Stanno tutti bene

Giuseppe Tornatore is best known for the excellent, Oscar-winning "Cinema Paradiso," but unlike that film, "Everybody's Fine" is rarely talked about. One of my all-time favorite actors, Marcello Mastroianni (8 1/2, La Dolce Vita, Big Deal on Madonna Street), plays Don Matteo, an aging Sicilian father of five who goes on a trip throughout Italy to try and visit all of his children. This is a trip of revelation for Matteo, who believes his children to be happy and wealthy. Gradually, the truth comes down.

Throughout the movie, Matteo is haunted by dreams of a beautiful Felliniesque day at a beach in which a caravan of horses are destroyed by an ominous descending black balloon that also steals his children. This isn't the only thing in the film that is inspired by Fellini, there are a LOT of things in here that echo the great Fellini's work (including a shot of a bus driving by our main character, it's passangers with their hands on the windows glaringly staring at him...GOOD STUFF).

It's a very warm, sentimental film, and I thought it was quite wonderful. Legendary composer Ennio Morricone's extraordinary score fits the film like a glove.

This film should not be missed, it's an amazing job by one of the best actors, Mr. Mastroianni has shown us what acting is all about. What a wonderful story... what a wonderful film!

This is an artist's dream of film making: a beautiful and visual treat with stunning - Fellini like - images and imagination. It's comical as well, with Marcello Mastroianni enjoying his role and looking funny, wearing a big, floppy, flower-pot-hat with rim - and overcoat: and profiling a bushy- white moustache; and large, black rimmed glasses with bottle-top lenses. Marcello Mastroianni: delightful- uniquely, and acting in remarkable and emotional style ( - and worthy to compare to Charlie Chaplin and Jacques Tati. )

The film score by Ennio Morricone is electrifying , and inspired, and greatly enhancing the film's quality. ( Anyone could be forgiven by mistaking the cinematic score to be written by Nino Rota? ) Guiseppe Tornatore as film director -in one scene, there feels a striking reference to 'Cinema Paradiso' with child actor, Salvatore Cascio -in a misty, blue- hazed vision of the past - very touching? There are images to savour forever - perhaps Salvador Dali influenced?

'.....The basic plot is that Marcello Mastroianni, as a widower, travels to mainland Italy to re-unite his 'children' together on a surprise visit during summer vacation. The family collude, and they endeavour to conceal their lack of success - both in their own personal, and profession lives....'

I watched the film in a London cinema 29 years ago, and went back the following week to watch the film again with my wife to be; I still thoroughly enjoyed my viewing again....that the experience and genius of the art work of the moving image- ( that ) the film conveys....

Cinematography by Blasco Giurato. The film matures and ripens with age, as we age in sentimental nostalgia. The film captures romantic sentiment and sadness in a heart of nostalgia ......as the film ends- as the train of the journey arrives home to Sicily - there seems to be a carriage missing from the original train that started our journey.... In thought: a sense, a loss, one of sadness, and one of longing..... Stanno Tutti Bene!

I like Robert De Niro as much as anyone, however the American version of Stanno Tutti Bene reduces the main role encapsulated with such finesse and effortlessness by Marcello Mastroianni that I must insist the original be viewed to compare...I recommend anyone with a genuine appreciation of Italian cinema to rent this movie. Sadly it remains unavailable in DVD. I am advised that it will soon be.

Stanno tutti Bene is without a doubt one of Mastroianni's finest performance,he captures both our eyes and our hearts as an endearing Italian patriarch. The story is simple spiced by moments of pure emotion and also humour. A sombre,sad,almost clown like humour is projected by Mastroianni's interpretation the evident disconnection with reality he is faced with really does tell us that at times "Ignorance is bliss"

He lives in Trapani in the far west of Sicily and undertakes to look up all his five children around Italy to find out how they really are. It develops into an odyssey of constantly overwhelming human experiences, as his insight into his children's lives keeps opening up ever widening abysses. Marcello Mastroianni makes perhaps the greatest performance of his life, and he is curiously and appropriately matched with Michele Morgan in her last performance - this episode is brief but provides an oasis of refreshing relief in this heart-rending but magnificent story reaching in spite of all some very harmonising conclusion. The real underlying story is told in brief flashes of hints of understatements, and like Mastroianni you'll have nio idea of what it is all about until he finally has his children for a lunch in Rome, which was all he wanted but which did not turn out as he had imagined. Take care of this film, you will be in for revolting experiences that will not run off.