keanu's character since he has such an endearing innocence. The backdrop, scenery and the costumes are very colorful and convincing. The movie is a great joy to watch. It brings light to a entertainment medium that is hard to imagine in this digital age.

From some of the other comments (especially the one complaining about the Southern accents), it's clear that people are judging this film at face value. This movie is not meant to be realistic! It's a whimsical, highly stylized fable, right in line with director Jon Amiel's best work -- and it's a delight from start to finish. Everybody in the cast is clearly having a great time -- particularly Peter Falk -- and if you have an open mind, and are willing to surrender to the film's atmosphere, you'll have a great time too.

Hilarious, smart, sexy, surprising -- in other words, not your typical Hollywood comedy. Give it a chance!

I love this movie. I love everything about it.

It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.

The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?

Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.

As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.